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Novi Sad Remembrance

Teodor Kovač, Ivan Ivanji and Marta Flato survived the 1942 pogrom known as the Novi Sad raid, when Hungarian fascists killed more than a thousand people from Novi Sad and dumped their bodies under the ice of the Danube river. Sociology professor Marija Vasić fights against forgetting and teaches students about the Novi Sad raid, while the local authorities erect a controversial monument to innocent victims, and on that list are the names of war criminals who participated in the Novi Sad raid.

Novi Sad Remembrance

NR 2024
Breaking Boundaries

Black Californian teenager, Nastasya Generalova, was raised by her single white Russian mother, Olga who enrolled Nastasya in rhythmic gymnastics when she was four years old as a way for her to connect to Olga's homeland. This film looks at Nastasya's personal journey of expression as the only black girl in Team USA, as well as her relationship with her mother in the stressful lead up to Tokyo Olympics qualification. The audience is invited into Nastasya's world to experience what it feels like to be the only black girl in the building.

Breaking Boundaries

6.0 2024
Plastic People

Are we becoming Plastic People? Our ground-breaking feature documentary investigates our addiction to plastic and the growing threat of microplastics on human health. Almost every bit of plastic ever made ends up ground down into "microplastics". These microscopic particles drift in the air, float in the water and sit in the soil. And now, leading scientists are finding them in our bodies: organs, blood, brain tissue and even the placentas of new mothers. What is the impact of these invisible invaders on our health? Ziya Tong, author and science journalist, makes it personal by visiting leading scientists and undergoing experiments in her home, on her food, and on her body.

Plastic People

5.9 2024
Los ríos

A man knocks on my door. I ask him what he needs. He doesn't answer. He looks at me for a few moments, with enormous eyes. He looks at me as one looks at an apparition. Rivers are born in that silence, in those hallucinated eyes, and they unfold a memory of water, a fragmented knowledge of tornadoes and banks, of creaking trees, of birds bathing in the rain, of men lost on some island, of drowning in the backwaters, of the splash of oars, of the shadow where the river narrows. A man knocks on my door. He says to me: You're not here, we're not here.

Los ríos

NR 2024
Destroy, in Whole or in Part

Russia’s current aggression against Ukrainians contains a number of signs of genocide, so the Kyiv Independent’s War Crimes Investigations Unit decided to investigate the matter. In this documentary, its author, investigative reporter Danylo Mokryk explores whether there is genocidal intent in the actions of the Russian military and officials, as well as in Russian state propaganda. He interviews several scholars whose views oppose one another. William A. Schabas, one of the most renowned scholars in the field, is a skeptic. Eugene Finkel has written an opinion piece stating that the Russian invasion was genocide back in 2022. Dmytro Koval emphasizes that one cannot fully understand Russia’s war in Ukraine if one doesn’t call it genocide.

Destroy, in Whole or in Part

NR 2024
Ninan Auassat: We, the Children

Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.

Ninan Auassat: We, the Children

NR 2024
The Boy's Word: Blood on the Asphalt. Behind the Scenes

Revive the spirit of the times, fall in love with the characters, think through every detail, from coats to dances - and all this is not in vain. The result of the work brought dozens of awards, record views and sincere emotions of millions of viewers. It's time to return to the set and remember how the atmosphere of the late 80s came to life on screen. Screenwriter Andrei Zolotarev, director Zhora Kryzhovnikov, producer Fyodor Bondarchuk, new stars Leon Kemstach and Anna Peresild, together with experienced actors - from Ivan Yankovsky to Sergei Burunov - will reveal the main secrets of working on the event series. And they will honestly share their feelings about what happened after the premiere.

The Boy's Word: Blood on the Asphalt. Behind the Scenes

7.8 2024
On the Way Home

In 1993, after a war in Abkhazia, Georgia known as the Abkhaz-Georgian Conflict, thousands of ethnic Georgian families sought refuge in the decaying Soviet sanatoriums nestled in the town of Tskaltubo, in western Georgia. This poignant documentary unveils the untold stories of these displaced individuals as they try to build a new life amid the haunting ruins, revealing not only their resilience and camaraderie, but also the profound transformation of the sanatoriums from symbols of health and luxury to havens of survival and unity. Iamze, 81, and Nikusha, 12, are awaiting promised government housing, all the while being indelibly shaped by the echoes of war.

On the Way Home

NR 2024
Dark Matter

The first blueprints for rockets could be found in a treatise, Artis Magnae Artilleriae (1648) by inventor K. Simonavičius. And how many Lithuanian astronauts were there? Two. And one of them was an architect. Ozė (V. Ozarinskas, 1961-2014) was an exceptional figure in the Lithuanian cultural scene. His works stand out in their scale, depth, and originality. Especially inconvenient to the viewer is Ozė’s “black” creative period. But is black color only the symbol of despair? Astrophysicists estimate that the better part of the Universe is composed of invisible dark matter. Seems like Ozė knew that very well.

Dark Matter

NR 2024
Planet Earth: Hostile Paradise or Perfect Hell?

The production team spent 1,904 days visiting 43 countries and regions on six continents, exploring many amazing habitats on Earth with advanced filming equipment such as light drones, high-speed cameras and long-range deep-sea submersibles, presenting the most magnificent wonders of the natural world and the incredible survival legends of wildlife, revealing the amazing changes and far-reaching impacts of nature, and experiencing the continuation and reincarnation of life. The Continuity and Reincarnation of Life.

Planet Earth: Hostile Paradise or Perfect Hell?

NR 2024