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Tally Brown, New York

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Tally Brown, New York

7.5 1979
A Look Into the 23rd Century

The movie Logan's Run (1976) depicts a supposedly Utopian society in the 23rd century, but one where, as producer Saul David puts it, "there is a worm in the apple". The filmmakers use current technology and ideals of pleasure to depict this perfect future. Director Michael Anderson finds meshing these two worlds an exciting challenge, especially in trying to create something that has never been seen before in the movies. The studio's technology department plays a key role in creating Anderson and David's vision. The movie's stars, Michael York and Jenny Agutter, provide their take on the movie, their roles and working with each other and with fellow co-star Richard Jordan. The filmmakers also need to create the antithesis of the modern Utopian world for the scenes taking place outside of the domed world.

A Look Into the 23rd Century

7.0 1976
Makalu 8481m - West Pillar

The French Alpine Club's film about the French expedition to conquer Makalu (8481m) via the west pillar in Nepal, which began on February 24, 1971. Composed of 11 mountaineers, Robert Paragot (expedition leader), Georges Payot, Lucien Berardini, Yannick Seigneur, Claude Jager, Jean-Paul Paris, Jean-Claude Mosca, François Guillot, Bernard Mellet, Robert Jacob and Jacques Marchal (surgeon), it took twenty-five days of walking on the Himalayan trails with 460 porters and 18 Sherpas to transport 14 tons of equipment to reach the base camp. Finally, it was Mellet and Seigneur who managed to reach the summit on May 23, 1971: 8481 m, temperature - 30°, oxygen 30%, no wind.

Makalu 8481m - West Pillar

10.0 1971
Number Our Days

Based on the book by anthropologist Barbara Myerhoff, this Academy Award-winning short documentary offers a tender portrait of a community of elderly yet resilient Jews living, loving, and at times struggling, in Venice, California. From everyday trials to traditional celebrations, this compassionate portrayal of Eastern European survivors cuts straight to the heart of every viewer and reminds us of the joys and realities of long life. Preserved by the Academy Film Archive in 2007.

Number Our Days

7.8 1976
Toys

This short film, filmed at the Rural Exhibition, is a testimony that, based on 70 interviews with girls and boys of 9 and 10 years old, investigates the behavior guidelines imposed by conventional education and the results obtained. Boys are educated in a specific way, with very different life goals, and toys reflect this discrimination: kitchens, dolls, hairdryers, cosmetic equipment, the whole domestic world for girls. Creative games, those that awaken the imagination (trains, cars, building games, men in space), are intended for boys.

Toys

8.0 1978
Begegnung mit Gojko

Documentary about the "chief Indian" of DEFA, the actor Gojko Mitić. The popular actor talks about his life. The camera accompanies him as he goes shopping in Berlin: we get to know a young, dynamic and extremely likeable man. The viewer learns interesting facts about his work at DEFA and Gojko's attitude towards the Indians he portrays in the film. In Romania, the main filming location for "Ulzana", test shots were made which show that Gojko does not allow himself to be doubled and how hard he has to train for it. The film ends with the summer film festival in Schkölen, the subsequent sporting activities and conversations with young pioneers. Afterwards, Gojko barbecues for the children before picking up his guitar to sing with the Young Pioneers around the campfire.

Begegnung mit Gojko

NR 1973
Jasper Johns: Decoy

Jasper Johns’s Decoy is rooted inside the notions of reproduction, transformation and memory. Believing that an image gains new meaning each time it is presented, Johns boldly confronts his own past work, most notably Ale Cans (1964), and uses Decoy as a method of metamorphosis. The repetition of certain motifs allows both Johns and his spectators to confront the change an image goes through when approached from a different angle or placed in a new artistic context. As noted in the film, “each time a motif is used and reused additional memories accrue, new layers of meaning, and the image itself begins to acquire its own history.” (Jasper Johns) It is through Johns’s reimagining that the items he features in his work take on new life and grow from object to art, thus redirecting society’s interpretation.

Jasper Johns: Decoy

NR 1973
The Bolero

The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.

The Bolero

6.8 1973