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Where Has All The Pollution Gone? exposes air pollution caused by Japan’s largest Kawasaki Steel Corp. on a scale of ten times the size of Disneyland. Since the steelworks started running, almost every local resident has been suffering from severe asthma which resulted in a 17-year long court battle with the company. Filmmaker KORE-EDA Hirokazu traces one civil servant’s involvement in the growth of pollution administration that took place during the height of Japan’s economic surge in the 60s and discloses the connection between air pollution and state policy.

After a handful of groundbreaking films detailing the tragedy and suffering of the mercury-poisoned Japanese town of Minamata, documentary master Noriaki Tsuchimoto revisits the subject of Minamata through the eyes of the celebrated husband-and-wife painting duo Iri and Toshi Maruki. Tsuchimoto follows the Marukis from their quaint homestead studio, where they paint slews of ghastly, psychotropic mural panels depicting the effects of Minamata disease, to the streets of Minamata, where they meet and paint portraits of several victims of mercury poisoning.

Centers on a support group for alcoholics and their families

Nobuhiko Obayashi's 2001 work "From the theme of Mahoroba". Obayashi filmed the works of Genjiro Ohno, a photographer who has been photographing the landscapes and people of Akita Prefecture for over 10 years.

A companion piece to Voices from the Waves Shinchimachi that forms half of the second installment in a documentary trilogy on the Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. Through numerous interviews, they concentrate on the experiences and emotions of people, not as victims but as individuals.

Starting with a scene of a refugee camp in Israeli-occupied Gaza in 1976, the film features shots of various districts, dispensing with narration and interspersing interviews with Palestinian people and fedayeen (guerrillas) in the rubble of Western Beirut. Children who lost their parents in bombings are educated to be soldiers at their orphanage. They say that they want to be soldiers or heroes. Boys and girls sing: "We don't want money. We don't want to play. We will carry guns and enter the Revolutionary Army." Two years after the filming began, the girls have grown but they have not changed their minds.

Eighteen months after the nuclear meltdown in Fukushima, children who were not evacuated are found to have thyroid cysts and nodules. What will this mean for their future?

When a Japan-based American journalist discovers that a World War II B-29 engine was unearthed from a sacred mountain he embarks on a quest to uncover the fate of the US airmen.

The work contains Butoh works and methods by Tomoe Shizune in omnibus format. It will be re-edited and published based on what was provided as the text for the Butoh course at the Grotowski Institute, Poland by Tomoe Shizune & Hakutobo, 2018. The Grotowski Institute is engaged in a wide range of research related to physical expression, as well as physical training based on the research of the prominent Polish director Jeray Grotowski (1933-1999) who founded the experimental theater "Teatr Laboratorium" in 1959. The coaction between Tomoe's music and Butoh is highlight.

Camp Life: Fulton vs Inoue is a Top Rank Boxing special on ESPN+ that goes inside the training camps of Naoya Inoue and Stephen Fulton before their huge title fight.

Yamanoi is a climber who has taken on massive cliffs across the world by himself. In 2021, he received the Piolets d'Or Lifetime Achievement Award, the highest honor in the climbing world. But Yamanoi's journey is far from over. Through interviews with his wife Taeko, we shed light on the turbulent life of a man captivated by a 'vertical world'.

A previously unseen short by the Japanese avant-garde titan, Toshio Matsumoto's 1986 Summer locates faces and bodies within superimpositions, zooms, a lightning-fast montage of brick structures and verdant trees.

In 2026, Kyoko Koizumi went on tour to celebrate her kanreki - 60th birthday. This concert was recorded on May 3, 2026 at the historic Nippon Budokan in Tokyo, Japan.

Asakusa’s Mokubatei is the only theater in the Kanto region that regularly bills rokyoku—a form of narrative singing accompanied by shamisen. Backstage, a variety of lives intersect, and the art is passed down from practiced singers to the younger generation. The film’s main character is Minatoya Kosome. It follows Kosome from her growing enraptured by rokyoku singer Minatoya Koryu, then becoming the legend’s apprentice—until to the day she is formally announced as Koryu’s successor and namesake.

Shimokajiro Housing Complex is a public reconstruction housing complex for people evacuated from Namie, Futaba, Okuma, and Tomioka, as a result of the disaster at the Fukushima Daiichi Nuclear Power Plant. In this housing complex, where people gather from different places and where many elderly dwell, they began making and distributing CDs on music they remember, also putting on a show as if they were running a radio program, and even forming a band to play along with the rhythm of each singer. This film is a record of these unusual support activities for the disaster-stricken areas, connected by music to transcend the times and the COVID-19 pandemic.

Documentary film of Koda Kumi's Live Tour 2016 ~Best Single Collection. This was a seperate and special release to document her tour.

The film depicts live action footage of seagulls with a timelapse of an egg hatching.

"Alone in Fukushima" is a feature film documentary about Naoto Matsumura who remained in the nuclear zone with animals in Fukushima.

A documentary following the children of a nursery class from ages 0 to 6

Seeking their best "sound" is why people gather into a small jazz cafe BASIE nowhere in the world at Ichinoseki, North East county in Japan. It seems a sanctuary for global jazz players, fans, and audio maniacs. Filming BASIE owner Sugawara Shoji tuning a 50-year-old JBL speaker everyday, stock footage became more than 150 hours.

An unusual family portrait questioning the definitions of art, family, and what it means to be disabled. Imamura Hanako is a 22-year-old girl with severe autism. Once a week she attends a painting class, where she paints pictures in oils. Every evening after dinner, she creates what her mother Chisa has named “food art.” This may only involve arranging the leftovers from the day’s meal on the floor or a tray, but Chisa records the works every day, accumulating some thousands of photographs. The collection of photographs has now been exhibited around the country. Following Hanako’s daily life in the routine of the four members of the Imamura family, we watch as a portrait of a “very ordinary” family unfold.

The film recorded kindergarten teacher and children in Japan, 1942.

Including interviews with refugees of the Fukushima nuclear accident, and scholars in nuclear engineering, environmentology and radiology, this film documents the injunctions against nuclear plants that attorney-filmmaker Hiroyuki Kawai and other anti-nuclear power lawyers won in the courts, as well as mandatory indictments against former executives at Tokyo Electric Power Company (TEPCO). This film is the ultimate nuclear power documentary, that only an attorney could make, exploring all angles on the issue of nuclear power in Japan.

Malana, a remote village in the Himalayas, isolated from outside civilization for thousands of years has been fostering a primitive existence in harmony with nature and a unique model of democracy of consensus. They have also been producing some of the best quality hashish in the world. A real life story of transition, this ancient civilization being invaded and obliterated by the modern democracy. Narrated in an epic structure, a visual essay from the edge of the world with a message of trust, peace and eternal unity.

The future of fashion is here and it’s being ushered in by Yuima Nakazato, currently the only active haute couture designer in Japan. Embracing innovative scientific technologies and meshing them with older material techniques, Yuima is determined to move clothing away from mass production and toward respect for the individual and our environment. While designing sculptural haute couture for the runway, Yuima dreams up his visionary and socially-aware practice through research and experience of environmental and production issues happening all across the world — this time in Kenya, where the scale of textile waste is a harbinger of the urgent need for conservation and social change.

In May 2015, a group of students from Tokyo, ranging in age from 16 to 23, head to a farmhouse in Sukagawa, Fukushima Prefecture. They were met by Kazuya Tarukawa, a farmer, and his mother, Mitsuyo. Kazuya's father took his own life immediately after the nuclear accident, saying that he may have encouraged his son, who had taken over the farming business, down the wrong path. Kazuya struggles as a farmer and the students who listen to him talk about the reality of crops in Fukushima four years after the disaster and the absurdity of TEPCO's compensation system, as well as his determination to carry on farming on his ancestral land.

In the wake of the Great Kanto Earthquake (1923), which killed nearly 100,000 people, more than 6,500 Koreans were murdered by the military, the police and civilians. This film uses evidence and testimony to examine the history behind this massacre.

“I have three tasks in my life: to dance, to teach dance, and to create dance,” says the pioneering Japanese performer Akiko Kanda in this intimate portrait of creativity and individuality, After seeing a Martha Graham performance in college, Kanda left her family behind in Japan and arrived in New York City, where she studied under the legendary Graham and became a principal dancer with the troupe. Following the wiry artist as she moves from practice floor to performance hall, and from the cramped single-room apartment she lives in to a trip home to see her aging mother, director Sumiko Haneda reveals a woman who has rebelled against traditional ideals of marriage and motherhood, and who nearly single-handedly brought modern dance to Japan-and kept it alive. “When I die,” Kanda tells the director, “I will be content if I can just say, ‘I danced.'”

Documentary, 16mm

Interviews with Burakumin in Osaka, victims of discrimination

Designed as a meditative, nature-immersive “virtual travel” experience, the video showcases Japan's iconic cherry blossom (sakura) landscapes, aimed at delivering a zen-inspired experience with 5.1-channel surround sound and high-quality visuals .

tricot movie june

Living in a slum damaged by the atomic bomb and watching elderly first-generation zainichi hibakusha (atomic bomb survivors) pass away one after another, Pak felt compelled to break their silence with this documentary, her first. Using up all her savings and going into debt, she teamed up with cinematographer Otsu Koshiro and collected these testimonials from zainichi North and South Koreans living in Hiroshima and South Korean hibakusha visiting Japan for medical treatment.

Karakorumu documentary film

Feature documentary debut of 29 year old director Kei Tanaka. In the Japanese town of Kawasaki, elderly residents who have lived hard lives are now facing their own death at a public housing complex called “Danchi“. The young director explores and depicts the ageing population in Japan by focusing on the personal lives of few individuals who live quietly on the outskirts of society. While some of the protagonists chose to interact and establish friendships with their fellow elderly residents, others prefer to spend the rest of their years in solitary.

Follows the election campaign of Muneo Suzuki, a politician who was at the center of a corruption scandal but is now extremely popular in his home Hokkaido for his character, and examines the state of postwar democracy through his election campaign.

This work has been long-awaited as a masterpiece which is not performed in public since it was staged 31 years ago in 1989. This valuable video will be recorded in full and will be released for the first time. The story of a seed that fell to one point on the stage, and a tree that grew bravely and dignifiedly there. Amid the sounds of Tomoe Shizune’s exquisitely beautiful Guitar piece, the dancers’ bodies overflow with life and love of nature.

This work was started in 1967 as a documentation of Nakajima’s life. The footage was edited into a single piece for the first time in 1974, in time to show the work to the curator Barbara London, who was visiting Japan. Generations of his family were lost and gained that year, with Nakajima's mother passing away, and then his child was born. The piece is an installation with two monitors; the left presents his mother and himself, and the right, his child and himself. Nakajima continues to work on the sequels of "My Life" with his grandchild.

Documents the most important ceremony of the Ainu people of northern Japan. For both the Ainu – and the peoples of the Amur river area on the mainland – the bear is an important spirit ancestor, and the annual ceremonial year used to revolve around ceremonies of the bear cult, where a bear is ritually killed and its spirit honoured. Also documented are aspects of Ainu daily life in the 1930s: houses, boats, ornate swords, religious artifacts, and the elaborately tattooed mouths of the older women. There are two shortened versions (28 and later 25 minutes) of this documentary edited in the 1960s. Although shorter, these versions include some new images that Munro had not sent to England.

A 49 minutes documentary on the footsteps of 87 years old "Grandma" Kuniko Shiiba, perpetuating a 4000 years traditional and sustainable form of agriculture. Shohei SHIBATA followed her a whole year through the forest and its medicinal plants, fire spirits and mountains.

Live concert documentary that was filmed during her "Sokenbicha Natural Breeze 2001 Happy Live" tour. In addition to the live show, it contains extensive backstage and behind-the-scenes footage. It also includes live perfomrance fragments from the 6 venues throughout Japan of her first tour.

Introducing the shining night view of various places in Japan with Ultra HD Blu-ray and HDR (High Dynamic Range) taken by 4K.

Japanese mondo film. A lawless city where hatred clashes and destruction ensues. A catastrophe unfolds in an instant... This video is a shocking film that unleashes "God's wrath" and "evil" against arrogant humanity, divided into four chapters: Frights, Accidents, Natural Disasters and End of the Age.

Thirteen years since the Fukushima Daiichi nuclear accident, the government's plan to decommission the plant is at a crossroads. We take a close look at the efforts to secure Fukushima's future.

Toshio Matsumoto articulates his perspective on the creation of Dogra Magra, presented in the supplementary section of the Radiance DVD release.

A unique film in which an elderly man creates miracles in his daily life by playing the leading role himself. The film depicts the process of creating a mysterious world that transcends reality through the act of filming and leads to a surrealistic conclusion.

Documentary and concert film of sorts showing the Tokyo rock music scene in 1978, just as punk began to emerge. Featuring performances from bands Friction, Lizard, S-Ken, Suicide, SS, Pain, Mirrors, Mr. Kite, Speed and 8 1/2. The Stanglers also make an appearance.

In the year 2045, after the re-militarization of Japan, conflict erupts in Korea, and Japan is destroyed in the ensuing nuclear war. A survivor uses an old computer in the "zone" to produce a documentary from photographs, interviews and newsreels, reconstucting the last 100 years of Japanese history

Second film in Tsuchimoto's series on Minamata disease - the victims of Minamata disease negotiate directly with Chisso Corporation (responsible for dumping toxic water into Minamata Bay) for life-long medical care and compensation.

It's estimated over a million Japanese live as "hikikomori," recluses totally withdrawn from society. Some hikikomori may even go for decades without leaving their house. While in the past the phenomenon was most commonly associated with young men, recent data has revealed a much wider demographic of people whose confidence in themselves, and in society, has been shattered. As the parents or relatives hikikomori so often depend on entirely become too old to care for them, many now face a dire situation, left alone and unable to cope.

Lim Kah Wai, director of Your Lovely Smile, embarks on a similar journey as the protagonist in his film, visiting dozens of mini theatres from Okinawa to Hokkaido. Lim is not pitching his new film, but meeting the staff and owners of the theatres to make a documentary about how they struggle in the shrinking market. In empty cinema houses, the people speak of the common and personal challenges they encounter. Although they might have made different decisions – whether to hang on or move on, they share a pure love for and a genuine belief in cinema that they wish to pass on to the next generation.

Hilarious but profound documentary, filmed at a nursery school where children enjoy "conferences" throughout a year. "Why were you born?" "How can we avoid fighting?" "Who made the universe?" "The booger tastes like kinako." The strange ideas and straightforward words that the children unfold make us laugh and sometimes surprise. Their discussion may give us full of hints for thinking about "how we live in the world without answers." Now, the world's weirdest and most important "Kids konference" by little wise men is about to begin.

NHK has followed baseball sensation Shohei Ohtani closely since his 2018 Major League debut. We look at Ohtani’s ability to both pitch and bat at the highest level. We hear from those who have supported him on and off the field and examine the importance of his father’s training regime. Join us behind the scenes at such pivotal points as Ohtani’s battle to recover from elbow surgery and reclaim his place as a baseball virtuoso like no other.

This was a news film with elements of reenactment. From December 1927 to 1932, 2,000 bus and train drivers were fired, provoking a strike. This film was edited out of footage shot from that strike over a long period.

Follows Japanese director Naomi Kawase as she directs the official film of the Tokyo 2020 Olympic Games, giving a message that goes beyond the physical exploit to mark souls, with her style and all her subtlety.