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Cursed and Forgotten

Sergei Govorukhin, son of well known Soviet and Russian film director Stanislav Govorukhin, was a Russian scriptwriter and war correspondent. This is his first and only documentary, dealing with his feelings about the first war he covered - the first Chechen war - as well as his very cynical view of Russian society during this time. These feelings and opinions were shared by many other war correspondents and cameramen at the time. The author used heavily contrasting footage and sound to illustrate his point of the indifference of 90's/early 2000's Russian society towards the conflicts it found itself in after the Second World War.

Cursed and Forgotten

NR 1999
I Married a Munchkin

Chesterton, Indiana's annual WIZARD OF OZ parade (as well as their many Oz-themed festivities) provides the backdrop for I MARRIED A MUNCHKIN, Tom Palazzolo's study of the life and career of Mary Ellen St. Aubin. Self-described as "normal, but little," Mary Ellen details her early start in show business as a performer in an all-dwarf vaudeville act, her brief appearance in 1946's THREE WISE FOOLS, her 1948 marriage to former Munchkin Parnell St. Aubin and their subsequent retirement from entertainment to run a bar (called the Midget Club) in the South Side of Chicago. Two other former Munchkins (Margaret Pellegrini and Clarence Swensen) briefly appear among the day's revelry. Also included is a postscript (shot some time after the initial film) featuring Mary Ellen briefly describing the original size of her role in THREE WISE FOOLS, which originally featured a line and an ill-fated "flying" effect. - Tom Fritsche

I Married a Munchkin

7.0 1994
The Irish in America

This extraordinary program follows the nation's first immigrant group on their journey into the American Dream. From war hereo and President Andrew Jackson to union organizer "Mother" Jones, you'll meet the colorful Irish-Americans who fought and worked their way past oppression, and into history. Dramatic re-creations, stirring readings, songs, and interviews with leading historians offer insights into the events that have made the Irish an integral part of the American fabric.

The Irish in America

10.0 1997
Kisangani Diary

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

Kisangani Diary

8.3 1998
Interface

Harun Farocki was commissioned by the Lille Museum of Modern Art to produce a video 'about his work'. His creation was an installation for two screens that was presented within the scope for the 1995 exhibition The World of Photography. The work Schnittstelle developed out of that installation. Reflecting on Farocki's own documentary work, it examines the question of what it means to work with existing images rather than producing one's own, new images. The title plays on the double meaning of 'Schnitt', referring both to Farocki's workplace, the editing table, as well as the 'human-machine interface', where a person operates a computer using a keyboard and a mouse.

Interface

6.5 1995
Wolves at Our Door

Who's afraid of the Big Bad Wolf? Not Jim and Jamie Dutcher. Raising a pack of gray wolves from puppies, they were able to film their growth, development, and changing behavior. Wolves at Our Door, the sequel to Wolf: Return of a Legend, explores these beautiful animals as they live in America's Northwest. Excellent footage captures the wolves playing with each other and with the Dutchers and allows us a glimpse into another world, one that's not so scary after all. You're sure to see these marvelous beasts differently after watching Wolves at Our Door. --Rob Lightner

Wolves at Our Door

8.3 1997
Søren Kierkegaard

A daring, artistically courageous portrait of Sųren Kierkegaard's philosophy, not as dead, abstract theory, but as everyday living actuality. Director Anne Wivel invites us to join a group of students and professors as they passionately debate observations by one of the founders of existentialism, while tranquil scenes from nature illustrate the simple life that anti-rationalist Kierkegaard believed might propel us into a necessary "leap of faith." No dry commentary on an anachronistic ethic here: Wivel aims for nothing less than a radical transformation--dialogue made so richly visual, communication becomes moving image.

Søren Kierkegaard

NR 1994
À propos de "Tristes Tropiques"

The film evokes the stay in Brazil of Claude Levi-Strauss, an ethnologist, who stayed there from 1934 to 1938. His stay gave rise to the book "Tristes Tropiques". Based on images taken in 1935 and today, his statements reconstruct his intellectual journey in the field of ethnology. Searching for primitive worlds, he tried to understand the Indians whose decaying societies offered an "essence of social life." The work gives us an account of the importance of this scientific and philosophical expedition.

À propos de "Tristes Tropiques"

NR 1991