Discover Movies

A look at the boy's clubs across Britain, with a glimpse at what their future is likely to be.

Documents Harpur College's Afro-Latin Alliance.

A fascinating, unsettling study of immigration in 1960s English cities.

A documentary impression from the capital of the Tatra Mountains. All the winter attractions of Zakopane rhythmically presented by the camera: sleigh rides, skis, dances, sunbathes, bonfires. Visit Zakopane!

Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.

A documentary highlighting some of the oddest, strangest and more grotesque examples of human behavior. Included are a tour of the Grand Guignol theater in Paris, a man who sticks long needles through his body, reindeer being castrated, and footage of lesbians and strippers.

The story of a miner's wife in the Ruhr area, and the story of 40 years of a worker's life in Germany. The biographical film acknowledges the proletarian tradition and is considered to be one of the most important documentary films of the late 60s that tried to combine the private sphere with the reality of society. The film's fascination lies, above all, in the personal charisma of the miner's widow from Duisburg. She knows how to tell the story in a vivacious and exciting way.

A video produced by the Israeli Film Service in cooperation with Israel Railways. “So much for rattling; from now on: one continuous welded rail!” Israel Railways changes the tracks and the ties along the Haifa-Tel Aviv route. This short film follows all of the project’s stages, from the production of the concrete railroad ties at the “Yuval Gad” factory in Ashkelon through the welding of the new rails to form one continuous rail.

Promotional short hosted by Laurence Olivier promoting the film "Othello."

Directed by Rik Kuypers, the 1968 documentary Lieven Gevaert, eerste arbeider chronicles the life of the Flemish industrialist, highlighting his transition from a small-scale photographic paper producer to founder of the global Agfa-Gevaert corporation. The film emphasizes Gevaert's social philosophy, his dedication to the Christian labor movement, and his pivotal role in the Flemish Movement, portraying him as both a pioneering industrialist and a social reformer.

A synagogue service in Bohemia, where the Torah scrolls are ceremoniously taken out and read, intercut with images of a Jewish cemetery.

Constructed as an experimental montage of still photographs, "Diary of Yunbogi" reflects on poverty and historical responsibility through the imagined diary of a six-year-old Korean boy living in a South Korean slum. Drawing on photographs taken during Ōshima’s 1965 research trip to Korea, the film juxtaposes the child’s daily struggle to care for his siblings with the director’s own reflections on Japanese–Korean relations.

Documentary on the city of Kyoto, Japan. Topics include the Ryoanji Temple stone garden, a geisha residence, the Katsura Imperial Villa, and the Gion Festival.

From dawn to night, Montreal is a living reality, with many faces, many occupations, and the uncertain and blurred colors of industrial cities. The film illustrates different aspects of this reality: the cosmopolitan Montreal, the anthropological Montreal and the plastic Montreal. Images: Electric wires; poles; view of houses and cars; airplane; bridge; men working on construction; mechanical crane pulley; mechanical crane in the street; men walking on constructions (scaffolding); skyscraper; park; lovers lying in the grass; canoe; children in a park; children on a boat; sailboats; bathers; factory chimney; quarry; CN locomotive; public market; traffic of cars and pedestrians; lights shining in the evening; fireworks

The film explores how human understanding of the structure of the universe has evolved, drawing on the examples of notable scientists from different eras, and examines the nature of the Sun and the impact of solar flares on life on Earth.

In March 1963 Decca released "Jack the Ripper" with Screaming Lord Sutch produced by Joe Meek. Around this garage-rock song, David Sutch built his Screaming Lord persona and provocative show.

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

Avantgarde short by Brass.

The life of Anastasia Stevens, an American dancer at the Bolshoi Ballet, at the height of the Cold War. An early work by the Maysles brothers for the NBC television network, produced by acclaimed screenwriter Bo Goldman.

Short documentary.

Short propaganda film produced by the U.S. government about the Vietnam War, narrated by actor Charlton Heston. The movie includes scenes of battle that have been identified as staged and shouldn't be interpreted as an accurate depiction of fighting during the Vietnam War. For more on the accuracy of the footage in this film see the book "The Cold War and the United States Information Agency: American Propaganda and Diplomacy, 1945-1989" by Nicholas J. Cull (pages 248-49). This film was produced by the U.S. Information Agency (USIA) and is in the public domain. National Archives Identifier: 1182760 Local Identifier: 306.5798 Accession Number: NC3-306-77-7 ARC Identifier: 1182760 https://catalog.archives.gov/id/1182760

The age group in a group portrait of the fifth grade. They make suggestions for filming at school, in their free time and at home. Growing challenges through the lessons that bring knowledge and new questions and broaden their horizons.

An eccentric history buff lives in a cabin in the woods but spends most of his time flying his biplane.

A follow-up to Be Seeing You (À bientôt, j’espère), this collective work—initiated by Chris Marker and the Medvedkin Group—was made in collaboration with workers at the Yema Watch Factory in Besançon. It follows a female worker who becomes active in labor organizing, depicting everyday struggles and the growing consciousness within the French labor movement.

A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.

Collective manifesto by the members of C.C.I. It is a collective film, the result of an operation devoid of any aesthetic purpose: to verify the existence of any harmony between a fairly large group (twelve people) of members of the independent Cooperative. Someone, who had the idea, turned 60 meters of Ektachrome according to the moods –or discontent – of the moment and gave them to others to see. The others reacted, each with their own piece. It was then thought to call the film “circular letter”. It was not so simple and so quick: the operation, which started in June of ’68, ended in March of ’69.

Ed Fury poses and plays in the waves at the beach.

"Mondo Inferno"- This shockumentary takes us on visits to a restaurant that serves up delicious dog meat dishes, mud-wrestling clubs, a chastity belt store. We get to see bizarre funeral rites, snake charmers, bloodsuckers and a hidden-camera expose into the local baby selling and slave markets!

An Englishman has just got off the train at St. Enoch Station and is asking a cab driver to show him around Glasgow. Naturally, the cab driver is happy to oblige and the visitor gets to see the City first hand.

Notizen aus dem Altmühltal shows the West German south as mezzogiorno of the Wirtschaftswunder republic: the simple folk, as they say, vegetate a bit dully through their days; meanwhile, the authorities do nothing to promote the economic, and hence social, development of the region, while the local honoraries look back on better times.

"Forough Farrokhzad" Funeral Ceremony

Gerd Conradt films men carrying a red flag in a relay race through Berlin, to hoist it on the balcony of the current Mayor’s seat. A cinematic experiment based on Eadweard Muybridge, Andy Warhol and New American Cinema. A study in men, movements and a symbol. This is the 7th part of this series of film exercises. The other 6 parts were staged by Harun Farocki (Part 1), Carlos Bustamante (Part 2), Helke Sander (Part 3), Holger Meins (Part 4), Wolfgang Petersen (Part 5), Philip Werner Sauber (Part 6).

"The ancestors heritage" - The Ahnenerbe was a scientific institute in the Third Reich dedicated to research the archaeological and cultural history of the Aryan Race. The films deals with trials against the guilty ones of this part of the Holocaust.

Filmed in Saint-Tropez, Françoise Dorléac presents fashion trends for the summer. She is staged in several symbolic places for holidays in Saint-Tropez.

Filmmakers of Riga poetic documentary school, Freimanis and Seleckis, were designated as the creative core for this documentary to be shot in honour of the 25th anniversary of the Soviet Latvia. The team was joined by the heavyweight poet Imants Ziedonis and Herz Frank as script writers. Instead of one of the old, merited, medal rattling ‘combat camera- men’, “Year in Review” is an unusually vivid and unique film for the time. The creative team were awarded the State Prize for the film.

Also known as Around the World with Nothing On, this cheerful Swiss-made travelogue once again demonstrates that despite running around naked all goddamn day, nudists are not sexual perverts but, instead, decent folks who just love wallowing in nature. In fact, the only thing a nudist really has a jones for is Lust for the Sun!

Packaged holidays for the elderly: a party of 'senior citizens' (60-plus) on a holiday which includes a special train from Newcastle to the Isle of Wight.

A documentary with outtakes from early greek films like Maria Pentagiotissa (1927), Astero (1929), Promithefs desmotis (1930), Dafnis kai Hloi (1931) & O magos tis Athinas (1931).

A portrait of a strung-out heroin addict scrambling through New York City to score some cash for his next fix.

Film record of the 1969 wake of Jan Palach in Prague, Bratislava and Brno.

The Magic Machines is a 1969 American short documentary film directed by Bob Curtis about kinetic artist Robert Gilbert, a young hippie sculptor who makes bright-colored, motor-driven machines from metal trash and spare parts. It won an Oscar at the 42nd Academy Awards in 1970 for Academy Award for Best Live Action Short Film and was nominated for Academy Award for Best Documentary Short Subject.

Two climbers, Dany Badier and Françoise Dassonville, swim to explore an underground cave in the Calanques, near Marseille, then equip themselves with climbing gear to scale the spectacular cliffs of the Calanques. Their ascent culminates at the summit of the Grande Candelle. Directed by Gilbert Dassonville in 1970 and produced by Cérès Films, this film won first prize at the Trento Mountain Film Festival in 1967.

This documentary offers an overview of French scientific research in Africa French scientific research in Africa: hydrology, botany, biology oil palm and coconut cultivation, industrial sea fishing and and urban planning. Film montage taking stock of scientific research research in Africa, mainly in the fields of hydrology hydrology, botany, biology and agriculture. The film is a compilation of extracts from several short films made by Jean Rouch in Mali, Niger and Côte d'Ivoire between 1962 and 1963: Abidjan, port de pêche, Le Mil, Le Cocotier and Le Palmier à l'huile. l'huile.

This documentary about the Hippie movement was originally shown in three segments on NBC television's "Huntley-Brinkley Report." It follows several teen-age boys from a glue-sniffing party in their home town to the Haight-Ashbury section of San Francisco where they find marijuana and LSD. The film depicts a love-in, a Hippie wedding, Hippie dwellings, and curious tourists. The film also views communal farms inhabited by "runaways." The narration discusses the impact of Hippie culture on American society. Portions of the glue-sniffing scenes are identical to scenes in the film "Hello America."

While shooting a documentary about a 'Komsomol' class who all went to save a struggling kolkhoz, the filmmakers also shot mud, broken tractors, flooded fields. The film turned scandalous and was not screened, because of it allegedly being anti-Soviet: defamatory of collective farming.

The creation of news is illustrated by the example of the "Schwäbischen Donauzeitung". The selection of editors, the work on the typewriter and the printing process are shown.

"To Be Alive!" was designed to celebrate the common ground between different cultures by tracing how children in various parts of the world mature into adulthood.

Documentary in the "Look at Life" series following folklore collectors as they gather recordings of the music and traditions of Ireland and Wales.

Household effects and farm implements under the hammer. Here is the auctioneer's cajoling patter, the jostling crowd, pungent observations from one or two old-timers and, over all, the kindly curiosity of folks who gather to see the end of a neighbour's life on the farm.

Documentary about the artist Alberto Giacometti

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

John H. Whitney Sr. explains the graphic art potential of the computer and the methods and philosophy involved in his computer filmmaking. Preserved by the Academy Film Archive in 2012.

In this Coronet instructional film, we learn how to manage and self regulate our emotions when it comes to dealing with short comings and disappointments.

The Inheritance shows what life was really like for immigrants and working Americans from the turn of the century through the fight for civil rights in the 1960s. This stirring history of our country shows their struggle to put down roots, form labor unions, survive wars, and finally, create a new and better life for themselves and our nation. The film explores a landscape largely unknown to the present generation - the dim sweatshops, coal mines and textile mills filled with children; the anxious years of the depression and labor's bloody struggle for the right to organize; the battlefields of WW I and II; the seldom seen newsreel footage of the Memorial Day massacre at The Republic Steel strike in Chicago; the civil rights struggle - as every generation fights again to preserve and extend its freedoms. This is the film's theme. Judy Collins sings this theme song, as well as more great music sung by Judy, Pete Seeger, Tom Paxton and others.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

A “Cinéastes de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 12 May 1969.

A film from the Letraset company featuring beautiful and groovy creations made with their many design tools.

Chris Marker’s documentary portrays Israel twelve years after its founding, blending location and archival footage to explore its diverse communities—from kibbutzim and Arab villages to Orthodox quarters and tourist sites. The “struggle” of the title reflects the nation’s search for identity in a rapidly changing region.