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Houseprints

There are large paintings showing views of houses wherever you look. Each house is meticulously outlined; at first glance, they all look the same. Sometimes they keep their distance from each other, sometimes they seem to float in the void. Combined in ever new arrangements, these houses seem strangely unlocalised. With stencil and brush, Johannes Kloosterhuis is already working on the next painting. Each house has its own story, but perhaps the idea of privately owned homes is an outdated ideal, he muses aloud.

Houseprints

NR 2024
Ulrike Ottinger: Nomad from the Lake

Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the international art world to the sleepy town of Konstanz. It all began on the shores of Lake Constance where Ulrike Ottinger was born and where she still often spends time. Filmmaker Brigitte Kramer chose to begin her film at Lake Constance since she too shares Ottinger’s birthplace and a great love of these waters. This is also where the filmmaker’s own artistic development began, not least as a result of her encounter with Ottinger and her work. Other fellow travellers and friends appearing in this film include art historian Katharina Sykora, collector and curator Ingvild Goetz, film historian Ulrich Gregor, philosopher Bernd Scherer and actor Irm Hermann. Using this common ground as a starting point for an exploration of Ottinger’s substantial oeuvre, this documentary provides a keen insight into the artist’s life and work.

Ulrike Ottinger: Nomad from the Lake

6.0 2012
Der Fussballtempel - Eine Arena Für München

It does not happen every day that a gigantic stadium is built on a greenfield: In October of 2001, the citizens of Munich voted with a clear yes for a new soccer stadium in the north of the city. 66,000 soccer fans of FC Bayern and 1860 Munich will find a new common home in the futuristic looking structure. But before that stand four years of work on a construction site of superlatives. The director Wolfgang Ettlich and his cameraman Hans-Albrecht Lusznat followed the construction of the new Munich soccer arena since the first groundbreaking. They have recorded several phases of the construction and did thereby get to know the microcosm of a large construction site from the inside: The logistics, with which hundreds of construction workers have to be coordinated, and the steady growth of the stadium all the way to the perfectly conceptualized illuminated structure, with VIP-boxes, mass restaurants, and Europe’s largest parking garage.

Der Fussballtempel - Eine Arena Für München

8.0 2004
The Unpredictable Factor

In today's climate debate, there is only one factor that cannot be calculated in climate models - humans. How can we nevertheless understand our role in the climate system and manage the crisis? Climate change is a complex global problem. Increasingly extreme weather events, rising sea levels, and more difficult living conditions - including for us humans - are already the order of the day. Global society has never faced such a complex challenge. For young people in particular, the frightening climate scenarios will be a reality in the future. For the global south, it is already today. To overcome this crisis, different perspectives are needed. "THE UNPREDICTABLE FACTOR" goes back to the origins of the German environmental movement, accompanies today's activists in the Rhineland in their fight against the coal industry and gives a voice to scientists from climate research, ethnology and psychology.

The Unpredictable Factor

NR 2022
One in a Thousand

Intact ecosystems provide the best defense against climate change! The ecosystem of a small creek is complex and diverse – the shocking reality is that in Central Europe only one in a thousand is still intact, today. What happened to our streams and brooks? What does the future hold? The film ‘One in a Thousand’ portrays the diverse wildlife inside and alongside a stream, explains the importance of this habitat and identifies the sources of its destruction. A blue-chip wildlife film that carries an important message.

One in a Thousand

10.0 2019
Blix Not Bombs

When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.

Blix Not Bombs

8.0 2023
Salzburg - In the Shadow of the Crags

An ancient fortress, a historic centre of true baroque, the venue of a legendary stage festival - this is the Salzburg familiar to everyone. But Georg Riha's documentary presents Mozart's city from perspectives never seen before.Unshackled by space and time the viewer enters upon a unique filmic foray into one of the world's most popular cultural centres, discovering the still unknown and hidden beauties of this fascinating city off the beaten tourist tracks.

Salzburg - In the Shadow of the Crags

NR 2006
Die WG

In the 1970s, a rebellious commune was founded in the still wild Munich district of Schwabing in a spirit of optimism. For 45 years, different people found their place in the apartment again and again, shaping different ways of living and living together in each generation. Today, two young filmmakers live in the flat share and set off in search of clues: DIE WG tells stories about the goals and hopes, worries and ideals of different generations and the changing zeitgeist of an apartment. The film reflects on the places and people from our past and the significance of living in a shared flat as a stage of life.

Die WG

NR N/A
Kaskara

An experimental film where a particular space is constantly "present" : there is a complex usage of superim- position, and of split-screen effects. The place shown is a part of a house in the country. Doors and windows are continually shown, emphasizing the film's concern with framing. Other images are present: city-scapes of a particularly sinister nature, implying a sense of ruin, and shots of a chorus on a stage. These shots begin and end the film which is accompanied by a vocal chant on the soundtrack.

Kaskara

7.0 1974
Im Westen ging die Sonne auf

The mining industry, which always had been “sponsor” and “financier” of the soccer clubs in the Ruhr valley during the post-war period, doesn’t exist anymore nowadays in that form. Many of the once glorious clubs which dominated German soccer until the 1970s faded into obscurity without financial backers. The documentary “Im Westen ging die Sonne auf" ("The sun had risen in the west“) shows the history of the “Revierfußball” from after the second World War until the decline of the mining industry and recalls legendary players and forgotten clubs. The film shows especially how deeply rooted the sport was back then in the entire lifestyle of the Ruhr area - in private life as well as in society - and how structural change also left clearly visible marks in sports. With pictures from back then, interviews with contemporary witnesses, and footage of original locations nowadays, a contemporary document of German post-war history, by taking the example of soccer, has been created.

Im Westen ging die Sonne auf

10.0 2002