Discover Movies

Laura, a sexy Brazilian immigrant, has been living in New York for 25 years. She is a regular at NY nightclubs and frequents the most exclusive parties and upscale restaurants. However, she lives in a modest boarding house in Manhattan, where she shares a bathroom with other guests who are largely illegal immigrants. The film questions the meaning of success, examines the fear of returning home, the unconscious pressure of the family she abandoned in Curitiba, and the deliberate creation of a fantasy as a means of protection.

A doctor mistaken for a thief. A cleaning lady treated like a slave. A mother who lost a son killed by the police. What do they have in common? Their skin color. A documentary that unveils the structural racism rooted in Brazilian society.

Documentary about Adoniran Barbosa, in which any resemblance to reality will be mere coincidence.

In 1928, the city of Curitiba went through a rare snowstorm. To this day, it is the harshest snowstorm to ever take place in the city. Everything was recorded by Alberto Botelho in this short documentary.

Gathered in an artistic process, seven young dancers are ushered to a dive into their ancestral ties.

In Nova Lima, gold arrived before the city itself. Fragments of past and future intertwine in the present of this story that begins in 1834 and shows no sign of ending.

The documentary offers an overview of the district of Cidade Tiradentes and its inhabitants. It starts by the acquisition of land by the public authorities from the 1970s onwards, to the occupation of what is today one of the largest housing projects in Latin America.

Bom Fim, in Porto Alegre, was a stronghold of the youth movement that took place between the 1970s and 1980s. The trajectory of the place is revisited through interviews with musicians and artists who lived those golden years.

In 1985, a daring worker of the Bureau of Indian Affairs in Brazil denounced a massacre in the lawless region of Corumbiara. The investigations turned to a series of indigenous genocides in the area. Spanning 20 years, the film shows the search for proof and the version of the survivors, when they were finally found, hiding in the forest, terrified of white men.

A generation reminisces about its own memory — what was it like to be a queer man in decades past? With São Paulo in the background, they reflect about the urgency of a life that was kept hidden for so long. And it is at Bailão that these various stories converge.

The film focuses on unpublished texts that deal with the signs of physical fragility, cinematographic preferences, evocations of ancestors, mentions of childhood and memories of Gilda de Mello e Souza.

This observational documentary was realized by filmmakers at the State University of Paraná. It follows the Federal University of Paraná’s Téssera Dance Company in black-and-white images as the group’s members prepare the dance piece “Black Dog”, a work about confronting depression, in June of 2017. The film’s story, structured in chapters, presents archetypal characters overcoming individual crises for the sake of collective expression. “The pack must walk together”, says the company’s stern but compassionate leader, within the context of a pedagogical work about the importance of a show going on.

"Matriz.doc", directed by Otavio Sousa, is a film about the making of Pitty’s album Matriz. It features behind-the-scenes footage, interviews with collaborators, and visits to key locations in Salvador, Bahia, connected to the artist’s early career. The documentary explores the creative process and the cultural influences that shaped the album.

Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.

As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO DA CINEMATECA Ferreira develops a poetic representation of his idea of “inventive cinema” without a plot in the classical sense. Ferreira mixes situations of everyday life in the streets of São Paulo with scenes from classics of film history, which he filmed from television or from a projection with his Super 8 camera. The author as a vampire sucks from various sources – not only in cinema, but also in poetry and music – and creates a portrait of his time.

Part activist and part globe trekking photographer, Sebastião Salgado is most famous for recording the migration of people and culture around the world. In this extensive conversation, Sebastiao Salgado revisits his adventurous career via the breathtaking images he captured.

The history of Simião Martiniano.

Musician Alceu Valença revisits his career, from his first contact with music, when he was still young, through the 1970s, when several names in music from the Northeast gained space on the scene.

Documentary wich tries to capture the iconoclastic spirit of the 1922 Week of Modern Art, to tell about the beginning of cinema made in the city of São Paulo.

Documentary about the oppression of a group of a families of the MST, the Brazilian Landless Workers Movement, who invaded Anoni Farm, a farm in the state of Rio Grande do Sul, Brazil, in 1985, and Rose, a woman fighting for the right of owning a land and for elementary human rights, and mother of the first baby born in the camping site.

The daily life of the workers in the areas affected by the Grande Carajás Program, in Pará and Maranhão States (northern Brazil).

A surveyor maps landslide risk areas in the city of Ubatuba, in a hillside region of the Atlantic Forest. Obsessed with measuring and organizing, he encounters a landscape of chaotic human occupation and ongoing conflicts. The city’s history crosses his path, and through his theodolite, he begins to see images of the past.

In February 2002, my father and his friend embarked on a trip to a small village on the border between Alagoas and Pernambuco in order to document the families of those who had stayed in Curitiba.

Alain de Botton, Edgar Morin, Fredric Jameson, Mohsen Makhmalbaf, and Orhan Pamuk converse with Brazilian thinkers and artists, creating a dialogue based on their theories and constructing a reflection on identity in the contemporary world.

The trajectory of musician and composer Willian Pelacini “Beer” through the complex and introspective process of creation.

In honor of the 45th anniversary of the film A dama do lotação (1978) directed by Neville D'Almeida, based on the work of Nelson Rodrigues and starring Sonia Braga and a great cast. A dama do lotação (1978) continues to be one of the highest-grossing films in Brazilian cinema. In fragments, Sonia Braga tells what it was like to play the lady.

Hate as a right is added to recycled images. Poetry is narrated on top of pictures that were not meant to be but, as stubborn as the poet's feeling, they exist.

The musical special shows an intimate and casual version of Marisa Monte, which features some tracks from the album “Portas”, her latest release.

“When the curtain opened, under a colorful universe of feathers and sequins, she appeared on the stage, snaking lascivious movements, to the sound of a rumba or a merengue”. Piu Piu, as the actor, set designer and costume designer Elpídio Lima was known, is considered the oldest transformist in Recife. In the 1950s and 1960s, he performed at the Barreto Junior Company, on the stages of the Almare and Morroco theaters. He was one of the creators of the Companhia Tra-la-lá, a swish theater and liked to imitate the singers and actresses Sarita Montiel and Carmem Miranda.

The film documents the construction of political thinking of the newest candidate for the presidency of the Republic of Brazil by the female PARTY, the actress Georgette Fadel, from her relationship with an unusual troupe of ten people who accompany her on an initiatory journey in search of hers greatest reference, Pepe Mujica, in Uruguay.

A film that records the rehearsals of a Brazilian theatre troupe directed by Victor Garcia, and then the conflicts that break out as they tour Iran and France with a performance of Calderon's autos sacramentales. A problem with a scenery prop sparks a crisis in the group and the film chronicles this disaster.

João Moreira Salles' "Nelson Freire" is a film-documentary about the great Brazilian pianist, who is certainly among the five great pianists of the world today. Nelson Freire is a quite discreet / shy person and João Salles respected this feature of his personality. During almost two years he followed the pianist around the world to compose a film, made of 31 thematic sections to cover the many aspects of the life of this genius of the piano.

Religious beliefs linked to football.

In the past, when white people didn’t exist, we used to hunt with our yãmĩyxop spirits. The whites came, cut down the trees, dried up the rivers and scared the animals away. Today, our tall trees are over, the whites surrounded us and our lands are tiny. But our yãmĩyxop are very strong and taught us the stories and chants from our ancients who walked around here.

Filmed in a mini DV, the film "República Tiradentes" is an affective poetry, based on the stories of gafieira dancers, actors, rascals, girls and all the bohemians who lived and live moments of joy and glory in downtown Rio de Janeiro. It is a tribute mainly to the origin of the gafieira.