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A beautiful film-interview by Ivan Cardoso, made during the shooting of A Werewolf in Amazonia in 2005, with the astonishing Paul Naschy!

In the richest state and one of the most conservative in Brazil, the modus operandi of public education suffers a setback when high school students react to the official decree that determines the closing of 94 schools and the relocation of students. The student response is surprising.

four-year history of the transformation of the centenary Palmeiras club.

Between captured images, animations and scientific descriptions, the puraquê electric fish is presented through the eyes of Humberto Mauro and Carlos Chagas Filho.

Short documentary about Carmen Miranda, with some of her songs, rare footage of the "lost" film "Banana-da-Terra" and scenes of her funeral, in 1955.

Leonor and Elizangela do not appear crazy at first sight in the way that society often imagines. They are victims of violent and uncontrollable seizure, which sometimes result even during filming in forcible confinement. The rest of the time they are endowed with sensitivity and clarity about their condition, which offers anyone who will listen to them the opportunity to familiarize themselves with what madness is, through their words, and also through their tragic and touching destinies.

All the magic of the theatre is revealed to viewers as they follow the challenges involved in the various stages of putting on a play – from selection and reading to rehearsals and, finally, opening night before the audience.

A man's journey through time or infinite space.

A three-part documentary made for Red Bull, in partnership with production company Fine, about how the video game culture in Brazil was born out of piracy. Launched at Comic-Con and features interviews with personalities like Emicida and Rashid.

In 1910, Le Corbusier wrote in Germany his famous essay on the eyes that do not see the new forms of modern architecture. One hundred years later, in Recife, the immense modernist work of Portuguese architect Delfim Amorim remains unrecognized. What for Le Corbusier was a necessity and a projection, is now a debate about heritage, preservation, inheritance.

A morning in the farm shown with a beautiful musical background.

Director Manoela Ziggiatti seeks what inspires and motivates our lives, depicting intimate encounters with her family and close friends to build a delicate narrative about the meaning of being alive.

Comments on the history of a people, made by the filmmakers and their characters. From the time of contact, through captivity in rubber plantations, to the current work with video, the testimonies give meaning to the process of dispersion, loss and reunion experienced by the Huni kui.

Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.

Storyville visits a carnival in the Amazon.

Parents and children are reunited after 13 years apart. This is the starting point of the film, which follows the process of affective reconstruction of director Marcos Yoshi's family, crossed by the flow of migrations between Brazil and Japan, known as the dekassegui phenomenon. The story of a family of Japanese descent torn between the need to make a living and the desire to stay together.

A film director. A protest against the 6x1 work schedule. And there is always this guiding, meditative voice that controls the impulse to revolt, that isolates, atomizes the being. In this confusion, it's necessary to choose a side - or at least be aware of the side chosen. There is no not choosing.

A visual accompaniment to Tōru Takemitsu's sonically sparse composition 'Corona for Pianist(s)'. Taking inspiration from the graphic score that interprets notes as circles and dots, the film focuses on the micro, elemental and sensual. Light flickering on water, the patterns of landscape, the movement of hands: here time is slowed and a great sense of focus is thrust upon us.

The film shows the daily life of indigenous village Piyulaga, home of Waurá tribe --an ethnicity of 560 people who live at Xingu Park in Mato Grosso, Brazil. It also reveals how the indigenous community keeps its traditional culture while incorporating habits and technologies from the “white”.

The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.

In a society where monogamous affective values predominate, some people opt for a relationship arrangement that is becoming known as polyamory.

Between one carriage and another, passengers tell their stories over a train journey.

To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.

Documentary about Brazilian poet Waly Salomão, for whom life was always a fictional film and poetry was a way to expose any naturalistic pretention. His convictions affected many friends like Antonio Cícero, Caetano Veloso and Carlos Nader, who documented Waly's life for 15 years. But how does one make a documentary about someone who believes everything is fiction?

Recorded in 1973, this TV show brings Elis Regina in an 'ensaio' (improvisation). The programme aired by TV Cultura rescues the living memory of the greatest MPB star through her testimonials on composers and performers. The images are black and white and with camera close-ups, it denounces the restless, strong-willed hands of Elis.

The Governor of Pernambuco, Sérgio Loreto, and politicians from his cabinet pose for the camera. The celebrations of the Centennial of the Confederation of the Equator included a Public Force parade (Infantry, Cavalry, and Fire Brigade), an open-air Mass celebrated by Archbishop Dom Miguel Valverde, and the laying of the foundation stone of the Palace of Justice.

The film follows the daily lives of residents of a community, made up of two favelas and a housing complex in São Paulo, which is about to undergo an urbanization process. However, possible urbanization generates resistance from residents of the most valued area of the neighborhood, in a movement known as “Not in my backyard”.

Alessandro and Adriana run a musical group at a public school whose activities were interrupted due to the pandemic. In an attempt to maintain a connection with children during the worst crisis in the country's recent history, they discover in the circus a new way of reinventing their craft and prepare for a great show.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

The widower João declares his loneliness on a radio program and meets Maria, a recently separated woman who yearns for a new life together.

The year was 1941, and the world was on the brink of war. In an effort to improve relations between the Americas, the Roosevelt administration called upon one of Hollywood’s most influential filmmakers to embark on a special goodwill tour. Written and directed by Theodore Thomas (“Frank and Ollie”) and produced by Kuniko Okubo, the documentary WALT & EL GRUPO chronicles the amazing ten-week trip that Walt Disney and his hand-picked group of artists and filmmaking talent (later known as “El Grupo”) took to South America at the behest of the U.S. Government as part of the Good Neighbor Policy.

Even the most loyal admirer of Tom Jobim, the most documented Brazilian artist throughout the world, cannot imagine the surprises he will encounter in this film. It contains previously unreleased pictures and images captured for 15 years by Ana Jobim, his wife, that show details of the life and work of Tom Jobim. Shot in New York, Rio de Janeiro and the family ranch in Poço Fundo, the film shows his intimacy with his children, the birth of important songs, parties at home with other musicians, and even a unusual Jobim in pajamas, in an “expedition” in the woods. “When someone visits the intimacy of a great artists, possibly the distance between him and the myth is felt to be smaller. For me it is the opposite; the distance becomes greater and I have more conscience of the myth”, says Ana.

Activist, prostitute and foster mother, Indianara emerges as a standard bearer for the transgender community in Brazil. She passes on to the new generation everything she knows about revolution, nightlife and freedom.

Six sequences about Fascism and its segments throughout history.

Biographical portrait of samba dancer Nelson Sargento in Morro da Mangueira, Rio de Janeiro.

Brief view of the life of a Rio night artist.

Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.

A look into the life and mind of Brazilian playwright and filmmaker Domingos Oliveira through his daily activities and artistic deeds.