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Boatman

In a series of small portraits, Gianfranco Rosi depicts life on and along the banks of the Ganges River. The director’s first film documents the boat trip he took along India’s sacred river with his helmsman, Gopal. They pass tourists and locals, witnessing them bathe, work, or meditate. The film captures the imagination of the endless circle of life and death, which is rooted in the lives of the Indian people, and is convincingly manifested in the way they bid farewell to the dead.

Boatman

6.8 1994
The Best of the Blues Brothers

Writer Tom Davis hosts a Blues Brothers retrospective that tells the whole truth about the legendary band's early days and righteous ways. The Blues Brothers were an unforgettable part of Saturday Night Live's golden era, making their musical debut in bee costumes singing "I'm a King Bee," and becoming an overnight sensation. Switching to hats and shades inspired by John Lee Hooker, they combined classic Chicago Blues with Stax-Volt R&B to create a sound all their own. Their first album, Briefcase Full of Blues, went double-platinum and led quickly to their hit movie and milestone soundtrack album. The rest is history, and it's all here in a music-filled, memory-blasting account of a band that will always be on a mission from God.

The Best of the Blues Brothers

6.4 1993
Just Watch Me: Trudeau and the 70's Generation

Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.

Just Watch Me: Trudeau and the 70's Generation

7.0 1999
ABC of a Strike

ABC of a Strike captures the 1979 metal workers strikes outside of São Paulo. The footage sat untouched until after the death of highly-regarded director Leon Hirszman in 1987, by which time the material had a new relevance. The gripping film captures the negotiations between the labor unions and the factory bosses and shows the birth of the region’s Worker’s Party, as well as the emergence of its charismatic leader, Luiz Inácio Lula da Silva. Rising from extreme poverty, Lula gained national prominence as a union activist during the late 70s and early 80s. After being jailed during his time as a union leader, he eventually becomes Brazil’s president from 2003 to 2010.

ABC of a Strike

7.7 1990
Mord aus Liebe

Love, it is said, always ends fatally - either for love or for the lovers. In his highly acclaimed portrait film, Georg Stefan Troller meets people who have murdered for love - or what they thought was love. Those who strangled their partners in their sleep, attacked them with a knife or shot them, are stunned by their own actions in retrospect. It now seems incomprehensible to them that a brief moment, a moment of being out of their depth, was enough to throw them off course once and for all. With a detective's instinct, Troller delves into the perpetrators' innermost secrets. A movie about the mental abysses that gape in all of us and the longing for love that remains - for life.

Mord aus Liebe

7.0 1993
Hollywood Rated 'R'

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Hollywood Rated 'R'

5.3 1997
The Wall

A documentary about the deconstruction of the Berlin Wall which makes no use of vocal commentary but instead focuses on visual elements. From the Potsdamer Platz to the Brandenburg Gate, the camera captures the historic events from all sides and different angles: on the one hand there are news reporters and tourists from all over the world taking pictures, children selling pieces of the wall to passers-by, and people celebrating New Year's Eve, on the other we see abandoned subway stations and officials with blank looks on their faces.

The Wall

5.5 1991
All New Dazzling Dunks and Basketball Bloopers

An American direct-to-video film that features highlights and bloopers from the NBA from its beginning to the film's release in 1989. The film is hosted by broadcaster Marv Albert and former Utah Jazz coach and executive Frank Layden. The video features brief biographies of NBA personalities including Darryl Dawkins, Bill Walton, John Salley and Frank Layden, as well as footage of dolphins playing basketball, a group playing basketball while riding horses and a group playing basketball on ice skates. Recaps of the 1989 and 1990 NBA slam dunk contest are also shown.

All New Dazzling Dunks and Basketball Bloopers

NR 1990
The Death Zone

To understand the difficulties of an ascent to over eight thousand metres, it is enough to remember the almost 300 victims these peaks have claimed. The Swiss alpinist Ehrart Loretan, the third alpinist in the world to have climbed all 14 8,000, and the Austrian alpinist Kurt Diemgerger cover the whole history of the conquest of the world’s 8,000, from the fifties to the present day, together with other alpinists and film directors who have climbed them. They talk about their experienced when they ventured into the death zone.

The Death Zone

10.0 1996
My Generation: The Animals

The Animals, thanks in large part to Eric Burdon's powerful, gritty vocals, were one of the most authentic-sounding rhythm and blues revival groups of the British Invasion. The band was also one of the few First Wave acts to make a successful transition from mainstream pop to progressive rock in the late 1960s. After becoming the top pop band in their home town Newcastle in 1962-1963, The Animals relocated to London in late 1963, where club dates and television appearances led to a record contract with British Columbia. And then came "The House of the Rising Sun".

My Generation: The Animals

NR 1995
Hitlers Traum von Micky Maus - Zeichentrick unterm Hakenkreuz

The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.

Hitlers Traum von Micky Maus - Zeichentrick unterm Hakenkreuz

NR 1999