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In a world where farming is mechanized and farm animals are fed with products coming from across the globe, a young shepherd is trying to keep his practice sustainable by using ancestral ways to raise his flock.

Winner of the Silver Shell for Best Director for his debut film, Del rosa... al amarillo, Manolo Summers was the great revelation of Spanish cinema. Over time, he became a very popular figure, while criticism of him intensified. Now we will get to know his personality through his own words, as well as what his films tell us about him. And with the help of film critics, directors, professionals, and his family, we will discover Summers the rebel.

Manolita Chen became in the mid-eighties the first Spanish transsexual mother who managed to adopt. Through the documentary she tells us about that process, as well as her experiences as a transgressive woman at a time when Spain was not yet socially or legally advanced. We discover a life full of bitterness but without rancor in between, where she nostalgically recalls her facet as a businesswoman and vedette, gradually managing to integrate into her hometown, Arcos de la Frontera, where she currently enjoys the affection and approval of her relatives and neighbors.

Twelve-year-old Jeffrey works on the streets of Santo Domingo washing windshields to help his family’s finances, but dreams of becoming a reggaeton singer. With the help of his older brother, Jeyson, he composes and records songs about his life, their neighbourhood, and his dreams for the future. In this intimate documentary, director Yanillys Pérez highlights the resilience and dynamism of Jeffrey as he looks for customers, tries to avoid turf wars with other windshield washers, spends time at home with his family, and climbs his special tree. Full of dynamic music and dance sequences, Jeffrey captures a real-life story of a boy trying his best to turn his dreams into reality.

On returning from class, a teacher is questioned by his wife, who distrusts his pedagogic project: an “Academy of the Muses” inspired by classical references, which is supposed to contribute to regenerating the world through poetry. The controversial project triggers a series of situations dominated by words and desire.

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

The poet Gabriel Ferrater – or Biel, as his friends called him – grew up during one of the most turbulent times in Spanish history. Shortly after his birth, there was a coup d’état; before he even turned 10, the king abdicated and Spain became a Republic; as he was entering adolescence, the police imprisoned his father for politically supporting an independent Catalan republic, and two years later, a terrible civil war broke out. During his childhood, Biel is barely aware of what is happening. He is a gifted child who learns to read and write at home. However, the radicalization of the political and social clashes taking place around him turns Biel into a witness of horror. The story of a teenage boy through the most violent years in the history of Spain, years that will lead to the disenchantment with which Gabriel Ferrater and other members of his generation perceive the human condition.

An outcast makes a journey through a dam in Sierra Maestra, place of origin of the Cuban Revolution. As in a short story, we are guided through this attenuate landscape gradually crossing the delineae cartography of a body that with every movement is diluted, finally becoming one with the habitat.

A documentary/fiction mix inspired by the flamenco singer Camarón.

Documentary about the horrors of the Chilean 80's dictatorship from the perspective of a son who has lost his fathers and goes into the quest of finding out more about them

Nelly is a 63-year-old woman who, due to her circumstances and experiences, has not been able to give or receive the love she deserves through people. But that has not extinguished her need to love, so she has learned to channel all her affection into her cats, her dog, and the sea.

In Piratas y Libélulas, Isabel de Ocampo follows the staging of a play by a group of pupils in a high school in Las Tres Mil Viviendas, a conflictive area in Seville. “Raúl y Julia” is the version, adapted to the present day, of Shakespeare´s “Romeo and Juliet” presented by Los Shespirs (in a joking reference to the English author), a group formed by gypsy and non-gypsy pupils in which there are difficulties and conflicts, but also joy and the desire for self-improvement.

Would you like to travel to the world behind the mirror? A behind-the-scenes look at the special episode of "Bia: A World Upside Down", where the universe of the series is turned upside down. We will take a look at the challenge of creating totally different characters, looks, dialogues and new situations, plus all the work and fun of the shoot.

A group of children tells to the camera how they torture various animals, such as lizards, cats or mice. One of them tells how last summer, after attacking a cat with his friends, he saw something that made him reflect on what they did.

A first-person chronicle of the journey of Barcelona activist mayor Ada Colau in the form of a personal diary.

The Escape reveals the stories of victims abused as minors by two Jesuit priests in Barcelona over thirty years. The priests were transferred to Bolivia by the Jesuit Order, where they continued their abuse. The victims now revisit the impact of these crimes, linking the impunity experienced between Barcelona and Cochabamba.

A group of filmmakers arrives in Santiago de Chuco, a town in the Peruvian highlands where the poet César Vallejo was born. With the excuse of a casting, the filmmakers appropriate the theater and the inhabitants of the place arrive, revealing little by little some lives embraced by the aura of the poet, who died in Paris seventy years ago. All of them, inhabitants and filmmakers, are confused between verses, stories and poetry. Fantasy emerges and characters like the blind Santiago-who rings the bells always warning something-; or the young musician Elder - whose desires loom like a cornucopia-trace a liminal path between fiction and reality.

In 2012, awarded filmmaker Hernán Zin suffered an accident in Afghanistan that changed his life forever. The traumas he had been accumulating during 20 years of war reporting suddenly imploded. He began suffering depression, loneliness and self-destructive behaviors. Searching for answers of what happened to him, Hernán Zin decided to interview other journalists. He asked them about their traumas, their losses, their fears and their families. DYING TO TELL is the first documentary film ever made about trauma in war reporters. It is a brutal and torn portrait of war, and a tribute to those who risk their lives for the world to be informed. —Contramedia Films

Animated short film based on the drawings of the artist Jesus Mari Lazkano and showing us the transformation of the Mer de Glace glaciar in Chamonix.

A documentary that takes a broad overview of the life of the dictator, which is a review of the history of the twentieth century so far. Thus, the main events of the century are analyzed through the experience of Franco, who starred in many of them in this historic document which brings together, among others, Alfonso XIII, Mussolini, Lenin, Primo de Rivera, Azaña or Roosevelt.

LUDO tries to reflect the social value of videogames and the potential of the media as an educational instrumental.

Raudel has been haunted since childhood by the sight of a strange light. Now, at the age of 27, he dedicates himself to scrapping ships in Bahia Honda, Cuba, a place where the line that separates the living from the dead is almost invisible.

A group of teenagers looking for meaning and feeling a lot during a few beautiful days in March away from the real world.

Produced out of Harvard's Sensory Ethnography Lab, Laura Huertas Millán's quietly masterful La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space.

Rimbombanzia performs her makeup mantra on the streets of Madrid for drivers and pedestrians.

Uztarroz is a village in the Navarrese Pyrenees where, until the summer of 2022, 3 films had been shot without the authorship and decisions of its inhabitants. In this fourth film they collectively determine how to portray the village and self-represent themselves.

This documentary deals with the great injustice and pain caused by anti-personnel mines and demands the urgent need for all the countries involved to sign the demining protocols. The short begins with a 24-hour isolation carried out by the author in a hole/crater in the middle of the desert to empathy with the Saharawi people, from there progressively through their commitment and coexisting for getting close to the reality of the victims of antipersonnel mines and their everyday live. Denunciations and wishes of this people who have suffered a hard exile are verbalized. In parallel, the author is interviewing, listening, sharing and designing an ingenuity that he is building to exploit the mines. The melphas (costume of the Sahrawi woman) make up the sail that moves the wheels that trace with phosphate powder the path with the word FREE and end up exploiting the mine, to show the inhuman damage it cause. A call for peoples to sign demining protocols urgently.

In Argentina, a woman dies every week as the result of illegal abortions. In 2018, for the seventh time, a motion supporting legal, secure and free abortion was presented to the national congress of Argentina. The project provoked a fierce debate, revealing a society divided more than ever between the pro-life and freedom to choose positions. Through an assemblage of passionate testimonies, Let It Be Law documents the determination of women fighting bravely to secure the right to physical self-determination, and bears witness to their massive mobilization in the streets of Buenos Aires.

“Detritus” is a visual experience that observes Barcelona through the waste left behind by its inhabitants: furniture, paper, plastic, and other urban debris. The accumulation of all these often overlooked remnants shapes the portrait of a dirty city, built on a model of constant consumption, where garbage becomes yet another layer of a cold and polluted landscape defined by what we leave behind.

Documentary about the Mont-roig del Camp painter, Teresa Llàcer.

In Madrid, a woman pursues the traces of a father she never knew.

In the South of Spain, a multicolored pigeon race will be won not by the fastest bird, but the one who will be able to seduce a female pigeon and fly alongside her the longest.

Flor, the sister of José Humberto Baena, continues the tireless struggle that her parents took until the end of their days: vindicate the innocence and memory of her brother. Baena was a member of the FRAP and was shot on September 27, 1975 after a summary war council. He was accused of the attack that killed policeman Lucio Rodríguez. In the process, no material evidence was presented nor was there any witness. Xosé Humberto always maintained before his family that he was innocent.

Pepa, Antoñita, Pepi, Esperanza, Remedios, Kiska, Catalina and Rafaela are women between the ages of 68 and 97 from Seville's Triana district. All share a dream: they want to be monologuists, to enjoy success in the world of showbusiness and to defend the right of older women to respect and visibility. They have therefore created a show entitled Orgullo vieja. The film follows the process of creating the company, the rehearsals, the premiere in Seville and their travels throughout Andalusia.

A portrait of the cities of Lisbon and Oporto.

Portraits of three women who live and work in the infamous mines of El Cerro Rico in Bolivia. Work inside the mines has been limited to men, while the women are forced to work outside searching for mineral scraps on the side of the mountain. The film highlights the women's strength, determination and resilience in the face of struggle and hardship.

A reflection on the assassinations of social democrat politician Fernando Buesa Blanco and his bodyguard Jorge Díez Elorza, perpetrated by the terrorist gang ETA in Vitoria-Gasteiz, Basque Country, Spain, on February 22, 2000.

An aimless journey, where a trailer enters the bowels of a disappeared city, a black cat and 20 ° below zero.

“Rising from Ashes” is a feature length documentary about the first Rwandan National Cycling Team and their six year journey to the Olympic games in London. It's not about the bike. It's about second chances, how our past doesn't have to define our future, and the impossible triumph of the human spirit over one of the world's most devastating genocides.

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

In a moving first-person documentary, a Chilean filmmaker confronts her impending blindness by chronicling her struggles and her return home, where she reunites with family and befriends a group of street vendors who teach her how to be blind.