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Lawinen der Erinnerung

The leitmotif for this film portrait is Oliver Storz’s autobiographical novel Die Freibadclique, which tells the story of a group of friends drafted into the army as fifteen-year-olds just before the end of the Second World War. Again and again, Dominik Graf reads passages from this account and, by juxtaposing them with clips from Storz’s films, reveals the echoes of the past they contain. Whether in his more experimental television plays or his Willy Brandt film "Im Schatten der Macht", Storz always provided new perspectives on the war and on Germany itself. Via a series of personal interviews Graf held with the journalist, director and producer shortly before the latter’s death in summer 2011, we are introduced to an analytical, unconventional man who witnessed the course of history. Graf takes up Storz’s reflections in his commentary, throwing light on an unexpected history of German television.

Lawinen der Erinnerung

7.0 2012
Der Al Capone vom Donaumoos

The autobiographical portrait of Theo Berger, who gained notoriety as the king of burglaries and escapes and spent most of his life in prison. His criminal career includes over 150 crimes committed since the age of 18. Theo Berger was sentenced twice to 15 years and twice to preventive detention. The film was made during his parole, which he received after contracting leukemia. But less than six months after filming was completed, Theo Berger was arrested again. Unprepared for a life in freedom, he was involved in a bank robbery. He was sentenced to a further 12 years in prison.

Der Al Capone vom Donaumoos

7.0 1986
Barrage and Bunker

Barrage and Bunker is an essay film about the (narrative) space imagined by fiction films. Reflections and associations about movement in space are the basis of every kind of story-telling. The film is sometimes referred to as part of Bitomsky's Cinema Trilogy. Sequences from over 20 movies are quoted and commented on by a team of three "researchers" (Bitomsky, Petzold, Tanner) in a sort of laboratory. TV-monitors, production stills and screenshots are used as well as quotations from books. A long night's work.

Barrage and Bunker

6.5 1991
Germany's Mystic Forest

Dark green, impenetrable forests cover a landscape with secluded valleys and rugged mountain ridges. 2.000 rivers and streams dig deep into the underground and transport their water into reservoirs or "Germany's Wild Amazon", the Wupper. These forests and rivers, together with heath-lands and moors, are home to a diverse fauna. Martens, badgers, wild boars, hares, roe deer, red deer and wild boars, even black grouse and hazel deer find shelter in these parts. Wolves have also have a dominant presence, not to mention those who live underground, such as lizards, bats, and snakes. Accompany us on a journey where we explore every corner of this rugged land. Climb underground into the Bergisches Land, through the vast hidden cave systems that sprawl far beneath the forests. There is also much to be discovered in the water, dive with us in crystal clear streams and rivers with their diverse flora and fauna.

Germany's Mystic Forest

8.0 2020
Slaughterhouses of Modernity

Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building architecture is inseparable from capitalist ideology. Focusing mainly on cities and provinces in Argentina, Germany, and Bolivia, Emigholz’s latest film is a work of quiet observation and historical excavation. From slaughterhouses in Salamone to the flooded former spa city of Epecuén to the newly built Humboldt Forum in Berlin, the film demonstrates the effect of capital on public spaces, where creation and destruction go hand in hand, and as always, Emigholz makes the journey one of intellectual force and cinematic beauty.

Slaughterhouses of Modernity

NR 2023
Abendland

Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.

Abendland

4.1 2011
The Child Crusades - Barefoot to the Promised Land

It was a fateful expedition into the unknown. 50.000 children marched along the banks of the Rhine and the Loire Rivers dressed in rags, dragged themselves barefoot across the snow-covered Alps. They reached the shores of the Mediterranean in a state of exhaustion, and were loaded onto shady ships and ended up as slaves at North African markets. The film snatches the stirring fate of these children from the realm of the forgotten and gives them back their dignity on the pages of history.

The Child Crusades - Barefoot to the Promised Land

7.0 2006
The Inner Light

Dementia, a diagnosis that changes everything for those who are affected and for their relatives. Accepting the disease can seem just as difficult as finding an appropriate approach. But perhaps it is much more about compassion than about understanding? In an observational way, The Inner Light explores the everyday lives of people with dementia and focuses mainly on positive situations and encounters. The film tries to offer a poetic interpretation of this special state of being and aims at reducing fears in dealing with people with dementia and at accepting each person's humanity.

The Inner Light

6.5 2019
Manuel

Manuel is only 11 years old, but he already works on a sugar cane plantation located in northeastern Brazil. His father and older brother are also employed here. Manuel works on a huge roller that is used to press out the sugar cane. His friends transport the squeezed sugar cane away, dry the remains on the farm or help transport the cut cane to the mill. The film shows Manuel's daily work and describes the different steps of sugar production on the plantation. Manuel hopes that his younger siblings will soon be able to help, because although Manuel contributes to the family income, it is often not enough to feed the family of nine.

Manuel

NR 1989