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Shizuka Yokomizo’s video installation for the Taipei Biennial 2025 captures a quiet, personal scene: her elderly mother tending to 70 plant species on a small balcony in Tokyo. The artist observes the exchange between her mother and the plants—a system of care shaped by weather, seasons, and attentive listening. Though the plants appear indifferent, her mother sees their silence as a gift. Yokomizo reflects on the parallels between human aging and plant life cycles. The work explores care, time, and the quiet companionship between two living beings moving through life.

Crew and actors prepare for Mamoru Oshii's stage version of Tetsujin 28.

The challenging daily routine of Ceará-born jockey Antonio Davielson and his family living in a foreign country on the other side of the planet.

An intimate two-person portrait of painter Hsieh Hsiao-te (謝孝德) and his illiterate, self-taught sculptor father Hsieh Chin-shou (謝金壽), exploring urban-rural tensions, generational differences, and divergences in their choice of media. A short documentary from Chang Chao-tang’s (張照堂) tenure on the China Television Company’s News Highlights (新聞集錦) program.

Zhang Ming went back to his hometown Wushan to record the last images before it being changed forever by the upcoming Three Gorges Dam.

The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.

Facing seizure of their own lands, two families found themselves farming together on the same field, hoping to get through just another rice-farming season like every year. But no matter how much the world is evolving, how much the country is going through economic, political and social changes, they still cannot grasp that ideology of happiness.

After the millennium time, the truth of revealed now. You can understand all of the mysterious! She goes on a journey across the thousand year’s space-time to learn the truth of the greatest mystery of Japanese history [the legendary cloud]. "Sakuya Youkai" The super-mystery experience drama starring Nozomi Ando.

In the late 1980s and early 1990s, in an attempt to stop the spread of AIDS, the Chinese government sought a “purer” blood supply from its rural population. Burdened by agricultural taxes and rising costs of education and health care, many peasants sold blood to state and private blood-collectors. Due to lack of sanitary control, a large number of blood-sellers were infected with HIV. Starting from the mid-1990s, AIDS villages multiplied.

Despite being deaf Sang-kuk never forgets to smile while he makes furniture. Kyung-hee can't hear either but with her natural beauty and outgoing personality, she enjoys her job at a sign language interpretation center. Between them they have hearing daughter Bora who is a director and a son named Kwang-hee. When, after moving eight times since marriage, Sang-kuk wants to move one more time, Kyung-hee opposes him. In filming the silent world of her parents, the director discovers new stories coming from herself, who grew up moving back and forth between two worlds-one of silence and the other of sound.

Osaka Korean High School has provided education for the past six decades to the children of pro-North Korean residents in Japan. This school is located only about 20 minutes away from Hanazono Stadium, the mecca of Japan’s high school rugby, but it was not until 1994, 18 years after the foundation of a rugby team at the high school, that the Japanese education ministry approved the team’s entry into the official league. Since then, the team has run in the national league as a representative of the Osaka area and been considered a front-runner ever since. The team has strong players and passionate supporters, but it faces difficulties just before winning the league.

M+, Hong Kong's museum for visual culture, presents a video on the making of neon signs. Get to know how neon signs are made as the masters go through the production processes from design, tube bending, gas filling and more. A documentary covering the current situation and challenges of the industry in Hong Kong behind the glowing neon signs. Produced by M+, WestK as part of "NEONSIGNS.HK" — an online exhibition on Hong Kong's neon signs.

An impressive bottle of fine Scotch is in your hand. From barley to barrel, who made it and how did they do it?

Why did Moon Jae-in, a human rights lawyer who hated politics, become president? During five years at the Blue House, why didn’t he use his power? Why did he just silently plant flowers while being sworn at by protesters? One by one, those who watched him reveal their hidden stories.

In Japan, there is an informal agreement between mainstream media and the government that is hardly ever questioned: Journalists are not too persistent in their criticism, in turn representatives of the government grant direct access to select information through press conferences. Isoko Mochizuki, reporter for the Tokyo Shimbun newspaper, has established herself as a spoilsport in this system.

Masato Sakai Visit Native Americans living today.

Liu Liu is living in a strange new land. While his mother looks after the shop, he goes exploring. Encountering a ghost monster, a fierce battle begins. Behind the shop counter, Liu Liu’s mother listens to audiotapes to teach herself Hungarian. Bored and frustrated, Liu Liu goes in search of adventure. Exploring this new and foreign land, he encounters a mysterious monster.

For over 70 years, Kai has lived in a military dependents’ house frequented by monkeys. He has spent years maintaining the almost 90-year-old house. In facing monkeys’ intrusions, typhoons and the unpredictable nature of life, can he weather the trials of nature and time?

This film follows the lives of undocumented Vietnamese workers in Taiwan doing odd jobs to survive, after having been forced to flee their employers due to harsh working conditions and lack of medical care. How will living this way for more than a decade shape their lives?

After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

In this contemporary documentary, the cast and the crew share their experiences of making the film.

Mother Sun (Sun Woo-Sun) enjoys her days with her 12 cats. One day, she tells her cats "Let's all go on a trip together." This is how their first trip begins.

The film centres around three condemned prisoners who committed different crimes, with one still serving his sentence, one who has taken his own life in prison, and one already executed. Consisting of unembellished interviews and news footage, the film shows the director’s concern for the condemned prisoners and their families as human beings; moreover, it examines the contemporary history of capital punishment in Taiwan and questions the current judicial system.

Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art.

Renowned cinematographer Kazuo Miyagawa collaborated with a number of great Japanese filmmakers, including Akira Kurosawa, Kenji Mizoguchi, Kon Ichikawa, and Yasujiro Ozu. The following excerpts from the Japanese television documentary THE WORLD OF KAZUO MIYAGAWA explore Miyagawa and Kurosawa’s working relationship on RASHOMON.

"The very first Taipei Golden Horse Film Festival was held here at Zhongshan Hall. During my university days, I volunteered as a ticket seller in order to watch films for free. Many years later, I received the top award at the Taipei Film Festival in an award ceremony held here as well. I have also run a coffeehouse here and often held small screenings of classic films during that time. Last year, I shot my film, Your Face, inside Guangfu Auditorium. The film was composed of thirteen big close-ups. Each of those thirteen faces was filled with the passage of time. Now, I am given a chance to film Zhongshan Hall again. I switched off all the lights and allowed the warm winter sun to shine on her face."

Official making-of documentary for Daigo Matsui's 2021 film Just Remembering.

World War II comes to an end. Tokyo is a destroyed place, without law, driven by hunger and greed. From over 100,000 pages of declassified CIA documents and hours of newly discovered footage, recorded by American occupation charges and private individuals, the documentary shows Tokyo during this crucial year, Year Zero. Observed from the point of view of a young man who finds himself transported in time, the NHK documentary uses color images and state-of-the-art video techniques to reveal how a desperate population is published as the foundations of today's megalopolis.

"What the axe forgets, the trees remember." The Tree Remembers presents the current situation in Malaysia where the racial policy is still practiced and the victims are forced to remain silent. This film re-examines the origin of racism in Malaysia and the taboo of racial riot in 1969.

A state of emergency was declared for the first time under the Law Concerning Special Measures against COVID-19, on April 7th, in Japan. It has changed everyone’s life. The film is based on the actual experience of the film director, Mishima Yukiko on April 22nd, 2020, and was filmed by 20 actors.

Documentary on the first live action Death Note film.

Bill Wong works on a wide variety of films, some of modern setting, some with historical backgrounds; some are award winners, some lesser known. As a cinematographer, he does not strive for personal style. Instead, he concentrates on fulfilling the potential of the film and realizing his director’s designs. He is a consummate team player. This documentary features interviews with Wong and five directors with whom he has worked – Patrick Tam, Ann Hui, Tony Au, Lee Chi-ngai and Shu Kei, tracing the paths on which they have travelled together.

Nguyen was reported for a car theft and ended up being shot nine times by police officer Chen Chung-wen. Nguyen bled to death on the way to the hospital. The public supported Chen's use of firearms against the runaway migrant who resisted arrest. Were the nine shots the only cause of Nguyen's death? When the perpetrator isn't necessarily the true perpetrator, is the imperfect victim the one to blame?

A behind-the-scenes look at the creative process behind Juzo Itami's "Daibyonin" a.k.a. "The Last Dance".

The movie compiles footage taken by Ogawa Production for a period of more than ten years after the collective moved to Magino village. Unique to this film are fictional reenactments of the history of the village in the sections titled "The Tale of Horikiri Goddess" and "The Origins of Itsutsudomoe Shrine". Ogawa combines all the techniques that were developed in his previous films to simultaneously express multiple layers of time—the temporality of rice growing and of human life, personal life histories, the history of the village, the time of the Gods, and new time created through theatrical reenactment—bring them into a unified whole. The faces of the Magino villagers appear in numerous roles transcending time and space—sometimes as individuals, sometimes as people who carry the history of the village in their memories, sometimes as storytellers reciting myths, and even as members of the crowd in the fictional sequences.

An average of 60,000 people emigrated from Hong Kong each year in early 1990s. An absolutely personal and biased sampling of this diaspora from an insider/outsider perspective just before the 1997 handover. Based on the personal experiences of individuals from Hong Kong in 1990s, Diasporama is an experimental documentary that addresses issues of the diasporic condition. In a series of intimate interviews that explore the relationship of the personal and the political, Yau Ching confronts notions of nationhood, identity, and post-colonialism. Inserting her own face and voice as a form of mediation, the artist herself becomes one of the subjects.

The film looks at the history of Yasukuni Shrine in Chiyoda, Tokyo, where more than 2 million of Japan's war dead are enshrined. More than 1,000 of them are war criminals convicted at the 1946–48 Tokyo tribunal, including 14 Class-A war criminals, Hideki Tōjō among them. The film shows not only the widely reported political incidents associated with the shrine, but also takes an in-depth look at the shrine's sword-making tradition, the Yasukuni sword being the film's underlying motif.

This is Ogawa Productions’ first major film from their Yamagata period. They had already started photography on Magino Village -A Tale but they were drawn to this village deep in the high country above Magino when a particularly cold bout of weather threatened crops. Inevitably, their attention strayed from the impact of weather and geography on the harvest to the “life history” of Furuyashiki Village. On the one hand, Ogawa returns to his roots by playing with the conventions of the science film. At the same time, he discovers a local, peripheral space in which to think about the nation and the state of village Japan. From this “distant perspective” in the very heart of the Japanese mountains, Ogawa discovers a village still dealing with the trauma of global warfare and struggling for survival as their children flee for the cities.

After the dissolution of the Truth and Reconciliation Commission, which was launched as a South Korean government organization in 2005, civic groups and bereaved families wishing to complete the mission the government had failed to accomplish form a joint organization to investigate the remains of civilians who were massacred during the Korean War. A three-year-long documentary about the organization’s three-year-long excavation efforts, 206: Unearthed is a record of sunlight, dirt, and sweat.

A Japanese-produced theatrical documentary about José Alberto Mujica Cordano.

Seven activists from Hong Kong joint the global fight against the G8 Summit in Hokkaido Japan 2008. Given the fact that global warming, labor and energy issues were discussed and covered by mainstream media, they tried to get their voice heard to the leaders at the Windsor Hotel in Toyako (The Toya Lake), but they experienced hospitality of Japanese police brutality from the city rallies to the protest in the mountains.

ZHANG Weili, the first-ever Asian UFC women’s world champion, secured the UFC strawweight belt with a 42-second TKO victory over the reigning female boxing champion. She successfully defended her title against the legendary fighter Joanna. However, after two back-to-back defeats at the peak of her career, she found herself in a personal slump. Determined to reclaim her identity, she took the bold step of cutting off her long hair.

The grannies from Chilgok memorized the multiplication table in Japanese and lived their entire lives illiterate in Korean. This was because in 1937, the Japanese Governor-General of Korea banned the usage and education of the Korean language in all schools. These grannies from Chilgok had given everything for their children's education despite the backbreaking burden and workload. Then one day a Korean school opened in their village and sparked a fire in their hearts. As they learned the Korean alphabet, they became literary ladies who see poetry in everything in the world. "Poems here. Poems there. Poems are all over the place."

10 years from them to now, people who miss the late president Roh Moo-hyun tell their stories.

A Documentary on the Japanese baseball player Sadaharu Oh

A documentary about the making of Cortis's debut album.

Documentary about 3 adult video performers, searching for their identities.

Viewers are transported back in time to 1974 to see the annual Taoist celebration of the Dajia Mazu Pilgrimage. Thousands of participants accompany a statue of the goddess Mazu, who protects seafarers, on a 9-day, 8-night procession, stopping at several prominent temples along the way. The religious pilgrimage is a round-way journey from the Zhenlan Temple in Dajia, Taichung City to Fengtian Temple in Xingang of Chiayi County on the Western plains of Taiwan. The mesmerising festival takes place every year during the third lunar month and still attracts large masses to this day. The audio track of the film was once banned under the Kuomintang (KMT) due to the film’s inclusion of spoken Hokkien (Taiwanese), giving viewers at the time an altered and suppressed understanding of the event and its cultural significance in Taiwan. Viewers now can revel in the beauty of the Taiwanese language and see the film for the true spirit that it captures.

The care facilities for the elderly in a small town in Gifu prefecture, and the comparison with the welfare in Denmark, Sweden and Australia.

This documentary, produced by Hiroaki Fujii in 2005, features the crew of Yukio Mishima's 1966 film PATRIOTISM recounting their filming experience.

Raye’s devastating documentary follows the plight of some 450 dogs brought through a single animal shelter during the winter of 2013. Policy dictates that any animal not adopted within 12 nights will be destroyed. Only around 10% of residents will be so lucky as to survive. As they wait, their time in the shelter is fraught with anguish, disease, and only the slimmest possibility of a better life. Executive produced by novelist and filmmaker Giddens Ko (You Are The Apple Of My Eye).

Ali is a Hungarian film director (over 50, grey hair, not completely bald yet), who is no longer making films. The question is: what has happened to him? One day, he gets a phone call from Hong Kong, and decides to find an answer to the question in Mong Kok on the 37th floor.

This is the story of Lam Morrison, the Guitar King of Thailand, who is known for his fast fingers, very clean sound and his electrifying Rock n' Roll.