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Michel Marlétaz, Cooper

Michel Marlétaz lives in Les Echenards, a seven-person hamlet without an access road. After a bad car accident left him injured, he had to find a new livelihood, and so he learned the cooper's trade in classes set up for mountain farmers. He now makes his living from the manufacture of small wooden ware, like pots, spoons, butter churns, buckets, and milking pails. Marlétaz is the only cooper left who knows how to make the large butter churns used in the high Summer pastures. In November, he cuts the wood he will need - elm, spruce, cherry wood - then, during the Winter season, he makes the pieces he will deliver in the Summer.

Michel Marlétaz, Cooper

NR 1988
The Star Trek Saga: From One Generation to the Next

This special is hosted by Patrick Stewart and traced the history of Star Trek from its inception with "The Cage" through to Star Trek IV: The Voyage Home and the first season of Star Trek: The Next Generation. It also showed brief previews of Star Trek V: The Final Frontier and TNG's second season. Also it was principally a container for the premiere of a full color print of "The Cage" which had, according to the special, recently been recovered from Paramount's studio archives.

The Star Trek Saga: From One Generation to the Next

2.5 1988
Standing Alone

Pete Standing Alone is a Blood Indian who, as a young man, was more at home in the White man's culture than his own. Confronted with the realization that his children knew very little about their origins, he became determined to pass down to them the customs and traditions of his ancestors. This film is the powerful biographical study of a 25-year span in Pete's life, from his early days as an oil-rig roughneck, rodeo rider and cowboy, to the present as an Indian concerned with preserving his tribe's spiritual heritage in the face of an energy-oriented industrial age.

Standing Alone

7.0 1982
The Making of 'Raiders of the Lost Ark'

One of the first 'Making of...' movies to become a hit in its own right, this documentary treats movie fans to a behind-the-scenes look at the making of Raiders of the Lost Ark, about the quest to find the Ark of the Covenant before the Nazis. Included are interviews with stars Harrison Ford and Karen Allen, director Steven Spielberg and other members of the cast and crew who talk about the experience of making the film, as well as all of the effort that went into it.

The Making of 'Raiders of the Lost Ark'

7.2 1981
Debonair Dancers

Debonair Dancers is a 1986 short American documentary film produced and directed by Alison Nigh-Strelich, and narrated by Jack Lemmon. It is about The Debonaire Special Dancers of Bakersfield, CA, a group started decades ago by John Soiu and continues today under the direction of Sheri Fortino. The group fosters social and life skills while stimulating creativity and confidence in the special needs students it serves. It was nominated for an Academy Award for Best Documentary Short.

Debonair Dancers

6.8 1986
Passiflora

This bold "graffiti" essay on the Pope, Michael Jackson, the Olympic stadium, and the manipulation of the masses, provided a fresh glimmer of hope in a decade of institutional complacency. In Passiflora (named after the anaesthetic tropical flower), the animation, "new music", street theater and dramatization deployed builds on Belanger's observations of the two media stars' simultaneous visits to Montreal to meet with their followers. The film celebrates the resistance shown by a coalition of the unsubmissive: gays, transgendered people, youth, battered women, psychiatric patients, abortion activists and women who have had abortions.

Passiflora

9.0 1986
Portraits: Première Série

"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)

Portraits: Première Série

8.0 1988
Kappa

Deconstructing the myth of Oedipus within the framework of an ancient Japanese folk story, the Yonemotos craft a highly charged discourse of loss and desire. Quoting from Bunuel, Freud, pop media and art, they place the symbology of Western psychosexual analytical theory into a cross-cultural context, juxtaposing the Oedipal and Kappa myths in a delirious collusion of form and content. The Kappa, a malevolent Japanese water imp, is played with eerie intensity by artist Mike Kelley; actress Mary Woronov plays Jocasta as a vamp from a Hollywood exploitation film. Steeped in perversions and violent longings, both the Kappa and Oedipus legends are presented in highly stylized, purposefully "degraded" forms, reflecting their media-exploitative cultural contexts. In this ironic yet oddly poignant essay of psychosexual compulsion and catharsis, the Yonemotos demonstrate that even in debased forms, cultural archetypes hold the power to move and manipulate.

Kappa

7.0 1986
The Movie Palaces

A documentary about the great American movie palaces of the 1920s and 1930s. Filmed on location at some of the extraordinary theaters across the country, the program explores the diverse and priceless architecture of such greats as the Atlanta Fox, the Wiltern in Los Angeles, San Antonio's Majestic, Seattle's Fifth Avenue and, perhaps the most famous, Radio City Music Hall in New York City. Also included are stills and vintage clips of classic movies and newsreels of the era that illustrate the historical evolution and mass appeal of the movie palaces. Picture palace organist Gaylord Carter performs a variety of movie accompaniments.

The Movie Palaces

NR 1987
A Guerra do Pente

Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.

A Guerra do Pente

NR 1986