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Margaret Laurence, First Lady of Manawaka

This feature documentary is a portrait of one of Canada's most celebrated authors, Margaret Laurence. Born in a small Prairie town in Manitoba, Laurence remained haunted by the images of this small Presbyterian home town. This film traces her life from the early days and introduces us to her characters, whom we meet through readings from her work by Canadian actress Jayne Eastwood. The film blends fact with fiction to give its audience a strong impression of who this very private person really was.

Margaret Laurence, First Lady of Manawaka

9.0 1978
A Story of a Man Who Filled 552% of the Quota

A movie quintessential to Wiszniewski's artistic output. Its protagonist, Bernard Budgol, is a miner and a legendary leader of socialist labour in the 40s and 50s. Structured around a dissonance and contradiction, the film is reminiscent of a broken mirror. Budgol's utterances do not for a cohesive whole, but come into conflict with one another. His wife, children and fellow miners tend to be critical of him while the protagonist himself feels compelled to defend his legend and the rightousness of his own conduct. (FILMAFFINITY)

A Story of a Man Who Filled 552% of the Quota

6.0 1973
Canal Zone

CANAL ZONE is about the people who live and work in the Panama Canal Zone and shows both the operation of the Canal and the various governmental agencies — business, military, and civilian — related to the functioning of the Canal and the lives of the Americans in the zone. The film includes sequences of ships in transit, the work of special canal pilots, aspects of the civil government, work of the military, and the social, religious and recreational life of the Zonians.

Canal Zone

7.2 1977
El afinque de Marín

El afinque de Marín (1979) is an iconic Venezuelan documentary directed by Jacobo Penzo that explores the life, culture, and popular music of the Caracas neighborhood of Marín. Far from being merely a film about music, it delves into the social roots and collective identity of the barrio, using rhythm and everyday life as a lens to reveal the bonds, struggles, and shared histories of its inhabitants. Through its intimate portrayal of people, sounds, and spaces, the film becomes a vivid testament to popular culture as a living expression of community and belonging.

El afinque de Marín

NR 1979
Nanda Devi

In 1975, Raymond Renaud, Yves Pollet-Villard, Maurice Gicquel, Maurice Cretton, Jean Coudray, Yvon Masino, Walter Cecchinel, all teacher guides at ENSA in Chamonix, with the help of the Indian Mountaineering Foundation, set out to cross the 2 peaks of the highest mountain in India. After 43 hours in a truck, 10 days of slow and difficult approach walking, helped by goats for the portage due to lack of sherpas, the base camp is set up on the Nanda Devi glacier. Two groups share the two eastern and western slopes, 3 kilometers separate them: the goal being to meet between the two summits by the ridge. But on the big day, with the monsoon, bad weather arrives with wind and snow, we will have to give up. Like the French expedition of 1951 which lost two mountaineers, Roger Duplat and Gilbert Vigne, to whom Paul Gendre and Louis Dubosc pay tribute.

Nanda Devi

10.0 1975
Karl Wirsum

Digitally restored by Pentimenti Productions, Suzanne Simpson's "Karl Wirsum" is a little-known 1973 film that peeks into the sun-dappled California studio of a young artist as he embarks on an extraordinary career. Wirsum's psychedelic marionette sculptures still dazzle today, while his narration and a mind-bending soundtrack draw viewers into his process and personality. Part of "4 Films by Suzanne Simpson," a whimsical quartet of archival films that captures artists flourishing amidst the 1970s Bay Area art scene, when Funk art was thriving.

Karl Wirsum

NR 1973
Leçons de cinéma de Godard à Montréal, classe 11

Lesson of October 13, 1978 (course #11). Films discussed: Dracula (Tod Browning, 1931), Germany Year Zero (Roberto Rossellini, 1948), The Birds (Alfred Hitchcock, 1963), Weekend (Jean-Luc Godard, 1967). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.

Leçons de cinéma de Godard à Montréal, classe 11

NR 1978