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Jean Cocteau Addresses the Year 2000

In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was sealed and stored with the understanding that it would be opened only in the year 2000. As it turned out, it was discovered and exhumed a few years shy of that date. Where in The Testament of Orpheus Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state. By the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead.

Jean Cocteau Addresses the Year 2000

6.4 1962
White Bells

A little girl wanders all alone in the morning, through a bustling city, looking for the white bells she noticed in the window of a florist's shop. This film heralded the birth of a new film language in Latvian cinema. It received awards at the San Francisco and Oberhausen festivals. and was included on the list of the “world’s 100 best short films” by the film critics at the 1995 Clermont-Ferrand film festival.. All three of the film’s authors together with their peers became the creators of the legendary Riga School of Poetic Documentary.

White Bells

5.5 1961
A Wall in Jerusalem

A brilliant documentary about the growth of Israel into the Jewish homeland. Seventy-three years of struggle for religious freedom is vividly recorded using rare archive film footage and photographs of historic events in the development of 20th century Israel. Beginning with the Dreyfus Affair in 1894, the film covers Theodor Herzl, founder of modern Zionism; the earliest immigration and settlements; the formation of kibbutzim; the Balfour Declaration; the rise of European anti-Semitism; the British occupation of Palestine; Arab confrontations; the United Nations resolution; the "Exodus" incident, and the Six Day War.

A Wall in Jerusalem

8.0 1968
Life in Australia: Cairns

A small city in the tropical north of Queensland, Cairns boasts a life that is leisurely and comfortable. The tempo quickens, however, at cane-cutting time when the sugar is harvested, and in winter when tourists come north to escape the cold. The Life In Australia series portrays Australian cities and rural centres as happy, lively places where good homes, abundant jobs, schools, hospitals and amenities provide the foundation for a relaxed lifestyle where sport, shopping, religion and even art combine to create a homogenous and prosperous society.

Life in Australia: Cairns

NR 1964
Why Vietnam?

Released in 1965, "Why Vietnam?" was produced by the U.S. Department of Defense to aid public acceptance of the Vietnam War and to indoctrinate Vietnam-bound draftees. Structured in the rhetorical tradition of the "Why We Fight" films, it draws historical parallels to World War II, depicts U.S. military activity in Vietnam, and presents official interpretations of the conflict’s origins. Later criticism by historians highlighted the film’s selective use of evidence and its distortion of key historical facts, revelations that were further underscored by disclosures in the Pentagon Papers.

Why Vietnam?

7.0 1965
511 Best Photographs of Mars

The film introduces a selection of various guest types in cafes and night clubs in late 1960s when old ladies still had some bourgeois manners from the first republic of Estonia and the youngsters of the Soviet regime were not served in a restaurant if they had no proper clothing. The guests of Tallinn's legendary cafes "Pearl" and "Moscow" were filmed in their own time. The uniqueness of the film is expressed through a strangely independent soundtrack that observes everyday bustle from the heights of melancholy poetry and remote uranography. Artur Alliksaar's poetry is read by Aarne Üksküla.

511 Best Photographs of Mars

7.0 1969
Chicorée

The poet Urban Gwerder and his artist friends used to produce multimedia shows called Poëtenz (Poetence). Soon, FMM’s portrait film Chicorée became the focus and principal activity of these soirées. This ironic, poetic picture of Gwerder’s family life in black-and-white, with colour sequences that conjure up the poet’s flights into a dream world, culminates in an outdoors action-writing sequence and a leap into the clouds. Gwerder dreams he is Salvador Dalì, Alfred Jarry, the Beatles and Frank Zappa. He makes fun of conventional forms of protest, and FMM faithfully catches every inspiration and crazy notion: a kitchen appliance becomes a larger-than-life monster, the head of the neighbour, a socialist bookseller, turns red – hand-coloured on the negative –, the family eats spaghetti and dreams of suckling pig; the young son looks for his fairy-tale parents in a labyrinth of mirrors… Chicorée is a silent film with live music played by Celly Pastorini as the film was projected.

Chicorée

NR 1966
Oslofilm:  Kunstnerforeningen 100 år

The anniversary of The Norwegian Artists' Association. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Kunstnerforeningen 100 år

NR 1960