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The 81st Blow

The film covers the oppression of Jews under the Nazis and features rare historical footage of concentration camps. The title is derived from a comment by a witness at Adolf Eichmann's trial. According to his testimony, he was whipped 80 times by the Nazis, but was not believed by Israelis after the war; this final doubt of his own people was the "81st blow". The 81st Blow is the first film in the Israeli Holocaust Trilogy by Bergman, Ehrlich and Gouri. It was followed by The Last Sea (1980) and Flames in the Ashes (1985).

The 81st Blow

6.0 1974
Bruce Lee: The Lost Interview

A priceless gem from the fine folks at The Internet Archive: Bruce Lee’s only existing television interview, from 1971. Martial arts expert Bruce Lee became world-renowned for his performances in such Kung-fu classics as ENTER THE DRAGON. Now his only interview in English is available. Just after the release of his first film THE BIG BOSS, he spoke in Hong Kong with Canada's premier journalist Pierre Berton. This is the closest one can get to this extraordinary master.

Bruce Lee: The Lost Interview

8.5 1971
Le charme de l'ambiguïté

From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.

Le charme de l'ambiguïté

NR 1974
Children of the Fields

Children of the Fields (1973), was produced for a television series on children sponsored by the Xerox Corporation and dealt with migrant farmworkers. To make it, Young immersed himself in the lives of Mexican American migrant laborers in the Southwest. He befriended the Galindo family—Polo; his wife, Lili; and their five young children—who all toiled in the fields. They agreed to permit Young to follow them during the harvesting season and to be the subjects of his film.

Children of the Fields

NR 1973
End of the Commune?

A documentary about Fassbinder and the early years of the legendary Antiteater, the group he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffeehouse," which also became a television movie, and you can watch unique footage from the 19th Film Festival in Berlin (1969) where "Love is Colder Than Death" was shown. As told in this documentary, his first feature movie was given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder Than Death,” while a man in the audience is shouting "Out with the director!” In this documentary, Fassbinder also talks a lot about his father, who was a respectable doctor.

End of the Commune?

8.0 1970
Kenneth Anger: Film as Magical Ritual

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)

Kenneth Anger: Film as Magical Ritual

5.7 1970
Black Sabbath: Live in Paris

This footage was originally shot at Théâtre 140 in Brussels, Belgium on October 3rd, 1970 for Yorkshire Television. Bootleggers have long repeated a fictional claim that done in Paris, but that has long since been debunked. In any case, this is the earliest footage of a complete concert of Black Sabbath in existence. Here they perform many songs from their most recent album at the time, PARANOID, as well as several from their debut. Interestingly, many of the songs from PARANOID feature their original pre-album lyrics - or Ozzy had simply forgotten the new ones! The original show was split into two halves and includes some behind-the scenes clips of the band before the show. Set List: Intro -> Paranoid , Hand Of Doom [alternate, improvised lyrics] -> Rat Salad , Iron Man, Guitar Intro -> Black Sabbath, N.I.B., Behind The Wall Of Sleep -> Jazz Improvisation, Walpurgis [a.k.a. War Pigs - alternate, improvised lyrics], Fairies Wear Boots.

Black Sabbath: Live in Paris

7.0 1970
And Still I Believe

Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."

And Still I Believe

5.2 1974