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Dabin, a 27-year-old woman studying films, began calling herself a feminist three years ago. She goes out without makeup, checks hidden cameras when using public restrooms, thinks of domestic violence at the cries of a woman next door, participates in street rallies, and gets hurt by her family’s reaction to the feminist movement. When a Hen Crows is a private essay film exploring the gender identity of a woman in her twenties in Korea using the narration of the director’s diary, referring to herself as a third-person ‘woman.’ Scenes of a family moving show a sense of the home video. Rather than making a clear voice toward the world, the self-reflection and sincere gaze look into the subtle movements of internal emotions.

In 1995, an astronomer proposed a peculiar project. It was to use the Hubble Telescope to capture a small part of the universe that was then known to be a void. In 1447 in Chosun Dynasty, Prince Anpyeong had a dream of walking through a peach blossom forest shrouded in clouds and mist, and he asked the painter, Ahn Gyeon, to capture it in a painting. Through the juxtaposition of the two historical anecdotes, the film examines the images of ‘the far and near’ through printing, transforming, and distorting the photos from the NASA Image and Video Library.

Passer-by: between Azure, Bisque and Teal, unfolds as a series of uneventfully eventful moments captured in Istanbul. The musical chords accompanying the film, performed with a wind instrument (a melodica) have been based on the weather history of Istanbul, turning Istanbul summer’s statistical data of migration of wind, changes of temperature and sea level pressure into musical notes.

Coincidence comes out of the blue, fleeting like a whisper. It touches us, leaving layers of memory. 'Yul' rescues a kitten from her apartment's stray cat feeding station. For the first time in her life, she crosses the fence to uncover the circumstances of the kitten's abandonment.

With the implementation of the 1988 government policy to shut down and combine small schools around the nation, Doomeal Elementary School in Doomealee Village, Gapuyeong-gun, is designated to be closed.

A set of 500*500 pixel boxes analyzes a group of image data produced on a train—a train running between Korea and Kazakhstan. Mostly, the detection process appears to be random. However, despite the incoherency, the boxes can generate an output, a story that can make sense.

Sukgyung Lee, 61, lives in an old municipal apartment in Seongsan-dong. The sunlight streams deep into the living room and the living room window is full of greenery from early spring to late fall, and every day, she hangs iron bars, runs along the river, and takes care of her elderly cat. Until she arrived at her current home, Lee had moved twenty-five times. It's slated for redevelopment, and she doesn't know when she'll have to leave again. At the age of 61, Lee wonders, "Where and how will I live in the future?" and begins a journey through the "paths of living place" of six women.

There is a family. Grandmother settled down in Sadang-dong and looked after her son and three grandchildren. After the Sadang-dong house was demolished, the family was lucky enough to find a rental apartment in Sanggye-dong. A Nice Place (2009), the previous work by the director, was a documentary about the life of this family for 10 years. 'Daldongne 33 Up is a record of what happens in the next 10 years.

Since my mother was working at the women's rights group, the field of feminism movement was my playground. I grew up as a little feminist who cut her hair short and refused to wear skirts. However, as I got older I experienced things that made me run away from feminism. Eventually, I decided to be a princess rather than a feminist, and started to stick to pink as a survival strategy. Can a person like me can be a feminist again?

Working at the super-supermarket Homever occupied the Worldcup Stadium store. It was the first sit-in at a retailer led by women, who were until them leading ordinary lives. The originally-planned 2-day 1-night strike went on for 21 days. During the sit-in, they enjoyed temporary freedom and happiness, free from work and housework. Their struggles became the epitome of struggles of casualised women workers. However, there was no easy solution.

The Seongdong area of Seoul has been home to many small and medium-sized manufacturers. The once iconic red brick factories have given way to redevelopment, making way for galleries, cafes, and upscale restaurants. As a result, Seongdong has seen the largest increase in land rental prices in South Korea. Regrettably, this transformation also reveals a harrowing story: for the past five decades, hundreds of shoemakers have worked tirelessly for up to 18 hours a day, making shoes for wages below the minimum standard. Each day, these workers leave their homes for work, not knowing if it will mark their final day in this relentless cycle.

Combining documentary with experimental video, "Grace Period" documents the activities of female sex workers in the Yeongdeungpo red-light district in Seoul, South Korea. Facing constant police crackdowns and the threat of permanent closure following the opening of a massive shopping complex adjacent to their workplaces, the women of Yeongdeungpo band together in protest. Archival footage, mostly shot by the women themselves, shows their collective efforts as they organize with other sex workers from brothels across the country. In creative and daring acts of resistance, they launch a series of demonstrations that trace a lineage to Korea's democratic union movements of the 1980s-- denouncing the government and corporate interests, demanding decriminalization, and declaring their rights as workers.

In an abandoned resort on the South Korean island of Jeju, a group of people perform a symbolic funeral ritual to end a world built on hierarchies, division and destruction.

Father Sao Roberto is unique among many foreign missionaries dedicated to the Korean democratic movement.

This is a 'Minority Report [or the Report on Minorities]' captured during the 2002 Korea - Japan World Cup season. The huge suvvess of this sports festival bolstered 'national pride' among many Koreans, who have forgotten that feeling for a long time while it gave some people a feeling of despair. Those who despaired that this soccer event completely excluded 'minority' voices who suffer from bitter reality and ordeal. This festive event was only for the majority of people who think they represent Korean as a whole.

Following water's flow through the volcanic body of Jeju Island, the film traces resilience across geological, historical, and mythical time. A lone visitor enters a cave where submerged memories—of militarization and exploitation—surface through sound.

In 1999, one year before ‘Second Impact’ and SAT, I received a postcard with a drawing of the ‘Neon Genesis Evangelion’ from ‘Y-Sang’. In 2015, the year of ‘Third Impact’, he wrote back to ‘Y-Sang’. ‘Y-Sang’ suggested a discussion about Kant, Nietzsche and Gramsci, but I didn’t know them well. I just called to mind some images related with their name. What connection does exist between the “names” and the “images” I recalled? It’s a weird diceplay about what we can name image(or film).

A documentary film about conflicts in the Korean American Association in San Francisco.

A mutilated and grotesque woman’s body chases after a man. The combination of the photomontage and text represents women’s labor, expressed through uniforms and clothes, and women who were sexually objectified, conveying feminist discourses and disciplines. The chased man never understands the existence or content of the images and texts. The blunt presentation of women’s unheard voices and objectified bodies, and the excessively-visualized images, demand immediate introspection.

The film documents an exhibition for livestock industry promotion held in Sariwon, Hwanghae-do from October 21 to 25, 1924. At that time, Sariwon was an up-and-coming city whose “daily development is known to everyone” (Chosun Ilbo, October 9, 1924). The exhibition was held as a grand festival, attracting crowds of 30,000 on its opening day and 40,000 the following day. A moving camera passes through the square decorative doors of various designs installed in Sariwon’s downtown, conveying the festival atmosphere. Acquired in 2010, and transferred in 4K resolution.

One day, the wife has changed. She becomes more forgetful, gets herself lost on the streets, and finds it hard to recognize people she meets every day. She used to cook full meals for many guests but now struggles to even make fried eggs. Like so, her time goes backward.

My grandmother has been losing her memories. I visited her home where she has lived over 60 years.

A short documentary about a Korean high school student preparing for the most important exam she will ever take, an eight hour long college entrance exam.

In the spring of 1987, a 14-year old runaway boy ended up in a college campus and made it his home. He grew up on campus under care of students activists. They call him "Poliboy."

Mt. Gasherbrum IV in the Himalaya is famous for the "shining wall," the west face that has tempted many climbers. In 1997, the Korean team led by Cho Sung-dae and Yoo Hak-jae successfully developed a new route through the wall to the summit, where only two teams in history have been at the top. They couldn't get sponsors for their expedition and lost most of the equipment and food because of avalanches, but they managed to do what seemed impossible. The route was named 'Korean Direct,' and officially documented in the American Alpine Journal. The documentary shows us what happened in Himalaya 16 years ago, using dozens of videotapes shot by the team. It also includes interviews of the group, currently living a life distant from climbing the mountain. Why did everybody forget the most significant achievement in Korean mountain climbing history?

The 'Rights of Nature' movement, which legally guarantees nature's right to exist, thrive, and regenerate, is spreading globally. A prime example is New Zealand's Whanganui River, which was granted legal personhood equal to that of a human. By exploring the Whanganui River and Mount Taranaki in New Zealand, we examine what lessons can be drawn for the current initiative to institutionalize 'eco-legal personhood' for the Jeju Indo-Pacific bottlenose dolphin—the first of its kind in South Korea. Ultimately, this leads us to reflect deeply on how we should connect and forge relationships with nature.

Hyeon-gak, an American monk who graduated from Harvard University, took the lead in promoting Korean Buddhism overseas. This video was produced in 2013, so it was before I left Korean Buddhism in 2016.

After moving to a provincial area, I decided to live with my elderly parents and discovered my mother's 50-year-old ledger. At first, it seemed like a simple household record, but as I continued to flip through it, I realized it captured the essence of our family's life. The ledger includes records starting from the day I was born in 1972, revealing various family events, as well as depicting the struggles of my father with unemployment and my mother's diligent management of the household. The ledger, which stopped in 2016, reflected my mother's way of enduring life, and although she is now losing her memory, it allows her to revisit our family's past.

samyeong daesa devoted himself to saving the country and its people amidst the harsh reality during the Japanese invasions of Korea. Samyeong Daesa's life itself was a quest and asceticism. On the occasion of Buddha's birthday, we reflect on the conflicts of the time and shed light on the path of compassion and Bodhisattva that he sought.

"Orbital Squares", by the media art collective Moojin Brothers, points to deeper understandings of a cultural and political moment unfolding despite and because of human intervention. As elusive as it is utterly gripping, the film juxtaposes and intersperses three scenes. A snail’s movements – tentative, curious – on a grooved mound of clay are contrasted against the powerful rhythms of a horserace shot at 240 frames per second; both of these are bookended by a shadowy display of a living, sculptural humanoid seemingly tormented by a web-like concoction of thread and nails fully enveloping its head, as a soundscape of terror and flickering embers unfolds.

Ten years have passed since the Sewol ferry disaster. The life of KIM Dong-soo, who came back alive from the disaster, has changed a lot from before. KIM Dong-soo, who used to live as a truck driver, lost his truck in a disaster and now guards the Hallasan trail everyday. He is repeatedly hospitalized and discharged from the psychiatric ward and suffers from pain all over his body. Still, he struggles to restore his daily life by participating in the marathon event. KIM Dong-soo's wife, KIM Hyung-sook, and his two daughters support him in his daily life. The eyes looking at KIM Dong-soo with a desperate expression, asking for help, revive every moment and shake his heart, but he still lives by holding the hands of his family who stand by his side.

Old ladies who live in San-Bok-Do-Ro, Busan, ought to move out due to Rural Village Redevelopment. With vacated houses more than residents in town, villagers stuck together right until their inevitable separation. The camera gazes old ladies’ moments of parting and what’s left around them.

In 2006, the ethnic fusion band ‘2nd Moon’, who became famous with their song ‘In West Sky’ featured in the TV drama *Ireland*, visited the home country of their first album’s guest singer, Lynda Cullin, for the first time. What started out as a casual trip turned into a serious fascination with the culture and its music for two of the band members, Hyun-bo and Hye-ri. A year later, in August 2007, they formed a five-member Irish trend project band ‘Bard’ and went to the World Fleadh in Portlaoise, Ireland, each with only their instruments. Music in Ireland is deeply connected to daily life and reflects the country’s painful history.

My grandmother has dementia! And I live with my grandmother. Conflicts between the younger brother and the grandmother begin due to the grandmother's repeated behavior. Among the disappearing memories, what kind of memories should we live with?

This performative lecture by Boram Soh is inspired by Jorge Luis Borges' short story, Blue Tigers. Like the Argentine writer, she explores the dynamics between hunter and prey, human and beast. Tracing the hunting practices of the era and making ten stops along the trajectory of imperial history, Soh transforms what we know into articulate geometric objects through the auxiliary of her own body.

Anna, Korean name Kim Myong-hee. 43 years after her adoption to the United States, she visits a remote island in the Yellow Sea. There in Deokjeok Island live Suh Jae-song and In Hyun-ae, a couple who raised orphaned Anna as if she were their own. Their house on the island has two special rooms. One is a room full of records of all the children the couple sent for adoption. The other is a temporary home for all adoptees who come visit Korea later in life. The couple lived as foster parents for these children for 30 years since 1966. Together with a Catholic priest from the US, they sent 1,600 kids to the US for adoption. They sent Myong-hee, then 14-year-old, and her two brothers to a family in the US in the hopes of them living in a happy household under loving parents. But contrary to their wishes, Myong-hee’s life in America turns out to be a series of pain and misfortunes. For the first time in 43 years, Myong-hee talks about her painful memories.

Will is a kind of verbal symbolic balance sheet for life, in which we reconcile our material and immaterial possessions and pass on our message to the next generation. The poetic last words form the outline of the film composed of four segments reflecting in different ways on life against inevitable finality – whether it is a couple of young people walking through a Parisian cemetery, a video installation poetically pointing out the manifestations of mortality around us, a family filmed from the position of the grave while performing cemetery rituals, or the film director as the passive recipient of a farewell to life.

There are nine dogs left in a redevelopment area somewhere in Namyangju, abandoned in the heatwave. The dogs under the sun wait for something, endlessly. (@byeollae_stardangdang)

Eclectic Rhetoric meditatively portrays the old Seoul train station, which has been closed for the past four years.

The territorial dispute between Japan and Korea over the ownership of the Dokdo/Takeshima islets is not limited to state to state relations. In both countries there are citizens' groups actively engaged in protesting, lobbying and educating the public. This Island is Ours follows a Korean kindergarten caretaker with a background in student activism and a recently widowed Japanese housewife as they campaign tirelessly for the sovereignty of the tiny islets that are currently controlled by Korea, but also claimed by Japan. This film creates a rare insight into the lives of the two activists on both sides by presenting their parallel experiences from a neutral point of view.

Amid a shortage of public water supply facilities and growing distrust of tap water, the bottled water market has surged to a staggering $300 billion industry. In India, private water suppliers known as the ‘Water Mafia’ thrive, while in Chiapas, Mexico, Coca-Cola has become a substitute for water itself. Against this backdrop, an astounding one million plastic bottles of water are sold every minute. The carbon emissions of bottled water are 700 times higher than those of tap water. Yet, some bottled water products bear a "carbon-neutral" label. How can water packaged in plastic, derived from fossil fuels, and transported hundreds of kilometers be classified as ‘Carbon neutral’?

The news of cancer came to three families who were living happily. Someone's husband, wife, and someone's parents, the three mothers are more worried about the rest of the family than the fear of death. Stage 4 cancer patients at the crossroads of life and death. The final journey is captured on camera.

This story is about two people who have struggled for more than 40 years to remember Korean forced mobilizers in the northern Akita region. Ha Jung-woong, a Korean-Japanese who succeeded as a businessman thanks to his outstanding abilities and the economic growth of Japan after the war, and Juroku Chatani, a Japanese historian who has built a community culture village in the Akita region of northern Japan. Their efforts to unravel the mystery of the Hime Kannon statue built on Lake Tazawa and to commemorate the victims of Korean forced labor are still ongoing.

I’ve been to your old neighborhood. It was wonderful.

When I close my eyes, certain images linger. The house I used to live in is in the background. I follow the shapeless images and visit the places from the past. I imagine my father's house, although I haven't spoken to him for so long I don't even know where he lives now. Imagining his house is like surmising his life. There are times when passing-by images linger on. With my memory of "now", I'd like to bid farewell to a segment of my past. If a film is where you build up memories, I want to shine a light on the memories of countless failures.

How are depression and anxiety among women in their 20s and 30s linked to the huge structure of discrimination? The film, which consists of four chapters and an epilogue, talks about mid-pregnancy and mental illness based on a private narrative, overlaps the experience of discrimination from other generations, and looks back on the boundaries that divide the parties and non-parties. Through the five stories, we want to find the possibility of connections that can counter discrimination and hatred.

Imman Kim wants to reconcile with his parents, who emigrated to Osaka after April 3 Jeju Uprising. Cheolwoong Park has supported his younger sister during his entire life, blaming his father who moved to Tokyo to avoid guilt-by association. Soonam Park has devoted her life to human rights movement for a second-generation Korean-Japanese and her daughter Mayi Park who also lives as a Korean-Japanese. This film tell us about meaning of a nation through their life stories.

A short historical vignette constructed from an eighteenth-century three-panel watercolor genre painting, using its crowded, witty details to evoke a scene from Korea’s past.

Illuminating, magnifying, cutting, freezing the endless night and infinite music woven through the story with light.