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Risk Takers

People of different faiths, gender and regions make up Mumbai, The huge human jigsaw in this vast urban sprawl with a population of about twenty million. We'll meet Kallu, who collects dead bodies from the Mithi River... Ambulance drivers like Raj Lokhande and Jeevan who race through narrow, jammed lanes to save lives daily... Former Red light area workers of Kamathipura - Asha and Shobha - who were sold, caged and forced into prostitution and now are part of the Oasis NGO, transforming the lives of other women... Construction workers Azaad, Janaab and Rajaram are employed daily on terrifying building sites, hoping to earn a happy home life while moving from one temporary dwelling to another... Fisherman Akash and his family are caught in a declining market with no guarantee of quality fish or decent prices due to contamination in the sea...

Risk Takers

NR N/A
Behrupiya - The Impersonator

An impersonator also known as ‘Behrupiya’ amuses the locals by impersonating well-known movie characters. One day, while performing one of his acts, Behrupiya meets with an accident that brings his life to a complete halt. Despite this setback, the young kids in the village who looked up to him as an idol refuse to give up on him and offer their support. The story explores the themes of resilience, determination, and the importance of community support. The accident that Behrupiya faces has a symbolic significance, representing the challenges and obstacles that can arise in life. However, the fact that the village's young children rally around him and offer their support shows that even in the face of adversity, hope and encouragement can come from unexpected places. The story is a poignant exploration of the power of human connection and the resilience of the human spirit.

Behrupiya - The Impersonator

NR 2023
Buddha Weeps in Jadugoda

A documentary film on uranium mining and its deadly impacts on the tribal people living near the Jadugoda mine, mill and tailings dam, in the East Singhbhum district of Jharkhand (India). Unsafe mining, milling and tailings management by UCIL in this area for almost 30 years has resulted in excessive radiation, contamination of water, land and air, destruction of the local ecology, and lead for to genetic mutation, and slow death for the people of the region. The film attempts to depict the gross misuse of power by the authorities in displacing the original inhabitants of the region, the utter lack of concern for internationally accepted norms and safety precautions in the handling of uranium and its by-products, and their callousness of its disastrous impact on the people and the region.

Buddha Weeps in Jadugoda

7.0 1999
The Jewel of Manipur, Part 2

Manipur has a rich tradition of culture, dance, music, art and sports. Dances are associated with deities and festivals. Raslila is one of the classical dances of India. Theatre personalities and artists of the states are internationally acclaimed. The state is also distinguished by its rich tradition of handloom and handicrafts. The contribution of Mary Kom is well known. The state is the birth place of game of Polo. Loktak is the largest freshwater lake, which is distinguished by floating islands. Keibul Lamjao National Park is home to Sangai, the endangered brow-antlered deer. The Ima Bazar, situated in the centre of city of Imphal symbolizes women power. Moreh is the last town of Manipur and is the gate-way of India to Myanmar.

The Jewel of Manipur, Part 2

10.0 1986
Rupa's Boutique

In recent years, India's patriarchal order has been called into question by an increasingly educated and culturally aware generation of women. In response, acid attacks on women have become a disturbingly frequent occurrence - as cowardly as they are devastating, those afflicted are left scarred both mentally as well as physically. Rupa’s Boutique profiles the bravery and perseverance of six young women, as Rupa cares for her community of acid attack survivors refusing to be defined by their trauma.

Rupa's Boutique

5.0 2017
Naleena

Naleena is an Indian transgender and according the culture of his country she belongs to the so-called "third sex," neither man nor woman. As an offering to the Goddess Kali, the Indian transgenders, called Hijras, undergo the ritual emasculation, carried out in secret and without anesthesia by the Thaaiamma, a kind of sacred midwife. Traditionally considered sacred beings because daughters and priestesses of Kali, nowadays the Hijras live like outcasts, even at a lower level than the caste of Pariah, and to survive the majority of them is forced to beg and prostitution.

Naleena

NR 2014
The Landscape of Sanatoriums

This experimental video essay explores the space and time of a post-colonial hill station set up by the British as a sanatorium for therapeutic recovery from the heat and humidity of India. Invoking the closing sequences of Ritwik Ghatak’s film, Meghe Dhaka Tara (The Cloud-Capped Star) (1960), the film explores how mountains became a metaphor not just for malaise and affliction, but also the human will to survive in the corridors of a creaky healthcare system. Framed through fissures in the dark, derelict walls of a once glorious cinema hall in Darjeeling, the events within turn, hang in liquid suspension. The same landscape becomes a haven for the tourist-turned-environmental-refugee who crawls up the winding mountainside in summer, fleeing the furnace of the Indian plains. But the haven itself is occupied by giant pile drivers pounding steel into the industrial night.

The Landscape of Sanatoriums

NR 2023
Paani: Of Women And Water

Against the bleached sky of Rajasthan, we encounter the women of a small Muslim village as they engage in their work. Here, water binds their daily labour rituals: they collect and carry water in massive urns, they clean plates and clothes with it, water their animals, and even maintain their homes with it (we see them churn mud to smear across their floors). A record of the ongoing cycles of women’s labour (“we make food, we eat, we sleep, we wake up…”), their sense of humour and resilience, and the ways the community co-operate to deal with scarcity.

Paani: Of Women And Water

NR 2018
CHACHAN, A DAY

Experimenting with a non-linear, observational style, director Jain J Abraham’s documentary follows a day in the life of his great-grandfather—a 90-year-old retired farmer from the small town of Pala in Kerala. Despite ageing limbs and failing eyesight, the hours are full for Chachan (meaning ‘grandpa’), as he tends to his cows, visits church and follows the news and soaps on TV. As Jain records his routine, Chachan reflects on the oft-repeated patterns of local and national politics, how the fortunes of men and the rubber crop are intertwined, and the essential nature of human beings.

CHACHAN, A DAY

NR N/A