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Dragons of the Orient

For martial arts enthusiasts and fans of Jet Li, Yang Ching, and Wang Chun, this historical filmography about the origins of Chinese martial arts, the legendary Shaolin Monastery, and modern kung fu will prove to be an irresistible treat. The documentary is told through two fictional characters, Instructor Wang and Hong Kong sports reporter Ms. Chin Chin, who chance to meet in a park. Ms. Chin Chin is writing a story about the history of martial arts and so Instructor Wang offers to help. Together they visit the Shaolin Monastery and view a weapons demonstration by the monks.

Dragons of the Orient

6.0 1988
Los Sures

A documentary on the inhabitants of South Williamsburg, New York, whose lives are explored through the testimony of five inhabitants of the Brooklyn neighborhood. In the late 70s and early 80s, Los Sures was one of the poorest neighborhoods in New York City. In fact, it had been called the worst ghetto in America. Diego Echeverria's film skillfully represents the challenges of its time: drugs, gang violence, crime, abandoned real estate, racial tension, single-parent homes, and inadequate local resources. The complex portrait also celebrates the vitality of this largely Puerto Rican and Dominican community, showing the strength of their culture, their creativity, and their determination to overcome a desperate situation.

Los Sures

6.8 1984
Jimi Plays Monterey

Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.

Jimi Plays Monterey

7.5 1987
Across the Interior of Iceland

The film is about travelling on horseback across the Icelandic interior on the main route, which once connected the north of Iceland with the shout. This route was the scene of a tragic accident in the 18th century, when young farmers moving a flock of sheep to the North, perished in a snowstorm. For many years following the incident the track was not used, until the 19th century, when Captain Daniel Bruun from Denmark, accompanied by a photographer and a water-colour artist, crossed the difficult terrain, deep rivers, and rocky heights in sun, rain, fog and wind, marking the way with stones laboriously heaped into cairns.

Across the Interior of Iceland

NR 1983
J.M.W. Turner: Turner at the Tate

The works of Joseph Mallord William Turner (1775-1851), one of the best known English Romantic artists, still play a leading role in the art market to this day. Since 1987 the majority of his pictures have been exhibited at the Clore Gallery, a separate building of Tate Britain. Daniel Wiles visits the gallery to explore the life and works of this eccentric artist, and also talks to countless experts and artists in an attempt to establish what it is about William Turner’s pictures that still fascinates so many people.

J.M.W. Turner: Turner at the Tate

NR 1987
Racetrack

RACETRACK is about the Belmont Race Track, one of the world's leading race tracks for thoroughbred racing. The film highlights the training, maintaining and racing of thoroughbred horses. Everyday occurrences are shown: in the backstretch — the grooming, feeding, shoeing, and caring for horses and the preparation for races; at the practice track the various aspects of training, exercising, and timing the horses; at the paddock — the pre-race presentation of the horses; and in the grandstand — betting and watching the races. The film also has sequences showing the variety of work done by trainers, jockeys, jockey agents, grooms, hot walkers, stable hands, and veterinarians.

Racetrack

6.2 1985
The Land That Devours Ships

For almost a century and a half, Her Majesty's Ship Breadalbane lay wrecked and forgotten under the Arctic ice. In the spring of 1983, noted undersea explorer Dr. Joseph MacInnis led a team of twenty men on one of the most difficult, dangerous and unforgettable undersea adventures of the century--to put a diver on board the sunken vessel and recover some artifacts. This film, introduced by H.R.H. Prince Charles, provides a stunning visual account of this historic expedition.

The Land That Devours Ships

8.0 1984
The Companions Of The Void

"Les Compagnons Du Vide" (The Companions of the Void) is a documentary made in 1989 by Claude Andrieux and Gilles Chappaz, broadcast in two parts on the FR3 program "Montagne." The film explores the history of the mountain guide profession through portraits of mountain guides, showcasing the diversity of this high-risk occupation. It also delves into the intimate relationship between the climbing team and the client, using the example of prestigious guides. The documentary follows these teams on major climbs around Chamonix, on Mont Blanc, and on La Meije in the Écrins massif.

The Companions Of The Void

10.0 1989
Santo and Jesus, Metalworkers

From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.

Santo and Jesus, Metalworkers

7.0 1983