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Solo limoni

The video is composed of 13 episodes that tell some moments of the days of Genoa. From the climate of the Red Zone to the police charges on the procession of 21 July, to the situation around the body of Carlo Giuliani in Piazza Alimonda. The shooting is a selection of images shot by Giacomo Verde and other independent video makers connected to different groups. The video’s intention is to tell what the media fail to show because they are trapped in the rules of communication-show and scoop. So many episodes are commented by texts of "militant poetry" in order to provide reflective ideas that go beyond the contingency of facts, and others use images "effected" (rallenty, velocity etc.) and an original sound commentary in order to go beyond the documentary data still present. A video that wants to be an instrument of emotional and political reflection, for the various components of the anti-g8 movement, on the different issues raised by the days of Genoa.

Solo limoni

NR 2001
Atlantide

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.

Atlantide

7.3 2022
Evanescent Moments

Susanna Egri is a 97 year old ballet dancer and teacher and choreographer. She is originally Hungarian, but living in Turin, Italy. Her autobiographical choreography Snapshots was the first transmission of the Italian state television RAI in 1953. In this piece she treated the three biggest traumas of her life: 1. She had Jewish origins and was almost killed in Hungary in 1944. 2. Her father, Ernő Egri Erbstein was a famous football trainer of the Grande Torino and died in a plane crash with all the Torino football team in 1949. 3. Her unsuccessful marriage with her Italian husband. During the shooting Susanna was working on the rehearsal of the exam performance of his dancing school

Evanescent Moments

6.0 N/A
Pellizza pittore da Volpedo

A docufilm recounting the story of the tormented life of divisionist painter Giuseppe Pellizza (1868-1907), famous for his work The Fourth Estate – shown to the public for the first time at the 1902 Turin Quadriennale and housed today at the Galleria d’Arte Moderna (Modern Art Gallery) in Milan – as well as for his ability to study the soul and human society. Exploring the places he lived in as well as his artistic sensitivity, with Fabrizio Bentivoglio as our guide and “narrative consciousness”, this documentary reveals the artist’s emotions and his vision of reality through a sophisticated use of shots from different angles inspired by the colors in his paintings. Pellizza’s tragic end – he took his own life in 1907 following the tragic loss of his wife – is part of the story and makes the emotional bond between the viewer and the artist’s work all the more profound.

Pellizza pittore da Volpedo

6.5 2025
Algeria - Spirit of the Desert

In March 2002, the Italian climbers of the Ragni di Lecco group embarked on an expedition across the Algerian Sahara. Mario Conti, Simone Pedeferri, Marco Vago and Massimo Bosetti, during a long journey, completed numerous ascents: Ihaghen, Adaouda, Tizouyag Sud, Dôme de l'Éléphant (Tesnou mountain range) and around thirty new boulders, including La Gazelle (7b) and Le Guépard (7c). But the main objective was the opening of a new climbing route on the face of Garet El Djenoun, in the Tefedest mountain range. The 400-meter route, named "Mariolino Fotonico", has 13 pitches (8 new, plus 3 spans with "Mosquitoes" and 2 with a "Voie des Espagnoles" from 1985), with a maximum difficulty of 8a/A1. This film has a special significance, as it is the first film of the rebirth of the Ragni group, after the 90s marked by tragedy, and at the same time the end of the tragic black decade in Algeria which raged between 1992 and 2002.

Algeria - Spirit of the Desert

10.0 2020
Aldo Rossi Design

16 June 1990, Palazzo Grassi, Venice. The guests enter and are welcomed by Gianni Agnelli, alongside Jay and Cindy Pritzker. ​“Architecture, like all art, is universal, as is science, as is intelligence”, states Gianni Agnelli. Aldo Rossi is, in fact, the first Italian architect to receive the Pritzker Architecture Prize. Rare material and video archives, previously unreleased records, pictures, and family albums are combined with writing from the remarkable architect to create the first documentary that traces Aldo Rossi Design.

Aldo Rossi Design

NR 2022
Ellroy vs L.A.

A dark journey into the mind of noir master James Ellroy. Through an in-depth interview and archive footage, the documentary interweaves Ellroy's personal and artistic narrative with his original vision of the city of Los Angeles, his birthplace, the origin of his traumas and the inexhaustible container of events, crimes and characters that he was able to transform into his countless literary masterpieces. The film retraces an “ideal day” shaped by traumas, events, and infamous crimes in Los Angeles, a city that profoundly shaped his life and inspired his greatest works.

Ellroy vs L.A.

6.0 2025
Appunti per un romanzo sull'immondezza

In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.

Appunti per un romanzo sull'immondezza

9.0 1970
L'eletta

The work deals with the election campaign of Vladimir Luxuria, the first transgender woman to sit in the Italian Parliament. She started off as an entertainer in gay nightclubs, found fame in television parlours and achieved consecration as a defender of LGBT rights by organising the first World Gay Pride in Rome in the Jubilee year. Luxuria entered parliament and with her emerged a social cross-section of an Italy that is changing in spite of prejudice. Thanks to her social battles around Italy, the voices of LGBT people gain visibility and social recognition

L'eletta

NR 2006
The Feast

The feast of St. Peter in a country village. The priest admonishes his parishioners to confess and be free of avarice, but after mass he invites them all to make merry. Outside the church the elderly villagers are the first to start dancing, while street artists entertain passers by and the kids fly around on brightly lit carousels. There is als an old man inside at home, an invalid in a wheelchair, a young man wandering lost in thought, while a lonely woman watches the cuddling couples. Every year in towns, villages and urban neighborhoods there are traditional feasts to celebrate the patron saint. They reflect a need for faith, conviviality and entertainment, but for some they also make the sense of solitude and apprehension even stronger. Share:

The Feast

6.5 2016
Relation in Space

In the first 58 minute Performance, Relation in Space, which took place in July 1976 at the Biennale in Venice, Abramovic/Ulay, both naked, walk towards each other from opposite ends of a room, touching as they pass each other, and then they repeat the movement while their bodies collide and one of them (Marina) falls over under the impact, until they are both exhausted. A statically mounted video camera simultaneously filmed the touching of the bodies in the middle of the room.

Relation in Space

NR 1977
La restanza

Castiglione d'Otranto, in the South of Italy. A group of thirty-year-olds no longer accept that the solution to the economic, ecological and political problems of the territory is always "to leave". They propose to the villagers who own pieces of uncultivated land, often felt as a burden, to put them in common. They decide to stay, to link their lives to the land and to invest in a value: being together. Castiglione becomes the village of restance. They cultivate ancient seeds and local biodiversity, they make decisions together, they develop a local economy. Accepting the shadows of the past, another potential of the place is rediscovered.

La restanza

NR 2021