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Nationalität: Deutsch

A man, born in 1889 - the year Hitler and Chaplin were born, the Second International and the Eiffel Tower - died in 1954, kept a diary from 1919 and 1953, three and a half decades. The man was a principal, so the diary is a school chronicle. During this long period, he always worked in the same small Altmark village. So his notes are also a piece of village history. In a time of new life corrections and lies, ruptures and repressions, the film follows the teacher through "great" and bad years of German history: Inflation, Hindenburg, the Zeppelin, the Harz Mountains and Hamburg, the Day of Potsdam and Greater Germany, storms and collecting old materials in peace and war, post-war worries and school reform. One man educated generations of children in his one-class school and released them into the world. Not a German career like that of a grand admiral or captain of industry. German history from below...

Nationalität: Deutsch

NR 1990
Kinokinokino

What was cinema in the past? What is cinema today? Hamburg filmmaker Dennis Albrecht asked himself these questions as he sifted through material he had been collecting since a project idea in 2008. Since then, he has repeatedly taken cameras into cinemas that no longer exist. He shot commercials, short films or events at the Grindel-Kino, Streit's, Rialto and Savoy and many other Hamburg movie theaters. In these personal perspectives, we see many cultural places that have disappeared.

Kinokinokino

10.0 2023
No Land's Song

In Iran, since the 1979 Islamic revolution, women are no longer allowed to sing in public as soloists - at least in front of men. Defying censorship and taboos, the young composer Sara Najafi is determined to organize an official concert for solo female singers. In order to support their fight, Sara and her friends invite three French female singers, Elise Caron, Jeanne Cherhal and Emel Mathlouthi, to join them in Tehran and collaborate on their musical project, re-opening a musical bridge between Europe and Iran. Are they going to succeed and finally be gathered in Tehran, sing together, on stage and without restrictions, and to open a door towards a new freedom of women in Iran ?

No Land's Song

6.6 2016
Interface

Harun Farocki was commissioned by the Lille Museum of Modern Art to produce a video 'about his work'. His creation was an installation for two screens that was presented within the scope for the 1995 exhibition The World of Photography. The work Schnittstelle developed out of that installation. Reflecting on Farocki's own documentary work, it examines the question of what it means to work with existing images rather than producing one's own, new images. The title plays on the double meaning of 'Schnitt', referring both to Farocki's workplace, the editing table, as well as the 'human-machine interface', where a person operates a computer using a keyboard and a mouse.

Interface

6.5 1995
RIAFN

Since the dawn of time, the inhabitants of the Alps have used their own language to overcome the distance imposed by the mountainous orography. Riafn is a sort of dialect based on the different forms used by the shepherds and farmers of this area to call their beasts. The inhabitants of the mountains have thus cadenced their day-to-day life on calls to animals, the mooing of the cows, songs and the echo of the mountain. A sort of Alpine orchestra that helped them to cope with isolation.

RIAFN

5.0 2019
Mama Micra

The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.

Mama Micra

NR 2024