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The first of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 1: Eskimo Summer is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Kugaaruk region (formerly Pelly Bay) of the Canadian Arctic. The original films of the Netsilik series attempted to recreate the traditional lifestyle of Netsilingmiut living there. They show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 1: Eskimo Summer shows how Inuit families prepare for winter by hunting seal, birds and caribou and by fishing for Arctic Char during the extended hours of daylight.

Documentary film about the 20-year-old Turkish guest worker's son Kadir, who tries to find his way between his father's traditional ideas and

The final exam of sixteen and seventeen year olds at the end of the 10th grade. The individual in the minutes in which he is supposed to show what he can do and who he is. A last class party before the community ends and one goes apart.

A carnival is in town. Workers start to build the stalls and tents. Players practice their act. Roma, peasants and grifters put up their own boots. After they pay taxes to local officials, they get a muddy ground for their stalls.

A history teacher returns to the scene with his students and reenacts what happened in 1941, when he was the only one of the 178 people sentenced to be shot who managed to escape and stay alive.

Garrel convinced Jean Seberg, in the midst of a long struggle with mental illness, alcohol and drug, to “star” in this silent document of her daily life. Consisting mostly of meditative B&W close-ups of Seberg and her friends, as her torments and inner life flicker across her eerily beautiful face.

1974 documentary about Ali.

A BAFTA award winning short tribute to the artist Katsushika Hokusai (1760-1849), which explores a small number of the thousands of drawings he is reputed to have produced during his lifetime

The film explores the personality of Andy Warhol, through his work in painting and film and through the opinions of his 'superstars'.

In ancient times, when heraldry was in use and every self-respecting city considered it necessary to have its own coat of arms, it was placed on that coat of arms that was symbolic and lily for the city (fortress tower, deer head, scales of justice, sword or something else, something especially revered). To this day, it would not be worthwhile to preserve this custom and wonder what the residents of Los Angeles, the third largest city in the United States, would like to take as a symbol. They surely would - they certainly would be the California Highways. Even Americans accustomed to car herds, coming from other parts of the country to California, finding themselves in Los Angeles and its suburbs, marvel at the empty weaving of concrete and asphalt belts filled to the brim with gasoline carriages...

An interview with RWF in the kitchen in a house he had rented close to Paris at that time. Four years before his untimely death, the interview shows a quite relaxed and patient Fassbinder who answers all kinds of (often contrafactual or at least uninformed) questions and reveals quite a lot about his childhood and current personal drama. Sober, chainsmoking, but very lightheaded, RWF.

This film joins a hunting-party of inhabitants of the Frobisher Bay Correctional Centre. The stalking, killing and skinning of seal and caribou are featured prominently, with explanations as to the importance of these animals to the Inuit way of life.

Lumsden, Saskatchewan is a town of 850 citizens on a river called the Qu'Appelle. In the spring of 1974, the river doubled its volume and threatened to flood the town. The townspeople organized themselves and the whole province stood behind them. Lumsden is the story of an incredible battle against impossible odds.

In this recently rediscovered home movie, three women—Chantal Akerman, Babette Mangolte, and Epp Kotkas—share a precious moment of laughter and friendship while filming Hotel Monterey in 1972 in New York.

Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”

This shocking black and white documentary shows the lives of Szabolcs county (Northeast Hungary) commuters who traveled 200-300 kilometers from their villages to Budapest (the capital of Hungary) every week by train in the communist era.

Es war einmal, vor vielen Jahren, da begab es sich, daß der heute so ruhmreiche FC Bayern zu Beginn der neuen Saison ziemlich miserabel dastand: Der Kaiser war fort, kein neuer Pokal schmückte die Trophäensammlung, und statt Harmonie und vollen Konten drückten Frust und Schulden die Stimmung. Und justament während dieser für den Verein so wichtigen Bundesligarunde 1978/79 konnten die Filmemacher Christian Weisenborn und Michael Wulfes die damals noch aktiven Spieler Paul Breitner und Uli Hoeneß dazu überreden, sich eine Saison lang von ihnen mit der Kamera begleiten zu lassen.

Experimental film inspired by Andy Warhol's 'Sleep'.

In 1971, Jean-Daniel Pollet & Guy Seligmann directed for French TV a documentary about French artist César Baldaccini. It was part of L'invité du dimanche show.

Explorer Thor Heyerdahl and his ten-man crew sailed their reed boat, the Tigris, over routes he believes were followed by Sumerian traders 5,000 years ago. The film goes beyond science to focus on the man, Heyerdahl, in an effort to explain what motivates him to risk his life in the search for knowledge.

Descend into the crater of the Nyiragongo Volcano (in Zaire, Africa) to witness the terrifying yet spellbinding explosion of molten lava at its very source. Set to the Toccata and Fugue of J.S. Bach, the film is at once stunningly beautiful, yet plunges us into the very depths of hell. The extreme beauty of the visuals, together with the power of the music, creates an unforgettable experience.

Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

A short documentary about witches.

Time lapse photography shows the swarm of commuters at London Waterloo station racing about at top speed.

Documentary about big game fishing in New Zealand.

1971 NBC documentary by Frank Cvitanovich profiling the various elements of the Metropolitan Police, from the Black Museum to modern riots, to anti-paedophile campaigns.

A documentary about the aging prima ballerina Balasaraswati (popularly known as "Bala"), the most famous exponent of the Bharatanatyam dance.

The transcript discusses the prevalent drug culture, particularly marijuana use, among youth in national parks. It highlights the perception that marijuana is less harmful than harder drugs and reflects on the challenges park rangers face in enforcing drug laws. While acknowledging the existence of drug trafficking, the narrative emphasizes that marijuana use is often seen as a minor issue compared to alcohol consumption or harder narcotics. The conversation also touches on the need for a more nuanced understanding of drug use, suggesting that current laws may be overly stringent and not reflective of societal attitudes.

An authentic record of the life of the Netsilik Inuit of the Pelly Bay region of the Canadian Arctic during their last migratory camp. It shows the old Inuit culture and their complete adaptation to their environment.

A film about the children’s choir “Vatroslav Lisinski” from the town of Janjevo in Kosovo.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."

Co-directed by Chris Marker and Mario Ruspoli, Three Cheers for the Whale traces humanity’s complex relationship with whales—from reverence to exploitation—culminating in a stark depiction of industrial whaling. Combining archival imagery, commentary, and documentary footage, the film offers both a historical reflection and a call for ecological awareness.

The life of man is poor and nasty. A few plants give temporary relief: marijuana, alcohol, and opium. After a history of opium, including the 19th-century Opium Wars, we learn of the discovery of heroin; the rest of the film examines heroin trade and addiction in the U.S. Two tons a year enter the U.S., with only 100 pounds interdicted. Most is used in New York City. Interviews with customs officials, prosecutors, medical doctors and junkies provide points of view. The harsh 1956 law and the medically-oriented law of 1966 are contrasted, with the film on the side of treatment and rehabilitation. It ends with advocating reducing use here and finding other cash crops for farmers abroad.

"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.

A documentary on Albert Camus.

A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.

Directed by pioneering gay documentary and erotica filmmaker Pat Rocco, Changes is a profile of Jennifer Michaels, a trans person living in Los Angeles.

Documentary goes on the road with state fair daredevils.

70s Butlins documentary, part of a series of films directed by Tony Palmer, which was announced in The Stage [The Stage, 25 July 1974, p.14] "Tony Palmer is directing a new series with Harriet Crawley which will be seen in the HTV area. Tentatively titled Harriet, it will feature Miss Crawley in a number of roles each of which, as it were, puts her on the spot. For example, she will go up (and down) with a group of sky divers, work with an elephant trainer in a circus, become an operatic soprano (she will actually sing in a performance of Carmen), and for a time be a hell's angel's moll. Patrick Dromgoole is the executive producer of this one."

Jim Henson and Rowlf the Dog explain the art and history of puppetry, and let the viewer in on some of the secrets in performing his own act, the Muppets.

The heroes of this film are hands and a violin. We won’t see the hero's face, but we’ll notice a special relationship that exists between the musician and the instrument. It resembles real love. The man is able to make the inanimate instrument a living instrument.

An experimental film where a particular space is constantly "present" : there is a complex usage of superim- position, and of split-screen effects. The place shown is a part of a house in the country. Doors and windows are continually shown, emphasizing the film's concern with framing. Other images are present: city-scapes of a particularly sinister nature, implying a sense of ruin, and shots of a chorus on a stage. These shots begin and end the film which is accompanied by a vocal chant on the soundtrack.

A companion to Yumi yet, O’Rourke and Kildea’s Ileksen (derived from the English 'election’) documents Papua New Guinea’s first general election in 1977. The film records a broad cross-section of candidates who, without an extended media network at their disposal, rely on relentless campaigning, ingenuity and personal charisma to attract votes. Emphasising the divide between coastal people and highlanders, Ileksen looks at the election campaign, election day and the political manouvering that goes with the formation of a government.

Documentary on the filmmaker's grandmother, Mabel Tilton, reflecting on her life as an independent woman.

A complex, insightful look at the Chicano experience as mirrored in the lives and music of the most acclaimed Norteño musicians of the Texas-Mexican border, including Flaco Jimenez and Lydia Mendoza. Video includes bonus feature, Del Mero Corazon.

One of the first socially relevant poetic films in Latvian cinema history, documenting the lives of female workers at a fiberglass factory – their work, leisure, dreams, hopes, and also the problems caused by the "influx" of young women into the small town after the factory was built.

An historic Swedish television program featuring Elton John, Nigel Olsson & Dee Murray performing at Gröna Lund, Stockholm, Sweden in February 1971. Aired in English with Swedish subtitles.

The film is a reportage of President Tito's last stay in the SR Macedonia. Special emphasis is given to his words expressed at the gala dinner in his honor, as well as his visit to Lake "Treska" and participation in the session of the Central Committee of the SKM. On the streets of Skopje, President Tito is warmly greeted by a huge number of Skopje residents.

Narrated by Eric Morecambe and Ernie Wise, this documentary is about "Laurel and Hardy", one of the most popular and critically acclaimed comedy double acts of the early Classical Hollywood era of American cinema. It features interviews with Jerry Lewis, Dick Van Dyke, Babe London, Marcel Marceau, Lucille Hardy (Ollie's wife), Bob Monkhouse, Hal Roach, Marvin T Hatley, Jack McCabe and many more.

Produced for the Adults Learning series, this short film is set at a rural agricultural field day and serves as a teaching aid exploring resistance to new ideas and approaches to adult learning within workplace and community settings.