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Godard experimental film with montages combining "Sauve qui peut (la vie)" and other films by other filmmakers.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

A documentary on Yves Saint-Laurent and the legendary fashion designer's final show.

In the 14th century, Siena thrived until the Black Death struck in 1348, decimating its population from 50,000 to 25,000. Agnolo di Tura, a shoemaker, chronicled the societal collapse and fear surrounding the epidemic. This documentary explores the history and impact of Yersinia pestis, tracing its origins to Kyrgyzstan and examining contemporary outbreaks, emphasizing ongoing threats from epidemics and recent instances of the plague in various countries.

Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York.

Two lines of workers, pulling a steamroller, somewhere in the streets of Saigon, Vietnam (nowadays, Ho Chi Minh City).

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

In 1987, Marcel Béliveau appeared on French TV show 'Surprise Sur Prises' and opened the doors of France to his fellow Québec comedians. Anthony Kavanagh, Michel Courtemanche, Stéphane Rousseau, Véronique Dicaire, Rachid Badouri and Sugar Sammy have all successfully tried their hand at French comedy, and the next generation of comedians is assured with Mariana Maza, Reda Saoui and Virginie Fortin. This documentary, commented by Québec and French personalities, retraces their history through hilarious sketches, cult parodies, TV and radio shows and happenings.

François Hollande, François Bayrou, Christiane Taubira, Valéry Giscard d'Estaing, Jean-Luc Mélenchon, Arlette Laguiller, Jean-Marie Le Pen... reveal the driving forces behind their strategies, recount their joys and doubts, and talk about the exhilaration of popular jubilation and the harshness of an exhausting marathon—the adrenaline, the staging, the blows that are dealt and received, the hopes of victory and, in the end, more often than not, defeat. Through the testimonies of eighteen former candidates, "big" and "small," who participated in the Elysée competition between 1969 and 2012, this documentary directed by Jean-Baptiste Péretié reveals the human and political comedy of the presidential elections, the great theater of the conquest of power.

Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.

On June 9, 2024, in a shocking move, the French President dissolved the National Assembly following the RN’s historic success in the European elections, triggering four weeks of an unprecedented and chaotic campaign. From right-wing alliances to the left’s union and the final makeup of Parliament, this documentary unpacks the twists and turns of a political earthquake with expert analysis.

It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.

Back from fishing, fishermen in a boat pull out sardines caught in the net.

ROGER, MY BROTHER immerses us in the moving story of Christiane, who is devoted to caring for her brother Roger, who has Alzheimer's disease. Her tireless commitment allows Roger to avoid being placed in a nursing home despite the challenges. At the heart of this sibling relationship lies an unbreakable bond of love, demonstrating human resilience and the strength of family ties. This film celebrates the dignity, compassion, and determination that drive the bond between brother and sister, offering a profound reflection on love's ability to overcome the most insurmountable obstacles.

In Polynesia, as humpback whales come to breed in the warm waters of the Pacific, Natoo immerses herself in a timeless experience.

Pope Francis responds to questions from around the world, discussing topics including ecology, immigration, consumerism and social justice.

A male voice describes, with ruthless precision, the physical and mental journey of a man who has just become homeless.

A woman dances - preserved in flipbook form.

Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.

K2 Chasing Shadows chronicles Benjamin Védrines' record-breaking 2024 ascent of K2 (8,611m) in 10 hours, 59 minutes, and 59 seconds, without supplemental oxygen: a story that unfolds as much in the mind as on the mountain. In human exploration, each boundary pushed awakens a new thirst. Each feat paves the way for a deeper quest. It is this tension between extreme performance and inner aspiration that drives K2 Chasing Shadows. For Benjamin Védrines, it is a journey of humility, resilience, and a search for meaning amidst the raw beauty of the Pakistani Karakoram. The film exposes the physical demands of a formidable summit, while also exploring fear, loss, and the perilous nature of dreams that demand total commitment. Between unforeseen obstacles, forced retreats and new attempts, Védrines faces the most trying and exhilarating aspects of mountaineering, constantly questioning where true accomplishment lies.

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

For the very first time and in complete exclusivity, Patrick Rotman films the daily work of french President François Hollande. Through an essential mise-en-scène, the film penetrates and reveals the core of the Elysée Palace.

On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).

How did a poor little black girl from Missouri become the Queen of Paris, before joining the French Resistance and finally creating her dream family “The Rainbow Tribe”, adopting twelve children from four corners of the world? This is the fabulous story of the first black superstar, Josephine Baker.

A group of ten infant girls are on a playground. They are in pairs, matched in height. They are doing an organised dance. Each pair twirls simultaneously, while all five pairs rotate in a circular sequence. They often stop their circular rotation so that each pair can perform the same manoeuvre as the other four simultaneously.

Pedestrian and various vehicles traffic on Place Bellecour, in Lyon.

The Cold War's wildest dreams of climate control have made a spectacular comeback: from the USA to China, 'geo-engineers' promise to make climate change the way we want. And they have found powerful supporters among lobbyists and entrepreneurs. This film is an investigation into the world-wide boom in geo-engineering. How did a pseudo-science with a controversial past become a planet-wide research subject?

Documentary on the French phenomenon in celebration of a reboot of the series.

Paul Vecchiali’s short ode to self-immolation, made in cahoots with the French Federation of Cremation. Didactic and semi-documentary, but, like another dust story, Franju’s Les Poussières, always personal. A film about the body, parents, memory and love after death. With Vecchiali and Françoise Lebrun.

Patients on stretchers are lifted off a cart and carried toward the shrine at Lourdes.

Silent film.

“When I was one year old I was already walking. At two, I was eating dirt. At three, my father was in prison. At four, I begged with my sister. At seven, I came to France.” Those are the words of Spartacus, a Roma child who, at 13, has already accumulated the experiences of several lifetimes. He and his sister Cassandre, 10, scrape out a living with an alcoholic, melodramatic father and a mother who begs them to free her from her husband’s tyranny. With the help of an exceptional social worker, they manage to detach themselves from their terrible parents and experience childhood as they never could before.

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

Lazy, idle, effeminate, strikers from father to son : French stereotypes are doing well. Anglo-Saxons, very especially fond of these preconceived ideas, take delight in disseminate them accross the world. Political and cultural realms particularly adore it. Concerned about reflecting a positive image abroad, politicians do their best today for their country to regain prestige. Decoding "French Bashing" diplomatic role and consequences.

What if French Rock were born with Edith Piaf? From sweet sixties pop to today's gender-indifferent anthems, from feminist rebels of the seventies to fashion icons of the social media age, from Françoise Hardy to Christine & The Queens, via Vanessa Paradis, Catherine Ringer, Charlotte Gainsbourg and many more, Oh Les Filles! tells the untold story of French female rock stars. Narrated by Clémence Poésy, this groundbreaking documentary combines interviews and iconic footage to radically reverse perspectives and give the patriarchy a kick!

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.

Director Judith Godrèche received 6000 testimonies from victims. In "Moi aussi", she invites a thousand of them to occupy an avenue in Paris, in full public view. A young woman brings together this human forest to help them speak out.

German/French TV documentary portraying Danish film director Lars von Trier.

With the cameraman atop a moving train car the viewer is given a one minute glimpse of a French urban area.

A map of Gaza, its towns, camps and neighbourhoods. White paint on a black ground. Within the crudely drawn outlines, nine refugees who escaped the inferno tell their stories.

The journey begins in vibrant, spiritual yet harsh Kathmandu and continues towards the majestic Himalayas. Twenty-one-year-old Jamuna accompanies her younger sister on what could be their last trip to the mountains.

On the night of November 9-10, 1938, the Nazis initiated anti-Jewish violence throughout the German Reich. Hundreds of photographs and films rediscovered in archives provide insight into these pogroms. 30,000 Jews were deported to concentration camps. The November Pogroms mark a deeply disturbing event in German history that remains so to this day.

Noam Shuster Eliassi grew up the literal poster child for the Israeli-Palestinian peace process before making a hard pivot to stand-up comedy and political satire. But as the region sinks deeper into devastating violence, she must meet the moment by challenging her audiences with hard truths that are no laughing matter.