6,119 Matches Found
A film considered almost lost even by Garrel, who recently found his negatives. Shot during the events of the May 68, it was made collectively; the film is a merge of Garrel’s and his partners’ points of view, all of them students and filmmakers that participated in the revolt.
A film of the Czech multimedia theatre production, Magician's Lantern. Eight Czechoslovak directors filmed a choreographic performance conceived and directed by director Alfred Radok and artist Josef Svoboda. This performance consists of twelve scenes: "Introduction", "Airport", "Rhythms", "Cymbal Concert", "Inspiration", "Hoop Dancer", "Spartakiade", "Dvořák's Slavonic Dance", "Prague Spring", "Love is a Fatal Game", "SL'UK", and "Finale".
A compilation featuring comedic stars of the silent era including Fatty Arbuckle, Charles Chaplin, Buster Keaton, Charley Chase, and Laurel and Hardy.
John and Yoko in the presidential suite at the Hilton Amsterdam, which they had decorated with hand-drawn signs above their bed reading "Bed Peace." They invited the global press into their room to discuss peace for 12 hours every day.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
An interview with film director Roman Polanski, recorded for BBC TV in 1967.
A documentary showcasing the nation of Cambodia.
Orson Welles talks fantasy and magic in this short Vienna travelogue.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
A biographical documentary about Krzysztof Penderecki
Actor Robert Culp narrates this special examining the use of boycotts by African-Americans as a way of obtaining jobs.
In Asamblea general (1960), the documentary about Fidel's address of the First Declaration of Havana in the Plaza of the Revolution, Alea practises what becomes a sustaining Cuban contribution to documentary. Engaging with Free Cinema and cinema-vérité, his camera seems to touch the faces of the new citizen one by one rather than as a single mass before a leader.
A grey-haired man walks through the fields. Fatigued, but with the same tenacity he roams the roads, the pathways, the tracks every day, medical bag in hand. Everyone awaits him: desperate or in hope, to the dying or to the woman in labour. He is the local GP. In fact, he is film director Imre Gyöngyössy’s father, the protagonist of one of his first short films. The personal narration based on the director’s poem is made complete by the pictures of Sándor Sára and István Gaál who were also active at Balázs Béla Studio at that time.
Sándor Sára's meditation on loneliness and the human condition.
Documentary about the European School of the Coal and Steel Community (ECSC, formerly CSG) in Luxembourg. Featuring footage of the schoolyard and preschoolers singing the song 'In the Moonlight' in a classroom.
Director Jean-Pierre Melville and actor Lino Ventura are interviewed about their 1966 film.
Documentary filmmaker Frederick Wiseman takes us inside Northeast High School as a fly on the wall to observe the teachers and how they interact with the students.
A short, impressionistic documentary about the extremely precise process behind the creation of an autoclave (a reaction container) for a nuclear power plant. Otherworldly electroacoustic soundtrack by Oskar Sala.
Examines the lily to identify the parts of a flower and show how it functions in the production of seeds. Pictures a variety of other flowers and compares the flowering plants to some non-flowering plants.
This film shows the Romas' life in Hungary, the prejudices they are faced with when adapting themselves to society, and the Romas' ancient customs which often defy adaptation.
Italian documentary film shot in several European towns (Berlin, Hamburg, London, Paris, Venice) as well as in Rome's De Paolis Studios. The movie features a series of strip-tease numbers intermixed with real-life scenes and interviews.
The FRG is planning an attack on the GDR with the "Deko II" maneuver. This thesis is used to legitimize the construction of the "Anti-Fascist Protection Wall" as an essential measure to defend against the aggression of West German imperialism.
The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.
A behind-the-scenes look on the making of the movie "The Illustrated Man" featuring scenes from the movie and the design and application process of tattooing lead actor Rod Steiger by make-up artists.
On March 7, 1967, 40 million Americans tuned in to watch CBS Reports: The Homosexuals, network television’s first documentary on homosexuality. Near the top of the program, host and interviewer Mike Wallace calls homosexuals “the most despised minority in the United States.” The hour that follows is filled with salacious location footage, sermonizing therapists, and shadowed interviews with distraught homosexuals.
A detailed historical account of the major campaigns fought by Australian and New Zealand forces during the First World War. Compiled from the archives of the Australian War Memorial, this film utilizes rare battlefield footage from the Middle East and Europe to trace the journey of the ANZAC troops from their initial departure to the frontline conflicts in Egypt, the Somme, and Cambrai.
Look at Life is a short student film by George Lucas, produced for a course in animation while Lucas was a film student at USC Film School. The film's running time of exactly one minute was required by the course. This was the first film made by George Lucas and was heavily influenced by Canadian filmmaker Arthur Lipsett.
This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.
Man and his environment.
Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.
A documentary film about the work of stuntmen and camera operators in Soviet cinema, using the film "White Sun of the Desert" as an example.
[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual.
‘Kunst & Revolution is a documentation on the famous action known as the “filthy uni mess”, which led to a jury court trial. I only had a few metres of film with me and they were quickly spent, but still the film gives one a rough impression of the events. As a whole mythology quickly arose around the event, I altered the material to counteract this effect (through repetition, and adding other material, for instance from a film about keeping dogs, and my own leftover footage from the Muehl action number 54 ‘Im Freudenauer Wasser’).’ In film 16 of his anthology Ernst Schmidt Jr. documented the actions of Günter Brus, Otto Muehl, Peter Weibel and Oswald Wiener.
A collection of television celebrities pitch United States Savings bonds.
At the end of the 1950s, French documentarian François Reichenbach spent eighteen months traveling the United States, documenting its diverse regions, their inhabitants, and their pastimes. The result is a journey through a multitude of different Americas, filtered through a French sensibility.
In the year that Cannes Film Festival handed out awards to Federico Fellini for La Dolce Vita, L'Avventura by Michelangelo Antonioni, and Kagi by Kon Ichikawa -- 'Le Sourire' won the Palme d'Or for Best Short Film in 1960. This quiet and intelligent film is a remarkable interpretation of a young monks perspective into a world of meditation, sacred geometry, and coming of age. A tribute to Buddhism, introspection and the wonders of nature...a short but lasting work of art.
Behind the scenes look at the D-Day special effects created in filming The Americanization of Emily (1964).
Documentary showcasing various strange practices around the world, including tribal circumcision ceremonies, male Japanese geishas and headhunting Indian tribes in the Brazilian jungles.
In this CBS News production broadcast on Thanksgiving 1960, Edward R. Murrow points out the plight of migrant farm workers in America. Topics range from the harsh living conditions, endless travel, low wages, and poor opportunities for their children.
This film shows the duties of a young British sailor, Lieutenant Ellison, as his submarine H.M. Artemis sails the pack ice north of Iceland to gather data to complete a scientific survey for the Hydrographic Department.
Les Blank's first documentary cinematography job shooting Drag Racers in Long Beach, CA, driving everything from hopped up "Mercs" to Supercharged "Rail Dragsters". These cars could accelerate to over 220 miles/hour in a mile. The film follows the life of Rick "The Iceman" Stewart as he attempts to grab the world's record. Original score by Canned Heat Blues Band.
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.
Produced by 20th Century Fox, this Maysles Brothers short was intended to help promote the release of Disney's Fantastic Voyage (1966) for which Salvador Dali was artistic consultant. Shot in and around New York, the film features a cameo by a bikini clad Raquel Welch, star of Fantastic Voyage and Dali's muse for a series of portraits of Hollywood starlets.
Excerpts and fragments from different interviews with Orson Welles making a statement to journalists in fluent French about his career and his conception of life.
This colorful documentary chronicles the events of the 1968 Winter Olympics in France. The events made international celebrities of skater Peggy Fleming and skier Jean-Claude Killy for their gold-medal performances. The camera accurately catches the speed of bobsleds and downhill racers and ski jumpers as they race for the gold. President Charles DeGaulle is shown observing the action over 13 days, which saw France earn the best performance to date in the winter games.
This promotional short film for the feature Far from the Madding Crowd (1967) takes us to the many locations in Dorset County, England, where the movie was filmed. It was here that 'Thomas Hardy' lived and was inspired to write the novel upon which the film is based. Only the film's star, Julie Christie, makes comments on the production.