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Mirror of Holland

In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards put the images ‘up right’ again in the film. By doing this, we see the ‘usual’ waterfront, but transformed by the rippling of the water. In this way Mirror of Holland became a modern looking experimental film. However this did not devalue the Dutch sentiment regarding waterfronts that are so trusted to so many.

Mirror of Holland

6.2 1950
The Wind-Swept Isles

This is a story of men against the sea. On the edge of the great sea lanes in the Gulf of St. Lawrence lies a tiny archipelago which is gradually shrinking from the ceaseless nibbling of the tides. Here, on the Magdalen Islands, live 10 000 sturdy fisherfolk, descended from fifteen Acadian families who, two hundred years ago, fled the threat of deportation. The film portrays the frugal but independent existence of these people and their relentless struggle to wrest a livelihood from a sea which reaches almost to their doors.

The Wind-Swept Isles

NR 1953
Firework Daughters Turned Over

This film is an artistic documentary written and directed by Tang Mo and Yu Lan and produced by Beijing Film Studio. It reflects the social and historical event of the Beijing Municipal Government banning brothels and reforming prostitutes after the founding of New China. The education and transformation of prostitutes in New China focuses on teaching labor skills, providing job opportunities, allowing them to pursue their own happiness with dignity and health, and giving due punishment to the bosses who exploit prostitutes.

Firework Daughters Turned Over

NR 1950
Children Who Draw

Children Who Draw explores the delicate chemistry of school children interacting in an art class through a constant juxtaposition of observational black-and-white portraits of the young children with lyrical passages shot in vivid color exploring their imaginative and expressive paintings. Experimenting with color as an intimate expression of the children’s inner worlds, a tool for deeper psychological investigation, Hani allows his camera to roam freely across the drawings, “de-framing’” and enagaging the artwork in a manner reminiscent of Alain Resnais.

Children Who Draw

6.5 1956
Window Water Baby Moving

On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.

Window Water Baby Moving

6.9 1959
Her Honor, the Nurse

This RKO-Pathe Screenliner short looks at the duties of the modern nurse. The story tracks the education of a student nurse as she works toward graduation and shows the earning of her cap during her student days, in retrospect. At the beginning, she wears the Student Nurse uniform dress and apron only, with no cap. She appears later in the movie as a more experienced Senior student with her cap already wearing a stripe. This was frequently done in the three year hospital programs to differentiate the Junior level students from the Seniors, more experienced and closer to Graduation. The capping ceremony illustrated shows the bare headed students receiving their plain white cap, and addressing it as something from her past that she will remember fondly.

Her Honor, the Nurse

7.5 1956
Oslofilm: Gatelangs

A educational film from the Norwegian traffic police. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Gatelangs

NR 1951
Le Grand Désert

In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book "The Great Desert". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.

Le Grand Désert

10.0 1950
Bridge of Song

The latest developments in British Transport - whether it be in London buses or in railway sidings at Margam steelworks, in the construction of a canal lock between Nottingham and the Humber ports or in the use of modern equipment at BTC laundries or continuous foundries - all such new things bring an echo from the past. The work-songs and popular ballads of yesterday serve to bridge time and remind us that the history of transport is continuous - that history is being made today just as certainly as it was made a century ago.

Bridge of Song

NR 1955