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A photographer and a filmmaker challenge each other to shoot—one to photograph the other to film—two young actresses, one from Tokyo, the other from the countryside. The photographer seeks naturalism in his compositions, and Kawase observes and comments on his work. The competition between the photographer, the filmmaker, and the actresses creates a charged atmosphere.
Zi:Kill album "ROCKET" receives its first home video treatment with VIDEO ROCKET LONDON SIDE, featuring scenes shot during their stay in London.
Koji Shiraishi documents the filming and production of his short film "Koji Shiraishi's Declaration of World Domination". Included in the "Textbook of Fake Documentary" DVD
Infantrymen of the Imperial Guard carry out a military exercise on the Aoyama field in Tokyo.
A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...
Film director Kyoko Miyake remembered Namie, a fishing village ravaged by the 2011 Fukushima nuclear catastrophe, as her childhood paradise. Revisiting her family’s hometown after 10 years abroad, Miayke’s multilayered documentary examines the disaster’s profound personal, social and environmental impact.
A documentary recording the testimony of fourteen former Japanese soldiers as they recount atrocities and war crimes committed during the Second World War, including the the infamous Unit 731 medical experimentation group. Having been trained by their country to be nothing but killers, the soldiers claim to have become morally numb and unable to see non-Japanese as even human. Perhaps feeling some remorse for what they have done, they now choose to tell their stories for the world to hear.
Yukio Fujiki is a 91 years old prominent conservative figure in Yokohama, who organizes the distribution of the port and is well-connected with the people of the local political and business world. However, in 2019, Fujiki voiced his opposition to the administration's attempts to bring casinos to Yokohama and embarked on the last fight of his life to protect his own city from the expansion of the gambling industry.
After the end of his 12-year sentence for attempted murder, activist and war veteran Kenzo Okazaki lays out his vision of an ideal world.
Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.
Cameraman Yonesaku Kobayashi (1905-2005) is a pioneer of scientific films of Japan. He and producer Sozo Okada made many scientific educational films, and in 60's - 70's, many avant-garde composers composed music for these films.
Ogawa Production Staff, who moved to Makinomura in Yamagata Prefecture, looks at sericulture, sericulture labor, agriculture ... Let's listen to people's words and stare for the sake of staring ...
V6 ASIA TOUR 2010 in JAPAN READY?
Haneda Sumiko, documentary filmmaker who was born in Dalian, Manchuria in 1926 and was there to experience the conclusion of the Pacific War. Following her previous work , she revisits Dalian and Lushun, places where she spent her formative years. Lushun has served as an important naval port in modern times, and in 2009 was finally fully opened to foreigners. Haneda joined a tour organized as part of that opening, and delves into memoires as she visits the house where she grew up and the school she attended.
Performances by Japanese Noise acts: Masonna, Incapacitants, Merzbow, Solmania, Hijokaidan.
Deep within the Amazon lives a people who have preserved their own culture and customs for more than 10,000 years. Known in the West as the Yanomami, sometimes called the “last Stone Age people,” they number about 20,000 today. Living in groups of 40 to 200, they are scattered throughout the vast jungle spanning Brazil and Venezuela. After nearly ten years of negotiations with the Brazilian government and seven tribal elders, the filmmakers became the first television crew ever granted permission for an extended stay within a Yanomami community.
Shot over six years, this is a personal story of a woman whose father executed for the world famous heinous crimes. Matsumoto Rika’s father was the guru of Aum Shinrikyo, the religious cult responsible for the deadly Tokyo subway sarin attack in 1995 – mass murder that shocked Japan to the core. Rika was brought up with the cult. She has been exposed to discrimination and exclusion from society. Even though her trauma has driven her to the brink of suicide at times, she struggles to carve out her own life and identity. She eventually takes on a new challenge to become recognized not as "his daughter" but as "Matsumoto Rika" herself.
Director Katsuyuki Hirano travels north to find his girlfriend whom he met in Hokkaido a long time ago
A look back at the life and career of Japanese guitarist hide, who died under questionable circumstances in 1998.
In this documentary, script supervisor Teruyo Nogami, who first worked with Akira Kurosawa on RASHOMON, catches up with many members of the crew, including cowriter Shinobu Hashimoto and assistant director Tokuzo Tanaka. They talk about the screenplay’s evolution, difficulties during the shooting of the film, and Kurosawa’s working methods.
Comprising historic archive footage and texts this DVD box enlightens us greatly about Yoshito Ohno's here and now. Butoh has a distinct starting point, namely, in 1959, with Kinjiki , a duet featuring Tatsumi Hijikata and Yoshito Ohno. His father, the legendary Kazuo Ohno created another epoch-making opus in 1977 Admiring La Argentina, with Yoshito Ohno as production manager. These links are no mere coincidence. To date, we've tended to overlook Yoshito Ohno, barely granting him the recognition he merits. Just as dance requires a lengthy gestation period in which to evolve, his dance has finally come into our field of vision, in all its freshness and stark-nakedness, linking Butoh's origins to its zenith, to a point where he now stands at a crossroads.
Over the course of the summer until her graduation, with changes she can't control but also being protected by the mochi which looks over important times, Yuna, a 15-year old student begins to change so that she will not forget.
A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.
At the age of 17, Sōta Masuda won the Rock Newcomer Award, and his future looked bright. As his high school friend, the director began filming a documentary about him. However, Sōta, who was obsessed with pursuing his rock 'n' roll dream, seemed cursed with unfulfilled aspirations. He lived off his parents for nearly a decade before ultimately taking his own life. The few words left in his suicide note were a plea to the director to complete the documentary.
The Morning Sun Shines is a fiction-documentary film by Kenji Mizoguchi and Seiichi Ina. The film is a combination of a drama about a reporter, and documentary footage about newspaper production. Only 25 minutes of footage has survived.
"Sanrizuka: The Three-Day War" is a documentary by Shinsuke Ogawa chronicling the escalation of conflict surrounding the Japanese government’s plan to build a new international airport on farmland in Sanrizuka near Tokyo. As farmers resisted eviction and activists from across the country joined the struggle, clashes with police intensified, resulting in large-scale confrontations that marked a critical phase of the Sanrizuka movement.
Tokyo Ska Paradise Orchestra, a live band active not only in Japan but also on the world stage, began a tour in July 2006 that took them to Europe and Vietnam, performing more than 70 shows in six months. It became the longest and toughest tour in the band's history. This documentary film is a music documentary that follows the 10 band members over a six-month period, focusing on the tour.
The United States celebrates its bicentennial. The film depicts the history of a rebellious nation that has been overshadowed by the authentic history of the U.S., including slums, Vietnam veterans, incarcerated Nikkei, and indigenous peoples.
Before the Chernobyl disaster, Nadja's village was home to 300 peasant families. After evacuation, only 6 households remain and access to the village is shut off. The remaining villagers continue to raise livestock, cultivate crops, and continue with their lives regardless of contamination.
This is the third installment of the self-documentary series. From the end of 2014 through the New Year period of 2015, it documents approximately two weeks spent with his wife (Tania) and her relatives living locally, during her extended stay in Jakarta.
A film like an Impressionist painting; the kind of paintings to have titles like 'urban view from the artist's studio'. The film is largely set in the film-maker's home and the street in the provincial town of Aichi where he lives. Minor everyday incidents are observed poetically; the melancholy mood of the images is boosted by serene electronic music. There is no dialogue; the sound track only comprises streets sounds as well as the music. Loose, almost nonchalant impressions of the street or of cloudy skies are juxtaposed with posed, almost photographic mildly homo-erotic portraits of friends of the film-maker. Tarch Trip is made up of fragments of a cinematographic diary, which are however not edited chronologically. Two periods alternate. One is characterized rain and dark cloudy skies. The other is sunny and repeatedly accompanied by three friends
December 21, 2015. The image of a fox was captured by a camera inside the unit 2 building at Fukushima No.1 nuclear power plant... A film-essay about contemporary Japan in the aftermath of March 2011 earthquake.
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Men Who Tread on the Tiger's Tail" (1945).
30 years of the band, 30 years of Japanese rock. The story of passion toward the band and music.
Tenth film in the Death File series.
A documentary film about windsurfing, and how Robby Naish got into it.
The documentary on Yamazaki Hiroaki, the student died in the First Haneda Incident of 8 October 1967.
Shinjuku Tiger, a Japanese documentary, is named after its subject, a colorful figure who has been a feature of the Shinjuku scene since the 1970s.
Documentary of the Usuki Soil Cultivation Center, pioneers in organic farming in Japan
Kenji Onishi films Takahiko Takayanagi, journalist of Yomiuri-paper, local TV. Ibaraki prefecture prefectural assembly member election. The barefoot election district.
RETRODREAMING examines the common phenomenon of ghostly, abandoned schools due to demographic change in the countryside of Japan. Empty schools in deserted villages tell their own story: May it be during the pandemic, after a nuclear catastrophe, or just due to depopulation. The film references the Japanese tradition of telling "Kaidan "(ghost stories/scary stories) and the multiple school-themed "Kaidan "(Gakkō no Kaidan, Japanese for "Scary School Story") in Japanese mainstream culture, which encompass the idea of entities and memories remaining in these architectures. The film focuses on the visual quality of the Showa-era architecture of the abandoned Sawada School in Nakanojo. A voice from a tape recorder recalls the reality of a secret experiment during a pandemic that resulted in further mysterious events. The audiovisual experience draws the viewer into a strange, suspenseful atmosphere somewhere between an unlived retro-future, a sci-fi dream, and an unfinished mystery tale.
Actor Takakura Ken visits Santa Cruz in Portugal and traces the footsteps of the writer Dan Kazuo, who spent his last years living there.
Fifty years ago, Rachel Carson’s Silent Spring warned of the danger of widespread use of pesticides, helping to launch the environmental movement in the US. Around the same time, the US military began to spray defoliants in Vietnam to deny cover to guerrilla forces. The defoliants, including Agent Orange, were contaminated with the deadly toxin, dioxin. Agent Orange continues to affect the children and grandchildren of those exposed in Vietnam and America to this day.
Documentary featuring Nagisa Ōshima and Masuaki Kiyota, a Uri Geller-esque psychic medium
The indigo dyeing technique is rarely seen outside of Japan. Smell, taste, sound... the delicate sensibilities of highly honed craftsmen have been passed down from generation to generation, and "Japanese Blue" has been preserved to this day. The camera follows the artisans fascinated by indigo dyeing and catches glimpses of the colors and the memories that have been passed down through the generations among the artisans.
It took Kaori Sakagami six years to receive permission for shooting her documentary in a Japanese prison. In a unique project, a limited number of inmates can participate in a therapeutic circle in order to understand the mental and social conditions of their behavior. Even after being released from prison, former inmates are supported by psychologists and social workers. What is remarkable in the process: the inmates learn to support each other and to open up toward the experiences of others.
The poignant focal point for this film is a cherry tree that is over 1400 years old. Beginning with the tree, the director then explores the families and environment around the tree. The editing and music contribute to the sense of a haunting past contained within the solid structure of an ancient natural wonder.
A collaborative, newsreel-style portrait of Tokyo in 1957–58, blending photography, animation, and historical imagery to capture the city’s labor, rituals, and nightlife at the moment it became the world’s largest metropolis.
From the legendary director who redefined the zombies in film industry (George A. Romero), comes a bold new vision that blurs the line between game and horror cinema. Follow the camera behind the scenes of one of the most talked-about TV commercials ever made, created in collaboration with Brad Renfro and some of Hollywood’s top talent. Based on the world of Resident Evil, the hit survival horror game that had already terrified millions since its debut in 1996, this commercial heralds the arrival of its highly anticipated sequel. Breaking a two-year silence, director Romero returns with a haunting production of cinematic ambition. With a staggering budget of over 150 million yen (more than one million USD), the shoot took place on a chilling replica of a Los Angeles police station, transformed into the shadowy world of Raccoon City.
Costa Rica is one of few countries in the world to abolish its military. This documentary focuses on education, children and a co-operative in the Monteverde nature reserve.
Camera person unknown, 1971, B&W, silent, 18 min. Courtesy of Kumiko Matsuzawa. This film documents actions performed for World Uprising by Taii Ashizawa and Taku Furusawa, who worked together as Satsuma Workshop. According to the art magazine Bijutsu Techō, Ashizawa acting on behalf of the Interstellar Vibration Association and conducted an Earth Sound Transmission Ritual consisting of three parts. In Ritual One, four people respond to the four fundamental elements (fire, water, earth, air) and emanate earth sounds through psychokinesis. In Ritual Two, the sound of the earth is transmitted via radio waves. Ritual Three shows the sound of the earth extinguished in a fire on an altar, and reproduced and transmitted into outer space through the wisdom of a fire deity. The film documents Ritual One, as well as Taku Furusawa is performing Ritual One / EVENT at the same site and going into convulsions.
Documentary Of AKB48 : Show Must Go On is the 2nd AKB48 documentary. The movie feature various moments of 2011, such as Team 4 formation, Maeda Atsuko winning the 3rd Senbatsu Election, first dome concert in Seibu Dome and the Dareka no Tame ni Charity Project.
Documentary filmmaker Kim Myung-yoon, a former member of the Dokdo Police Security Detachment, relocates with his wife and son, Noah, to Kumi, a remote village in Japan’s Oki Islands. A UNESCO Global Geopark, the Oki Islands boast majestic natural beauty, but also serve as a politically charged symbol, with Japan asserting territorial claims over Dokdo, calling it, “Takeshima.” As Kim builds relationships with local residents and engages with their perspectives, he explores the histories, ecologies, and memories surrounding Dokdo and the Oki Islands.