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The "stone in the mouth" is the scar that the mafia makes on betrayal's corpse. The modern mafia has the historical and sociological roots into the birth of the american capitalism at the time of Roosevelt. The American "Cosa Nostra" applies the similar methods as the sicilian mafia: same apparatus, same "omertà", same power and same terror. Giuseppe Ferrara, journalist and writer, uses fragments footage, film clips, and current news to make this film.

Eric, Alice and their classmates are embarking on the delicate passage from childhood to adolescence in the midst of curbed freedoms and increasingly tough restrictions, with a burdensome past behind and an uncertain future lying ahead.

A special night dedicated to Franco Battiato, who passed away on 18th May 2021 at 76 years old. The title catches on the affectionate tone Pif will use as he narrates a journey through the singer-songwriter's life - from Mount Etna to Milan - through the Verona Arena where a concert was held in loving memory.

Panorama is the first chapter of a trilogy about the city. A review of a polis extended over an infinite space without uninhabited places or borders to take refuge. A landscape without readmission for the excluded, like imaginary worlds in search of balance.

Former Italian prime minister Silvio Berlusconi opens up about his life, including his sex scandals, corruption trials, and friendship with Putin.

In a city where the boundaries have changed greatly, where to go in Slovenia identification, where the barriers (real or metaphorical that they need not even show) have crumbled over the years, where the famous wall of mental hospital was demolished in the seventies thanks to Basaglia revolution, there is a wall that still stands. The wall that separates at the beach "At Lantern" women and men, but commonly called by all Trieste "Pedocin", unique in Europe, the noisy quiet corner, a stone's throw from the city center.

A passionate, disillusioned and possibly (self)ironic portrait of a generation of filmmakers who decided to tread the rugged paths of real cinema.

A short documentary about The Leopard.

Using astounding footage from the Luce archives (newsreels, but also true films) Il sorriso del capo/The Smile of the Leader shows how propaganda works, presents everyday life in its most revealing details, and describes a country's "education". Marco Bechis explores the feeling of consensus: he tells us where it originates, what tools are used to spread it, how it is opposed. The thread running through the film is a voice, enigmatic until the end, narrating in the first person what it is like to grow up under fascism.

A documentary about the Women's Shelters and the centers for support for women escaping domestic violence.

Filmed on location at the Macchiascandona restaurant, Grosseto, Italy, October 1998.

Enzo Jannacci navigated between several genres because he was a "genre" in his own.

New York Solo Andata tells the story of the American Dream from the first Italian migratory flows to nowadays through the voices of all those who truly believed and fulfilled it with determination. Davide Ippolito leaves Italy to meet Italians and important personalities living in New York to tell the most unusual aspects of the city to remind "if you can dream it, you can do it."

A reflection dances on the walls of a place suspended between magic and history. A short film about Grosio Castle, inspired by Calvino’s *Cosmicomics*.

In Italy there is a world that is helping the country grow; it is that of the operators and mediators of the SPRAR network reception projects, a public system based on the synergy between municipalities, the Ministry of the Interior and associations. The film follows the lives, thoughts, dreams, and labors of those who work every day in the construction of a complex and necessary future.

The documentary was created to mark the 50th anniversary of Pablo Picasso's death. Inspired by his famous quote, "Painting isn't an aesthetic operation; it's a form of magic" the film focuses on Picasso's life and legacy, centered around the Picasso Museum in Paris. It explores his deep connection to the city, his personal complexities, and new aspects of his work recently uncovered by historians.

Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.

GUERRA is a non-linear story and doesn’t have real or proper characters. On the bare space of a stage or in the crowded streets of the Old City of Jerusalem everyone fights – through physical actions, the gestures of the actors and people, through words and music – an ‘inner war that is also the war of the world’. From the travel diaries, the emotions and the glances, the film brings together stories that cross over borders, stories ‘atrocious and happy, simple and full of poetry’, underlying the importance of the theatre and art.

When Irena Ruppel, a fascinating Slovenian woman, arrives in a valley of the Po river, she is hosted by a man of that area, Gabriele. She seems to know a lot about Gabriele, whom at the same time is intrigued by this woman who doesn't speak Italian but she seems to understand everything that happens around her. Once she leaves, she gives a weak clue to Gabriele: her name and Tolmin, the name of a locality at the borders between Italy and Slovenia. Gabriele can't help it and goes to look for her, taking a journey that will bring him to the truth about his parents, himself and this woman who threw his calm life into confusion.

A comedy documentary about the search for happiness. The Italian astrologist Lucciana can alter the destinies of people. On their birthdays they have to travel to whatever location on Earth has the ideal constellation of planets over it. They will be reborn on that day and so be able to change their nature. On the one hand, the film follows the everyday (and unchanging) life of the fortune-teller who changes the lives of people while, on the other hand, it follows five protagonists who set out to various places in the world in order to change their lives.

The film recounts Carlo Giuliani’s day of July 20 and, parallel to it, the July 20 of the march of the ‘disobedients’, or the ‘white overalls’, among whose ranks Carlo died. An individual’s story is told in all its absolute concreteness, the friends he meets, the snack bar he goes to for a bite, the roll of scotch tape he picks up on the street; whereas a multitude’s story is told in all its epic tragedy, the night under the rain, the colossal preparation against the march, the advance behind shields, the attack of which the multitude was victim, the defense that gets organized.

Rehearsals for a play about Maradona in Naples, with Italian actors and an Argentine director. Nothing about Maradona except anecdotes about his figure from the Neapolitans; one of the actors had come to play football. They were all 'touched' by Maradona, as is logical. Pennac is very intelligent, but he has never seen a ball in his life: his fascination comes from the public figure of Maradona, from the totem, from the stupor that invaded him when many friends confessed to having cried at his death. The spectator, Maradonian or not, has an irrepressible desire to travel to Naples and join the song that he sees towards the end of the film, which is moving and overwhelming in its beauty and simplicity. Ideal for theater lovers, or Maradona lovers, or both.

In-depth interview with actor George Eastman on his acting career.

One of the many faux documentary mondo films produced in Italy during this era, Mondo sulle spiagge's primary goal was reportedly putting a striptease on screen. Shockingly, it was panned by critics.

In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.

Francesco and his mother live together in an apartment behind the Pavía cathedral. The son looks after his mother who's been in a wheelchair for a few years. All days are the same, but Francesco's dreams start merging with quotidianly to transcend the rooms and hallways that have become his whole world.

After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.

Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?

When high school ends and adulthood begins, Benjamin and Joshua Israel, two identical twins of Jewish origin, start feeling burdened and without a future. Being in your twenties and having a sassy attitude is not enough if you have an intellectual disability and the world makes it hard for you to fit in. Joshua would like to have sex for the first time, while Benjamin chases the utopia of love. Although they clash repeatedly, the two brothers share an unbreakable bond. They will soon learn that growing up also means giving the other space without casting a shadow.

TUFO tells the story of the Cutrò family and their resistence agianst the mafia as witnesses of justice.

A Futurist documentary on Futurism, "Art/Life: The Futurist Revolution" follows the creation of the Futurist art movement in early 20th century Italy as it was dreamed up by Filippo Marinetti following a driving accident. The documentary features reenactments, commentary from scholars and critics, and as of yet unpublished archival images and artworks. Verdone incorporates into his documentary the stylistic elements of speed, dynamism, simultaneity, technology, and modernity which inspired the Futurism movement in its many manifestos on all elements of artistic and everyday life.

A man tells the story of his three cats.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

A behind-the-scenes documentary on the making of Abbas Kiarostami’s "Certified Copy" (2010).

In the light of the current transformations within the global power structure, I WANT TO SEE THE MANAGER traces the linkage of economic ascent and decline in seven paradigmatic episodes. India, Bolivia, China, USA, Italy, Thailand, Venezuela - each place contains fragments of another; each episode bears testament to the hopes and fears of its protagonists. By juxtaposing these local experiences in the face of global economy, the film questions the notion of rise and decay.

Metamorphosis is a project created by Jacopo Giacomini and Roberto Gentile in which psychologists, psychotherapists, personal growth trainers, life teachers participate… Its purpose is not to document Fabrizio Corona's change, but to promote a vision of life through a journey of self-awareness and personal growth.

During his stay in Italy, Harlan accepted a commission from Rai and created a ruthless portrait of society through an archetypal setting. This film, set in a Roman school and filmed inside a classroom during a lesson, is a ruthless portrait of students and Italian society after the end of the protest movements of previous years.

In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

An intimate portrait of legendary Italian soccer coach Carlo Ancelotti, going behind the scenes of his five-decade career and culminating in the 2026 World Cup as he coaches Brazil’s national team.

The first episode in a series of “adaptations” of poet Bernadette Mayer’s book Utopia that artist Beatrice Gibson envisions to undertake over the next decade, producing a series of small, quotidian films that together, and over time, will constitute an epic. This first film is drawn from Chapter 4, entitled “The Arrangement: of Houses & Buildings, Birth, Death, Money, Schools, Dentists, Birth Control, Work, Air, Remedies, and So on” and was shot at home during the pandemic.