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The Oppressed Students

A galvanising documentary about the organised resistance of a group of students barricaded at the Takasaki City University of Economics. The university student struggles at the end of the 1960s in Japan were the culmination of over a decade of protests, social dissent and political unrest. All this gave energy to the student movement, which displayed original and sustained forms of organisation and resistance against the government and which would spread to universities all over the country. Together with the filmmakers of the recently formed collective Jieiso, Ogawa Shinsuke joined a group of students barricading themselves inside the Takasaki City University of Economics. Shot over the course of a year, this film documents the nature of the political discussion and organisation as well as the fierce debates going on among the students and their violent struggles with the authorities. Credit: ICA London

The Oppressed Students

6.8 1967
This World (A Correspondence Between Naomi Kawase and Hirokazu Koreeda)

The film takes shape through the form of a video exchange between Hirokazu Kore-eda and Naomi Kawase. Each films the world around them and intimately reflects on their individual struggles with making films. Kore-eda self-consciously reflects on his process, “What does a camera shoot? What does a film capture? The emptiness in my life reflects in my work.” Kawase concentrates on her everyday life and candid moments with her friends, who say, “Hang in there Naomi we are all on your side,” and, “You never keep the promises you make, but I love you anyway.”

This World (A Correspondence Between Naomi Kawase and Hirokazu Koreeda)

1.0 1996
Mon-Yo: Ornamental Motifs from Japan

This is a documentary centered on traditional Japanese patterns. To capture the unique sensibility of the Japanese people, the film features 170 kimono fabrics from the Muromachi to Edo periods, along with over 1,000 family crests that have been passed down through generations. These elements are presented using avant-garde visual techniques. Viewed from a modern perspective, the film transforms the exceptional patterns created by the Japanese in the past into a completely new illustrated scroll. The entire documentary contains no narration, relying solely on visuals and music to convey its message.

Mon-Yo: Ornamental Motifs from Japan

NR 1963
Record of a Marathon Runner

This was a sponsored documentary film by director Kazuo Kuroki of Japan. This highly artistic film focused entirely on Japanese marathon runner Kenji Kimihara. Kimihara finished eighth in the 1964 Olympic marathon with a time of 2:19:49. He had previously won the Japanese trials in 2:17:11 on April 12th of that year. He competed in a total of three Olympic marathons in all (finishing 2nd in 1968, and 5th in 1972) and he won 9 of 18 marathons prior to the Mexico City Games, including the Boston Marathon in 1966. Kimihara’s personal best was 2:13:25.

Record of a Marathon Runner

10.0 1963
The World Is Terrified: The Reality of the “Ash of Death”

At a time when the USSR and the USA fervently vied to develop nuclear arms, the mass media buzzed with terms inspired by nuclear testing on Bikini Atoll such as the “Daigo Fukuryu Maru Incident,” the “ash of death,” “radioactive tuna,” and “radioactive rain,” and nuclear testing continued, Japan, the only nation to have suffered an atom-bomb attack, felt massive anxiety. “What is the radioactive ash of death?” “What effect does it have on living creatures?” Against the background of the era, the film scientifically describes the terrors of radioactivity with the cooperation of many scientists, physicians and research institutions.

The World Is Terrified: The Reality of the “Ash of Death”

NR 1957
Twice: The Extraordinary Life of Tsutomu Yamaguchi

Tsutomu Yamaguchi is a hibakusha. A survivor of both atomic bomb blasts in 1945. First at Hiroshima, then again at Nagasaki. Now nearing 90, Yamaguchi finally speaks out. Breaking taboos of shame and sorrow, he responds to a call to fight for a world without nuclear weapons by telling his story, so that no one else will ever have to tell one like it again. Twice reconstructs Yamaguchi’s experiences in 1945 Japan, interviews him on the after-effects of exposure and documents the last five years of the late-blooming activist’s life.

Twice: The Extraordinary Life of Tsutomu Yamaguchi

7.7 2010
Shari

For some reason, there is very little snow in the winter of 2020 on the Shiretoko Peninsula, a special place located in the northernmost part of Japan where rare wild animals coexist with humans. The typical drift ice hasn’t appeared yet, either. Although worried, the inhabitants of the village Shari continue their daily affairs: the shepherd bakes buns, a hunter prepares a dinner with venison, a fisherman picks up trash from the sea and another person observes flying squirrels in her garden.

Shari

2.8 2021
Ainu: Indigenous People of Japan

The Ainu are the indigenous people of Japan. Hokkaido, the northern island of Japan, was previously called Ainumosir, or land of the Ainu. Ainu traditions are facing a critical situation; the latest survey revealed that the Ainu population is less than 20,000 people in Hokkaido, and UNESCO has recognized the language as ‘critically endangered.’ This documentary was filmed in Biratori town in Hokkaido, where many people with Ainu roots still live. It is also known as the hometown of the late Shigeru Kayano, who contributed greatly to the field of research on Ainu culture.

Ainu: Indigenous People of Japan

NR 2019
Birth/Mother

Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, presents the bond of life through her own childbirth experience. "First, I was planning to film from the day I conceived a child and to the moment I gave birth. But I realized, while filming, that this is not the story of "one life." In the end, the film sublimed to a higher stage on which we can witness the knot tying one life with another."

Birth/Mother

6.3 2006
We Don't Wanna

This piece consists of two parts, a documentary and a short film. It is a realistic depiction of some girls aiming for their dream to become actresses! The documentary part starts with five girls who want to become actresses taking part in a "Make a movie" project under director Yu Katsumata. This is a real record of the days from the start of lesson until the announcement of the cast. The second half then contains the short film "We don't wanna", as five high school girls who don't want to grow up face anxious days, paths, love, dreams and the future... With all of this in their hearts, the five of them, head off on a "We don't wanna grow up tour". They take a slow train, headed for "paradise". It's only a one day trip, but becomes their battle diary road movie.

We Don't Wanna

NR 2019
I Wish I Could Be Japanese

The film deals with the rights of Japanese-Koreans -born in Japan but without Japanese passport or nationality- and the social rejection that they face if they don’t integrate completely, abandoning their Korean identity. The film’s main thread is the story of a Korean man, who in the times of the Japanese occupation of the Korean peninsula, is sent to Japan to fight along with the Japanese in the Philippines, but after the war and fearing discrimination, creates a Japanese identity for himself and manages to get married and have children without his family ever knowing about his origins for 50 years until he is arrested in 1985 for forging official documents and in suspicion of being a spy from North Korea. (…) © timegoesbyin.wordpress.com/tag/i-wanted-to-be-japanese

I Wish I Could Be Japanese

5.8 1992
'Se'-back

Gōzō Yoshimasu is one of Japan’s leading poets, still prolific into his ninth decade. This film documents his 2019 performance of Se (‘back’), a live poetry reading set against accompaniment from avant-garde rock group Kukan Gendai. Blindfolded and wearing a facemask, Yoshimasu plays audio recordings, growls and rasps his way through a rendition of a poem, and channels every ounce of his energy into drawing, using a pane of glass as his canvas. Kukan Gendai sculpt shapes of sound in response: an entire universe thrown into sharp relief by an uncompromising contest between voice and music.

'Se'-back

NR 2022
From Palestine to Fukushima

What does a Palestinian who was forced into exile by the establishment of the State of Israel and experienced the loss of home and family by bombing see in Fukushima, an area where residents have been exiled from their homeland by the nuclear power plant accident? The recipient of the “Alternative Nobel Peace Prize”, a Palestinian Human Rights Attorney, examines the commonalities of “Palestine” and “Fukushima” through a trip to Iitate Village and conversations with former residents of the village.

From Palestine to Fukushima

NR 2019