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Anita

Inspired by Federico Fellini's unrealised film 'A Journey with Anita', the director bring us into a secret Italy, far from the usual tracks, chasing the story of Guido and Anita, the two protagonists, and their journey in order to reach Guido’s father deathbed. The result is a film full of encounters, amazing stories and characters found out in each and every place all along the two lovers' imaginary journey. A charming directing debut, visually impressive, which originality is especially due to a powerful use of found footage.

Anita

8.0 2012
L'oro di Cuba

The Cuban Revolution turns fifty years old. Fifty years of history, myths and challenges of a country that has influenced politics and culture around the world, becoming for many the symbol of the revolt against capitalism.A country full of contradictions, but which has always exerted a great fascination for its strong political and cultural identity. "The Gold of Cuba" wants to go deep and reconstruct the most exciting and the mostdramatic moments in the history of the Caribbean island. But it also wants to analyze the present through the testimonies collected from many young people who tell their hopes, opinions, expectations and dreams, trying to imagine the future that awaits this small country with a great history.

L'oro di Cuba

NR 2009
We Weren't Given Anything for Free

Annita Malavasi was just 22 when the Germans occupied Italy, their former allies, in 1943. As a partisan in the Italian resistance named “Laila”, she moved throughout the Apennines with and between fighting units, delivering information, transporting weapons, and taking part in battles. She spent over a year in the Apennines, fighting against the German occupation. At the same time, she had to assert herself against the men of the mountain villages. By the end of the war, Laila had risen among the ranks to become one of the few female commanders in the Italian resistance. This film chronicles the story of a lifelong struggle for emancipation that began with the battle for Italy’s liberation from fascism. Laila and her two comrades, Gina “Sonia” Moncigoli and Pierina “Iva” Bonilauri talk about their time in the Resistenza and what it meant to them and many other women.

We Weren't Given Anything for Free

7.0 2014
Le feste senza fine

It's a story that begins long ago. In the early 2000s, a young comic artist decided to tell stories through drawings, far from the canons of mainstream comics. He did it under the banner of DIY and sharing: small, stapled booklets, photocopied, bound, and mailed directly. In those strips, suspended between anticipation and memory, the stories are about lives that intersect, friendships, love, out-of-town students, the disorientation before growing up, fanzines, and self-produced records. In the background, the quiet indolence of the provinces. That young comic artist became Alessandro Baronciani, now one of the leading figures in Italian authorial comics, and that project was "Una storia a fumetti".

Le feste senza fine

NR 2025
The Last Paradise

A 1955 Italian independent film, released in the USA in 1956, which is basically a travelogue telling four stories, each about a different island in the South Pacific. Native customs, tribal rites,ceremonial procedure, courtships, and feats of strength and courage are depicted. The test of courage, for males, on one island , is a leap from a high wooden tower to the ground with a thin vine wrapped around their ankle breaking the fall at the last minute. The first bungee-jumpers?

The Last Paradise

3.7 1955
Mexico! Un cinema alla riscossa

The Cinema Mexico is one of the last single-screen cinemas left in Milan. Its story is inextricably tied to the figure of Antonio Sancassani who ran it independently for the past thirty years taking care of every single aspect. At the cinema Mexico he presents independent films, debuts, films in original version, documentaries, forgotten films or films that have been "burned" by large-scale distribution offering them a second chance. The thirty-six years of the Rocky Horror Picture Show and two extraordinary years of The Wind Blows Round are only some of the successes that have made of the cinema a reference point for insiders from all over Italy. A passionate portrait that reflects on the fate of small cinemas and on the difficulties for independent cinema that is suffocated by the laws of the market, by online streaming and by the television.

Mexico! Un cinema alla riscossa

7.0 2017
Napoli, Napoli, Napoli

Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.

Napoli, Napoli, Napoli

4.8 2010
Parole. Operetta per voce e piano

Everything is true: everything has happened and has been filmed as it was happening. A screenwriter at the top of his career, tired of his work and burdened by unescapable life choices, decides with an acquaintance to sail back to Rome from the small island where he spent last year's lockdown. During this journey, unexpected events overlap with a verbal outburst about his tangled life. A flow of words comes out, a naked and unabashed confession about cinema, the directors he has worked with, family, love, grief and his past. As unstoppable and digressive as a jazz solo.

Parole. Operetta per voce e piano

NR 2021
Italia '61

In 1961 Turin celebrated the centenary of the Italian unity with a large exposition which lasted from May till October of that year. One of the most popular exhibits was the 28 minute documentary ITALIA ´61 IN CIRCARAMA which was produced by the Walt Disney company and sponsored by the Italian automobile manufacturer Fiat. The spectacular views of this Cinerama tour of Italy (filmed with nine cameras) impressed more than two million visitors during the entire duration of that Turin Expo.

Italia '61

10.0 1961
Los Zuluagas

Camilo, 35 years old, son of Colombian guerrillas, returns to his home country after 25 years of exile in Italy. In an attempt to understand his parents' radical choices, he dives into the family archive. Extraordinary amateur films and private writings reveal never-ending conflicts and painful memories. Those of a father, a revolutionary commander, who sacrificed everything in the name of political struggle, but who saw his dream of justice vanish. Those of a son, who grew up in the shadow of a charismatic but cumbersome man, unable to accept the needs of a child. Those of a mother. A ghost that has haunted Camilo's dreams since he was five years old. A unique opportunity to give life to an impossible dialogue, long desired but never really happened.

Los Zuluagas

NR 2022
I fratelli Segreto

1882: the steamship Savoy sails across the Atlantic Ocean bound for Rio de Janeiro. On board, among the hundreds of Italian immigrants crammed into third class, there are two brothers from Campania who have escaped poverty and are seeking fortune in the New World: Pasquale and Gaetano Segreto. Their younger brother Alfonso, who will join them in 1898 with a Pathé camera, will be one of the pioneers of Cinema, the first to shoot films in Brazil. In a short time, at first selling newspapers and living by their wits, the brothers will become successful entrepreneurs, founding newspapers, amusement parks, cinemas and theatres. But their relationship, over the years, will slowly crumble. After Pasquale's death, a huge fire will definitively put an end to their dream and their empire.

I fratelli Segreto

4.7 2025
Po

November 14, 1951, the left bank of the Po river a few hundred meters from the Padua-Bologna railway bridge breaks. The tide invades the Polesine's lands in a few minutes, one of the poorest regions in Italy at the time. Thousands people, men, women and children flee while the water remains stagnant for months between the houses and the countryside. Today, 70 years later, the children of that time remember those months immortalized by the films perfectly preserved in the Istituto Luce's archives.

Po

7.5 2022
In the Bottom Land of Happy Death

Among the ravines and flood plains of the Senio river, in the lower part of the province of Romagna, the small town of Cotignola prepares to construct a large arena made out of bales of hay; it will host readings, performances and concerts. It turns into a big party but two trivial accidents, under similar circumstances, cause the death of two of the organizers. The victims encounter each other in a parallel dimension, where the boundary with the real world becomes increasingly insubstantial.

In the Bottom Land of Happy Death

5.0 2017
Through the Unknown

"Verso L'Ignoto" (Towards the Unknown) is an Italian documentary that follows mountaineer Daniele Nardi and his team in their attempt to achieve the first winter ascent of Nanga Parbat, an 8,000-meter peak in Pakistan, nicknamed the "killer mountain" due to its exceptional danger. For three years, the camera follows the preparation and several successive expeditions, showing the extreme cold, avalanches, fatigue, and the setbacks that constantly force the climbers to choose between continuing their quest for the summit or preserving their lives. More than just a story of sporting achievement, the documentary highlights doubt, defeat, and human fragility, showing that the "unknown" is not only the mountain, but also the element of risk, desire, and need for self-transcendence that each of us carries within.

Through the Unknown

7.9 2016
Searching for Valentina: The World of Guido Crepax

1965: Paris, London and Milan all move at the same fast pace, fueled by a fresh creative and rebellious impetus. Guido Crepax picks up on this energy and transfers it to a comic strip in which art, music, design, film and fashion all blend together, breaking with traditional narrative structure. The dreamy photographer Valentina becomes Crepax' alter ego: as lovely as Louise Brooks, as disturbing as one of Lucio Fontana's slashed canvases, as knowing as Bob Dylan's lyrics, and as freewheeling as Charlie Parker's compositions.

Searching for Valentina: The World of Guido Crepax

8.0 2019
Orlando Ferito - Wounded Roland

The third, Sicilian, part of the “films of Europe” cycle, Orlando ferito Roland blessé is a multifaceted ‘chanson de geste’, marked by anxiety and irrigated by hope. Or two viatica: the testamentary document written by Pasolini not long before his death (Le vide du pouvoir en Italie), which metaphorically communicated his political despair about the “disappearance of the fireflies”, and that of Georges Didi-Huberman (2009), which, on the contrary, refers to their “survival”. Vincent Dieutre travels across the far south of Europe in search of today’s “fireflies” who invent a political life on a daily basis.

Orlando Ferito - Wounded Roland

7.5 2015