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A Labor of Love

In 1975, Chicago filmmakers Flaxman and Goldman got carte blanche to film the shooting of a local film called THE LAST AFFAIR. Neither AFFAIR's director (who envisioned the film as "a combination of Fellini and Bergman") nor its cast (which included then-unknowns Betty Thomas and Ron Dean) had ever worked in the industry before. Made in the classic cinema-verité style of Drew and Leacock, A LABOR OF LOVE is a revealing and often hilarious exposé of the hidden side of adult film: onscreen partners despise each other offscreen, male performers can't "get wood," an actress has her period, Ivory Liquid is substituted for semen, and the director declares, "I really dislike every minute of this!" (Gene Siskel Film Center)

A Labor of Love

4.7 1976
Electofrenia

Electofrenia (1978), Neri's third political film, requires a critical distance in order to consider the reasons why Venezuelans choose their presidential candidate in the 1978 election. Electofrenia, signifying the chaos of the elections, proposes that many Venezuelans select the candidate who benefits them personally rather than the one who is good for the country at large. Not without irony, the film brings up Venezuela's two decades of peaceful democratic government. If people choose what is good for them, can we call it a democracy?

Electofrenia

7.0 1978
Taller de Línea y 18

This short film -one of the last made by the Afro-Cuban filmmaker before his definitive expulsion from ICAIC in 1972- alternates shots of the assembly of a vehicle designed for workers' transportation with the exploration of the conditions of workers' representation and political participation in an assembly held in the workshop. The radical disjunction between image and sound interrupts the logic (and etymology) in which the agglutinating force of the "assembly" and the operation of the "assembly" of the parts converge in the dissonant structure of this documentary.

Taller de Línea y 18

NR 1971
L'école sauvage

In a school near Paris, a new experiment is being tried: to allow each child to express him or herself. In the smaller classes, group activities were dispensed with: each child did what interested him or her, according to temperament and desire. In other classes, grades are unknown and there is no fixed program; in English, the teacher lets the pupils work and converse according to their own style and rhythm; in a natural science class, we see a 10-year-old child expounding a theme on her own and answering questions from her classmates. Artistic activities also feature prominently: theatrical improvisation and orchestra formation, among others. The creation of a council allows children to submit initiatives, discuss them and organize themselves around their suggestions.

L'école sauvage

9.0 1973
Manoeuvre

MANOEUVRE follows a U.S. infantry tank company through NATO’s annual fall manoeuvres in Western Europe. One purpose of these war games is to test how quickly and effectively U.S. reinforcements can come to the aid of NATO forces stationed in Europe. The various stages of the training exercise, including defensive and offensive tactics, and hypothetical wins and losses are seen from the point of view of a company fighting a simulated, conventional, non-nuclear ground and air war.

Manoeuvre

6.8 1979
Eureka

"This is a film that not only documents a place in time, but a modern spatial vision, a look and technology that makes this street the sort of place it is. And here in this preserved piece of history, one also sees the chemical dance of film grain that makes up the material of Gehr’s own History. We do not simply see Market Street circa 1902, but a film of Market Street, and it is as fascinating as the site itself. Film may in some sense exist indifferent to emotions, objects, beings, or ideas. But early in his work Gehr realized that film, even conceived as a thing in itself, can never exist outside of history. The very dance of grain on the screen acquires a history of its production, its screenings, its viewings. History is the place no place can avoid.” - Tom Gunning

Eureka

5.7 1974