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Phono-Cinéma-Théâtre

The Phono-Cinéma-Théâtre was a special pavilion at the 1900 Paris World's Fair which featured filmed performances presented with sound via wax cylinder recordings. Many of these short films were also presented in hand-tinted color. The performances ranged from theatre (Coquelin the eldest, Gabrielle Réjane, Sarah Bernhardt, Félicia Mallet), opera & operetta (Mariette Sully, Emile Cossira, Jeanne Hatto, Mily-Meyer, Désiré Pougaud), to café concert & music hall variety (Footit et Chocolat, Mason and Forbes, Little Tich, Brunin, Polin, Jules Moy) and dance (Blanche and Louise Mante from the Paris Opera, Carlotta Zambelli, Michel Vasquez, Rosita Mauri, Jeanne Chasles, Achille Viscusi, Christine Kerf, Cléo de Mérode).

Phono-Cinéma-Théâtre

1.0 1900
Nash the Slash Rises Again!

Nash The Slash was deliciously surreal, verging on demented. A mummy wrapped in surgical bandages, an invisible man in full formal white tuxedo and top hat buzz-sawing his violin through endless reams of electronics, melodies and distortion. His music and image were demanding. His life was rock fantasy. ‘NASH THE SLASH RISES AGAIN!’ uncovers the sinister Canadian electronic music innovator. A classically trained violinist and multi-instrumentalist, he created music that was an unlikely combination of prog-rock, punk-rock, classic-rock, psychedelic fused with techno and industrial before they had names. The end result is an unearthly life drenched in film history, enveloped in a wall of sound that would do Phil Spector justice. A career embodied in artistic integrity, courage and the price-tag that comes with it. ‘NASH THE SLASH RISES AGAIN!’ unwinds the bandages of a ground-breaking, mad musical scientist whose career decomposed before the world caught up.

Nash the Slash Rises Again!

NR 2025
The Other Side of The SEX

A documentary that shines a spotlight on the unsung male performers who support the world of Japanese Adult Video, which has grown into a massive industry with annual sales of 55 billion yen in the 30 years since its inception. Its co-directors Enoki Yujiro and Takahara Hidekazu are JAV veterans who know the business back to front. 20 highly individual male adult video performers appear, from legendary virtuoso Kato Taka to handsome new generation star Kuroda Masatoshi. Through behind-the-scenes footage and interviews, it sheds light on their diverse views on life and women, their philosophies regarding sex, and their dedication to their profession.

The Other Side of The SEX

7.3 2013
Stolen Children

The film takes us to Georgia, where the shadows of the post-Soviet past still loom large. At its center is investigative reporter Tamuna Museridze, who sets out to unravel a profoundly personal mystery. As she follows the trail of a widespread 1990s scheme in which newborns were taken from Georgian maternity wards and trafficked across the world, she exposes networks, mechanisms, and long-buried secrets along with family tragedies that remain just as painful today. The scale of the practice is staggering: as many as 100,000 children were stolen from hospitals and sold. Among them were Amy and Ano, twin sisters separated at birth who finally found each other in 2024 through social media.

Stolen Children

8.0 2025
Ain't Misbehavin

18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.

Ain't Misbehavin

6.2 2013
Faces of Death

What question has plagued mankind more than the mystery—and terror—of death? This forbidden pursuit has driven Dr. Frances B. Gröss to the brink of madness, but in his obsession, he has amassed a uniquely comprehensive collection of films that depict life in its final, grueling moments. From the savagery of cold-blooded murder to the perverse realities of war, tragic accidents, and the everyday lives of those who collect, dissect, and bury the dead, this descent into morbidity lays bare a truth that all of us will one day face.

Faces of Death

4.6 1978
Deathfarm

One evening, as Ludvik is about to go to bed, he notices that a painting, once owned by his grandfather, mysteriously begins to move on its own. The next day, Ludvik shares the unsettling event with his friend Amund, and together they decide to investigate the painting's origins. Ludvik's grandfather had lived in an old cabin deep in the woods, that had been abandoned since his passing. Determined to uncover the truth, Ludvik and Amund venture to the cabin, only to discover secrets that should never see the light of day.

Deathfarm

10.0 2024