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An amateur drummer finds an abandoned drum set on a lonley island in Southern Thailand.

A zombie in Seoul, 2001 is a corpse which died 22 years ago. The corpse sucks vital energy of the live to revive and walks around Seoul. There are people to worship the zombie. They build a church for it at last, and the honorary president of the church is President who has been hurt by it. Moreover, many Korean rightists talk about the zombie and still perform what he instructed. It is the zombie, the president Park that the rightists worship, who is the leader of the National rightists. This is a reality of the right wing which now are still working in Korea. I’d like to teach English to you rightists and Park. Fuck you!

Soil breathes. Humans die and become soil. Humans who died and became soil breathe a breath of earth. It discovers how a breath of earth breathed with people in the land of the dead, Jindo.

Director and screenwriter Kim Jeonhan filmed “Yebeodeong Literature House,” a writing studio located in Hoengseong, Gangwon Province, for two years.

As her dementia deepens, Yoon Young-ja, who has spent her entire life as a shaman, moves between a nursing home and her family home. Her words drift between conversations with the dead, memories of her youth, and the confusion of the present. Amid her repeated wandering and anxiety, the family prepares a final ritual to close the long-shuttered shrine. When the doors finally open and the ritual begins, with family and disciples gathered around her, her body rediscovers a rhythm it seemed to have forgotten. Different times collide, and long-buried emotions begin to surface.

Yu-rye Kim, she began studying literature late in her life and debuted as a poet at 67. Now 86, she still carves her life through poetry and recitation. Her unwavering creativity fills each day with the truth of a life fully lived.

Reviewing past performances, the actors of Movement Dang-Dang discuss how they can continue performing in an era of non-face-to-face. The performance director suggests that they reinterpret and play one of the roles they had previously played. Actors participating in this event talk about what acting means to them and discuss how the theater and performing arts can survive in a transition period like the present.

The word “Manshin” refers to a shaman who are considered an intermediary between gods and humans. Kim Keum-hwa, Korea’s most famous shaman, is also a world-renowned Korean traditional dancer and a religious figure respected by the Vatican. The documentary tells the story of her fascinating life journey from a girl forced to take a job she never asked for to becoming a living national treasure.

The sequel of "Heangdangdong People", a documentary about a struggle and dream for community of Heangdangdong people against the unfair removal of their housing. Heandangdong people in the removal region finally finished the struggle in the victory after the 3-year-struggle against the removal and they are now settled in the provisional residential building. They have gradually overcome poverty and have been establishing a local community through a production cooperative and a credit cooperative to materialize their dreams. Headangdong people's story with their successful community suggests a concrete way and hope about an alternative life.

Unlike “trilogy on torn-down neighborhoods,” (The Sang-kye dong Olympics, Haengdang-dong People, and Another World We Are Making), Standing on the Edge of Death calmly describes how urban poverty was formed, how they live, and why more than 20 of them committed suicide at once in 1990. In this film, the director explains that people who moved from poor countryside formed urban slum, and because they did not have formal education or asset, they worked as day laborers. Residence was one particular problem they faced as they lost their main dwelling area due to redevelopment. They start their day at dawn and work till night. However, these hard-working people do not receive any recognition from the society.

Faceless Things shows two acts of gay sadomasochistic sex—one acted, the other not—with such bare-faced cheek that some viewers will be repelled.

"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament

It was a method to express oneself proudly. It was hope to change someone's life positively. It was a goal to become the best. It was the most fun thing and a way to respect each other. From the playground in Hongdae to "Show Me The Money", 12 rappers talk about rapping which has become their life. When the curtains close, that's when the true story begins.

Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards, tracing the smells and effects of substances that cameras cannot capture. Testimonies of the past overlap with current symptoms, and the disaster repeats itself in other bodies and places.

YEOM Ki-jung has owned the same bar for the past 34 years. In its heyday, it was a popular cultural salon where directors, actors, and writers gathered as regular customers. Now, at 62, her bar is on the verge of closing. She decided to take her bar on the road in a series of pop-up locations to find new customers and say hello to some familiar faces.

My family has lived in a house across from the Blue House, the presidential palace, for 50 years. During the era of military dictatorship, the Blue House was a place of fear and inaccessibility. But as South Korea democratized, more and more people were allowed to approach it. I had grown up surrounded by countless protests, but it was the first time their sound followed me home. The never-ending noise made the house where I was born and raised feel unfamiliar. But the place they now stood was the very spot where I had held a candle to protest just months before. My right to raise my voice also guarantees theirs.

Believing her son is talented at playing the cello, Haesook has devoted herself to his training since he was in middle school. Donghan is accepted into a respected music college, but he drops out before completing even a semester due to biased behavior from professors. Haesook becomes hopeful about her son's independence. However the founder prioritizes the ensemble's marketability over the musicians' artistic growth, deeply distressing Haesook. Donghan receives an offer to work as a teaching assistant in an orchestra Haesook had previously known, and they dream of a new future.

Names of Revolution recalls the memories of those who participated in the struggle to rewrite the history of the “Busan-Masan Democratic Protests,” which has been under-represented in modern Korean history. As the then college students, seamstresses, mold technicians, combat police, workers, bus drivers, advertising planners, and photojournalists pour out their memories from over 40 years ago before the camera, vivid words come to life.

Late at night, parents who lost their children huddle under the incandescent light of the sit-in site and unfold their own stories.

A documentary sharing the story of five women captured and enslaved by the Japanese military as "comfort women" during World War II.

In Jeongneung Valley, Seoul, where redevelopment is expected, two times intersect: the present, where it has ‘not yet' begun, and the future, where it is ‘already' inevitable. In this overlapping moment, photos left by residents, hand-tended fields, repaired homes, and memories within familiar landscapes merge into stories—proof of life itself.

James contemplates the meaning of life on his birthday, as he tries to reconcile his Christian upbringing with the stark realities of life. The next day, a letter from his godfather provides much needed comfort

Gwangju is known as a key city of democracy in Korea. Kim Hwan-gyung, a young media artist, begins to live in a typical slum, Gwangcheon-dong. The residents share stories about the lives of the early urban poor, the first Gwangju democracy movement, and concerns about rapid redevelopment. Gwangcheon-dong is scheduled to be demolished and disappear entirely by 2024.

This omnibus film was created for a workshop commemorating the 30th anniversary of Korea National University of Arts School of Film. Students, alumni, and faculty present eleven shorts exploring everyday images across film, photography, painting, games, animation, and advertising through contemplative, critical, and satirical approaches. From supercut aesthetics to structural compositions and essayistic narration, each work examines how images generate meaning. While functioning independently, these shorts intersect within a shared framework, offering new perspectives on viewing moving images.

All That Connects Us is a documentary on the theme of transmission. It addresses the universal questions of our roots, our history, that of our family, the bond that unites and sometimes separates. How can we build ourselves and what can we pass on to our children when part of our past is unknown to us? This film is the story of the passing of the baton from a mother with her baggage as a Korean adoptee, to her teenage daughter, at a time when identity construction is at its peak, a pivotal and delicate period of breaking with childhood.

The names of the two ‘fathers’ encapsulate Korea's contemporary history. The older priest is known as ‘Father Gang’, symbolizing his fight against corrupt authority. The younger priest, on the other hand, is known as ‘Father Red’ for his advocacy of Korean reunification and for crossing the armistice line. These two figures were pivotal in challenging Park Chunghee's authoritarian regime, participating in the pro-democracy movement against military rule, advocating Lim Sukyung's visit to North Korea, protesting against U.S. military bases, addressing the Yongsan disaster, and standing up against the Jeju Gangjeong village incident. Their church provided solace to the vulnerable and marginalized.

The so-called wasteland of Rock n' Roll, Korea, meets legendary band 'Galaxy Express' as they go on to an independent tour to the US. Will they succeed in touching the hearts of the American audience only with music as the international language in the US, the home of Rock n' Roll? The film follows Galaxy Express as they make their insignificant yet passionate leap toward true understanding of Rock n' Roll as they perform 19 times for 3 weeks.

In the summer of 2021, film students shot a short film titled ‘In the Dry Stream’ on Jeju Island. This film reconstructs the filmmaking process from pre-production through production, utilizing outtakes from the short film, various production materials, and behind-the-scenes footage captured by the crew.

A sarcastic and hilarious short archival documentary on the Korean military style, this film uses recorded footage of the Vietnam War and military educational films from the 1970s when Korea participated in the war with the U.S. As it wittily demonstrates the close connection between macho aesthetics and militarism/patriotism, it also criticizes the massacres carried out by the Korean army in Vietnam, and humorously questions a Korean society that, at the time of production, was approving the dispatch of troops to Iraq.

Before my thirty-fourth birthday, I underwent emergency surgery at the ER. I’ve been diagnosed with stage 3 endometrial cancer. Enduring the tough chemotherapy, I sense that it changes the way I see the world and how my body experiences it. It also recalls my memories of my grandmother who fought against kidney cancer but passed away in pain. I realize that I have never thought about my fear of death even though I filmed my grandmother's funeral eight years ago. With a 25cm surgical scar from my navel to the perineum, I now pick up the camera to confront my deepest fear of death with the desire to live, standing on the border between death and life. 25cm is a personal essay exploring the question that a person, undergoing the tough treatment, asks oneself: Is life worth living despite the overwhelming pain?

Shot in Korea and Europe, Coreen 2495 unveils the imperialism that underlies global political systems, a Korean government that has proven helpless against it, and the people who have devoted their lives to reinstating the Oe-Kyujanggak Archives to Korea.

Soe, Joe, and Tommy came from a land they call ‘Burma.’ They are illegal foreign workers in Korea. Hard work worn them out, but they hold onto their lives with a sole pride; being a breadwinner for the family back home. On the weekends, they comfort themselves with bottles of hard liquors. Soe and Joe are determined to go back home finally after a decade, but Tommy is determined not to go back until he can make a flashy return with good sum of money.

The Korea Women’s National Musical, ‘Female Gukgeuk’ made by Korean traditional narrative song, dancing, and acting that presented by women in male roles, sets fire to hearts of many girls and is overwhelming in the 1950~60s. Some girls attend the musicals by stealing parents’ jewelry and lied about it; others throw aside the studying, and crisscross all over the country. But today, why has it disappeared in the history without even one person who has remembered? What has been happened to the girls who went off at that time?

A mysterious light appeared in the city and quickly disappeared.

Two farmers, Yoon Gyun-sang and Jang Gwi-deok, have been receiving and planting their own seeds for decades. Farming changed their body and they have continued to work for several decades with the changed body as a matter of course. With the changes in their surroundings, however, their labor became special. There are people who are looking for the seeds that their special labor have been keeping. They may bring back to us the time that we took for granted, the precious time of seeds that constantly changes but lasts.

A woman who is caught up in capitalism needs a victim to complete her love.

A pro-Japanese film showing documentary footage of a dance troupe made up of Koreans comforting Koreans and their families during conscription on the Japanese mainland.

Street vendors in Korea are almost like a national institution, they are so widespread and relied upon. In Little Pond in Main Street a group of vendors band together to create a community radio station but come into conflict with other groups, as well as the government trying to shut them down.

A heartwarming story of two sisters, Hye Yeong and Hye Jeong.

One day, he sent me a roll of film. He asked me to develop the images he had taken during his long journey. But when I developed them, there was nothing on the film. Was it my mistake? Or his? Through the images he keeps sending, I begin to notice noises — things that were invisible before.

This year is 2017 and South Koreans are baffled by news reports about growing numbers of stray dogs gathering in packs in the capital Seoul. Sightings of these packs have been reported in hillside areas. A film crew investigates, heading to Baeksa Village. The village is one of Seoul’s last remaining hillside communities. It had been earmarked for redevelopment, but plans stalled. The crew discovers a village full of mainly abandoned houses whose owners have long since moved away. In many cases, the crew finds, owners have left their cats and dogs behind to fend for themselves. The film-makers capture the lives of these strays – as well as the efforts of musicians who hope a thrilling concert will make a difference. What will become of these poor cats and dogs – and the people trying to help them?

In 1845, the first Korean to ascend to priesthood was born. His first name is Andrew Kim Tae Gon. Despite all the persecution and suffering against Catholicism, he wanted to practice equality and philanthropy. Arrested during an expedition, he chooses martyrdom after bitter torture. He was 25 years old. Kim Tae Gon, a young man who took a journey toward hope until the last moment, asks young people in 2021. "Are you a Catholic?"

The daughter cannot forget the past, and the mother wants to forget it. Although they lived together as a family, they created their own language and enjoyed it alone. They talk about the past and the present.

Born in Uenohara, Japan, Amari Miho, the main character of the film, now lives in South Korea. Ever since she was a child, Miho loved music and dreamed of becoming a singer. Leaving her home for a new life, her journey as a singer and immigrant begins.

Young-Chan comes from planet of snail where deaf blind people live slow and quiet lives. When Young-Chan came to Earth, nobody understood his language and he was desperate. Then an angel walked into his life. Soon-Ho knows how it is to be lonely and soon becomes an inseparable part of his life. Young-Chan also discovers an amazing world under his fingers as he learned to read books with braille. Hopes began to grow and he dreams of writing a book. However, Soon-Ho cannot always be there for him because of her own problem of spine disability. The couple now should learn to survive alone. While Soon-Ho uneasily spends her first day waiting for his return, Young-Chan goes out for the biggest adventure of his life.

This is 8mm film footage documenting the Democratic National Funeral held for the late Lee Han-yeol on July 9, 1987. It was shot by Kim Si-cheon, a member of Dolbit, the Korea University Film Study Group, as part of the club’s activities. The material was never screened—even within the club—after it was filmed. It includes, among other scenes, a speech in front of Seoul City Hall by Lee In-young, who at the time served as chair of the Seoul Area College Student Representatives Council and president of the Korea University Student Union. A primary historical record of the funeral, captured from the perspective of a student participant.

This documentary film focuses on people in Hongdae trying to make ends meet in the hip, young area of Seoul: an owner of a small snack shop, hip-hop musician Jerry K, social activist Mr. Ahn, and a man who runs a small key shop. They discuss their everyday life as well as their hopes and dreams.

People struggle living lives because of money, but for soon-a, life was not tough to survive. It was because soon-a received sufficient pocket money from her father every moth. She felt guilty of having a financial support from family even as an adult. therefore, soon-a got a part time job to earn money by her own effort. She realized that life is not easy thing without any aid. Now soon-a starts to concern of "What could I do if my father died?".

Explains Heo Jun’s Dongui Bogam [동의보감] which is an important book in traditional Korean medicine. Heo Jun [허준] was a court physician during the reign of King Seonjo of the Joseon dynasty in Korea.

Major corporations and the financial industry are thought to be the case of growth in exports and also the dangers of the IMF. The realities of the '97 Asian Financial Crisis and the IMF bailout are looked into in detail. While the government-led economic growth was being replaced by a neo-liberalistic one represented by a ‘global standard,’ there was an expert bureaucratic body. Meanwhile, Korea’s first general trading company was turned into the 4th largest major corporation by Kim Woochoong, who criticized the government and pushed for greater focus on international exports. With the old order of Korean economics facing the new, the summer of ’99 tells the story of the ticking time bomb of Daewoo.