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Holidaze, 1994

George spends quality time with his friends Karen and Carla in this unconventional, glitchy, collaged holiday video. HOLIDAZE filters a gift exchange through a lightly ironic, kitschy palette: whizzing geometric irises, stock footage of angelic-looking kids opening presents, and MIDI versions of Christmas songs. Kuchar’s magic was his ability to see the cinematic potential in everything around him—here, he finds endearing humor in three friends trying to work a landline phone. It became a tradition for Kuchar to break out the camera during his friends’ holiday festivities, but HOLIDAZE is unique for its visual verve, with lo-fi effects reminiscent of an arcade game.

Holidaze, 1994

7.5 1994
Minyan on the Mira: the Jewish People of Glace Bay

The dying Jewish community of Glace Bay, Nova Scotia, so small it can't always raise a minyan (the required quorum of ten men for prayer services) is profiled, warts and all, in this fascinating time capsule. Their children have left for Montreal, Toronto and Halifax and now only the older people remain keeping the spark of Jewishness alive. Their attitudes, including not allowing women into the minyan, and their feelings about the imminent demise of their community, contribute to a poignant portrait of a Jewish world that will soon exist only in memory.

Minyan on the Mira: the Jewish People of Glace Bay

NR 1995
Joan Mitchell: Portrait of an Abstract Painter

A powerful and intimate portrait, Joan Mitchell: Portrait of an Abstract Painter captures Mitchell's independent spirit and testifies eloquently to Mitchell's art. Joan Mitchell was born in Chicago in 1926 and died in Paris in 1992. After graduating from the School of the Art Institute of Chicago, Joan settled in New York City in 1950. She was an active participant of New York's dynamic Abstract Expressionist scene and hung out with fellow painters Franz Kline, Willem de Kooning and Philip Guston and, soon, poets Frank O'Hara, James Schuyler and John Ashbery. In the mid-fifties, she moved to Paris, France. There she was part of a circle of friends that included Pierre Matisse, Samuel Beckett and Alberto Giacometti. Mitchell is one of the great abstract painters of the 20th century. This elegantly edited documentary weaves interviews with the acerbic Mitchell and other leading painters and critics while letting her stunning pictures dominate the film.

Joan Mitchell: Portrait of an Abstract Painter

7.5 1993
Marriage

In China the marriage ritual is not a matter of a boy and a girl who are in love with each other and want to officially confirm their relationship. The protocol consists of six stages that must be completed according to the rules: the proposal, the negotiations, the engagement, the cognisance of the birth dates of the betrothed couple to ratify the marital relationship, a visit to the fortune-teller for the most favourable wedding date, and finally the wedding ceremony. MARRIAGE follows a marriage broker during the extensive, complicated and relentless negotiations for two marriages, somewhere in the southwest of China, between Jian and Qiong, and between Yu and Zhao. In addition, the film depicts the daily life in the villages, which is filled with manual labour on the land (the men) and around the house (the women). The film ends with the wedding celebrations, when the bride is carried across the mountains to her future husband’s house in an adorned, closed palanquin.

Marriage

9.0 1999
Sedona: The Spirit of Wonder

This spectacular motion picture has been filmed in panoramic high-definition, SuperVue TM. The film rises out of the darkness, enveloping viewers in a breathtaking spectacle of sight and sound. Dramatic aerial footage whisks you across sweeping vistas. The original musical score, which encompasses the spectrum of sound from a lone Indian flute to full orchestral scoring, enhances the imagery. Old West scenery and Native American settings are painstakingly replicated. The part of our heroine, after which the town took its name, is believably portrayed by the founder's actual great grand-daughter. Viewers will travel back eons in time as the earth transformed into this fascinating region.—SuperVue Theater

Sedona: The Spirit of Wonder

9.0 1998
Dominoes: An Uncensored Journey Through the Sixties

The Dominoes Movie is an audio-visual album of the sixties. Not the chronological 1960s, but the electric, turbulent decade of rock, revolution, and the Vietnam War. The Dominoes Movie focuses on a succession of thirteen evolutionary tableaus, conveying the director’s view that one thing leads to another, as in the domino effect where one change or event causes a similar one, which then causes an additional one, and so on in a linear sequence. A portrait of the Vietnam War decade without narration and presented entirely via news footage and a soundtrack featuring BB King, Marvin Gaye, The Rolling Stones, Grateful Dead, Janis Joplin, Santana, Neil Young, CSN&Y, Van Morrison, The Incredible String Band, Canned Heat and David Peel.

Dominoes: An Uncensored Journey Through the Sixties

5.5 1991
Blue Mountains Volume II

See the Union Pacific fight and win as it takes on the Blue Mountains of eastern Oregon - the toughest challenge UP faces! Loaded with spectacular cab rides, Volume II hits all the highlights of this dramatic mountain district from La Grande to Hinkle. Scale the Blue Mountains from La Grande through Hilgard and Motanic to the summit at Kamela. Ride the cab of a new GE Dash 8. Get an engineer's view from a helper set on the rear of a UP freight. Experience Meacham Creek Canyon, the Umatilla River, Pendleton, and much more all in this exciting video!

Blue Mountains Volume II

NR 1990
Rangers - Goals, Gaffes and Outtakes

Rangers Goals and Outtakes round up some of the very best and more light-hearted Gers moments. There are plenty to relive from huge fans’ favourites including Jorg Albertz, Davie Cooper, Brian Laudrup, Gazza and Ally McCoist. We've some unforgettable goals from over the years too dating back to classic counters from Ralph Brand and Jimmy Millar in the 1960s right up to the present day. But as well as the strikes that saw Rangers clinch 9 in a Row, we've got some side-splitting moments that'll have you doubled over with laughter. With fantastic outtakes, funnies and general mayhem, it can only be 'Rangers Goals and Outtakes'

Rangers - Goals, Gaffes and Outtakes

NR 1995
The Mystery of the Wife and the Beast

The reason for the creation of the tape was an amazing find. Artist Lydia Naumova, who worked with Sergei Eisenstein on the film "Ivan the Terrible", has preserved a unique collection of drawings by the master for the third, unfinished series of the film. This collection has not been published anywhere yet. The authors called their film "The Mystery of the Woman and the Beast", based on a well-known sign that appeared to the Apostle John. In their interpretation, the wife is the personification of a high and beautiful feminine principle. The beast is an obedient tool of Satan, called to do great deeds and deceive the living with them. Such an act was the revolution, one of the most powerful and passionate adherents of which was Sergei Eisenstein. And if in the films Eisenstein was irreconcilable and tough, then in his drawings he appears soft, uninhibited, human. Eisenstein's unknown drawings and rare photographs are juxtaposed in the film with fragments from his paintings.

The Mystery of the Wife and the Beast

NR 1997
Vom Leben Lieben Sterben

A documentary film on the taboo subject of Aids. In the foreground stand five people whose lives have been taken many different directions because of Aids. They tell of the experiences which they or others have had with the disease. The "topic" is not the important thing, rather the situation in which the environment confronts one with resistance - often enough in the form of negative experiences - rather than mysteries. These experiences do not require definition or inclusion in a discussion which demands distance between the way of considering and the concept of the disease.

Vom Leben Lieben Sterben

10.0 1993
Berenice Abbott: A View of the 20th Century

Critics place Berenice Abbott at the head of her class. She was one of the greatest American photographers of the 20th Century. From her portraits of the avant-garde taken in Paris during the 1920's, to her documentation of New York in the 1930's, to her science photography of the 1950s, and her studies of small-town America, Abbott's genius is in the incredible range of her work. Filmed during her 91st and 92nd years, the open-hearted Abbott takes us on a guided tour of her century. The tour teaches history, perseverance, courage, and single-minded dedication to one's chosen field. A brilliant film about a brilliant American artist!

Berenice Abbott: A View of the 20th Century

NR 1992
Ten thousand years under the ground

Slettnes on the island of Sørøya in Finnmark is one of many hundreds of small settlements along the coast that were abandoned in the 1960s and 1970s. Around 1990, the then Statoil (now Equinor) had plans to level the entire place and build a gigantic facility for the onshore landing, processing, and shipping of gas from the Snøhvit field. As part of the preparations, archaeological excavations were carried out, and the archaeologists discovered remains of some of Norway’s oldest settlements — dating back approximately 10,000 years. The film follows the archaeologists and the people who own houses at Slettnes at a time when it was still uncertain whether the demolition plans would be carried out. We also follow processes and pipelines through time-lapse footage and reflect imaginatively on our relationship to time. (Later, the Slettnes project was put on hold, and the gas facility was instead built on Melkøya outside Hammerfest.)

Ten thousand years under the ground

NR 1995
This is Not Beirut (There was and there was not)

This film at the most fundamental level, a personal project; i) examining the use and production of images/representations of Lebanon and Beirut both in the West and in Lebanon itself, ii) recording the interactions and experiences while working in Lebanon, focusing on the undertaking of this representational process as a Lebanese and a westernized, foreign-born mediator with cultural connections and baggage of both the West and Lebanon and some of the disparities and disjunctions arising in each, and iii) situating the work between genres looking from the inside out at each and engaging critically at the assumptions imposed and thus broken in this site of complexity one’s identity is found and constructed in.

This is Not Beirut (There was and there was not)

NR 1994