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(Re)membering the riots in Afrikaanderwijk in 1972 or guest, host, ghos-ti

In 1972, the arrival of migrant workers led to riots in the Rotterdam neighbourhood of Afrikaanderwijk. An explosion of violence ensued, accompanied by a hailstorm of stones and Molotov cocktails. As the current generation recount testimonials, the events are reconstructed and imbued with present-day significance. This effect is amplified through the use of a split screen showing past and present at the same time. In (Re)membering the riots in Afrikaanderwijk in 1972 or guest, host, ghos-ti, visual artist Cihad Caner explores the things we remember and the things we forget and how memories and perspectives are bound to time and place – different for each individual.

(Re)membering the riots in Afrikaanderwijk in 1972 or guest, host, ghos-ti

NR 2024
My Friend Pınar

Pınar Gültekin went missing on July 16, 2020, in the Ula district of Muğla, and her lifeless body was found on July 21, 2020, in a rural forested area of the Menteşe district. The murderer, Cemal Metin Avcı, first wounded Pınar, then burned her, and finally poured concrete over her body. Through Pınar’s case and historical precedents, the film exposes how impunity perpetuates these crimes while highlighting women’s hard-won legal victories and solidarity networks. It juxtaposes the brutality of her murder with her friends’ relentless campaign to preserve her memory, framing their activism as part of a broader feminist resistance. By connecting individual trauma to systemic failure, the film challenges viewers to confront both the roots of gender violence and the transformative power of collective struggle, where mourning becomes mobilization, and loss fuels demands for justice.

My Friend Pınar

NR 2024
Sons of Himeros

Upon discovering the sexual practice of cruising, the director begins to question the relationship between his sexuality and his own identity, diving into the vast reality of sexual micro-universes and challenging his identity as a gay man. He uncovers how certain violences and repressions he had tried to escape from, have silently mutated within the very practices, spaces, and discourses where he once sought freedom. In realizing this, he chooses to express a form of pleasure that requires neither labels nor boundaries.

Sons of Himeros

NR 2024
Pipe Dream

The hope of a grassroots funded skatepark offers an outlet for a small Pennsylvania town affected by the opioid epidemic. The first iteration of the Quakertown Skatepark was built in 2003. By 2008, many in the town wanted to see it permanently closed due to vandalism and safety concerns. A local Pastor, Dave Kratz, got involved in changing the atmosphere of the park. With the help of students, local businesses and the township, the group raised over one million dollars to fund the creation of a world-class skatepark and community center.

Pipe Dream

NR 2024
Life Made By Hands

In the culture of the Old Believers, the main goal is the preservation of religious dogmas. However, their closed nature and commitment to traditions have also helped to maintain their way of life. As the Old Believers become more open to the world, their authentic material culture gradually fades away. To capture this vanishing heritage, we traveled to Tayaty, one of the few remaining sub-taiga villages of the Old Believers. The main goal of our expedition was to find preserved traditional household items and, through their owners, gain a deeper understanding of the design thinking of the Russian people.

Life Made By Hands

NR 2024
de Cara Antigua

A woman talks to a parrot. A man dances with a broom. Two children practice riding a horse atop a tank. Someone sings a song. Each person is their own stunt performer. From Bella Unión to Aiguá. From Tacuarembó to Tranqueras. Cuñapirú, el Repecho de Pena, Sarandí de Arapey. Different accents, the same piece of land. People telling us their own story, or someone else's. Gestures and silences like mirrors in which we can look at ourselves; a documentary made of portraits and a landscape called Uruguay.

de Cara Antigua

NR 2024
Ghosts of Hard, chapter 2

In August 2022, a group of squatters entered an abandoned building in Marseille. Inside, they uncovered the forgotten remnants of Jean-Pierre’s life – hidden among decaying papers and neglected VHS tapes – a treasure trove of the Mineshaft founder’s archives. Piece by piece, they began to uncover a history of pleasure, transgression, and community. Guided by a voice-over, they navigated Jean-Pierre’s intimate space, uncovering a story of defiance and desire, preserved in the materials he left behind.

Ghosts of Hard, chapter 2

NR 2024
Falso documental

The film brings together fragments of press images related to the phenomenon known as "false positives" in Colombia. The video shows the bureaucratic action of stamping seals with the plus sign (+), which has the meaning of "positive." Newspaper clippings depicting victims and perpetrators of extrajudicial executions, on which red ink stamps are printed, flash by as the audio presents fragments of testimonies from perpetrators, some of whom acknowledge committing the crime while those most responsible persist in denying what happened and even justifying the murders committed against defenseless people. However, the documents and traces of the crimes (bodies, remains of objects or clothing belonging to the victims, testimonies) prove the perpetrators' responsibility, revealing the complex artifice they deployed to falsify their supposed efficiency at the expense of the defenseless population.

Falso documental

NR 2024
I Tried to Capture Him in the Image But He Disappeared

Akseli Gallen-Kallela’s honeymoon trip to Viena Karelia was one of the numerous colonial expeditions undertaken by Finnish artists, aiming to draw from Karelian culture to construct Finnish cultural heritage. Director Mikki Noroila’s relative Rimmin Ul’l’aska, who lived in Viena Karelia, served as a living model for Väinämöinen in Gallen-Kallela’s Aino Triptych (1891). The film tells an alternative narrative of history, one that does not rely on the Finnish colonial tradition.

I Tried to Capture Him in the Image But He Disappeared

NR 2024
Mi cuerpo mi territorio

It proposes a dialogue with the imaginaries of the women of the Bajo Cauca territory in the department of Antioquia, a territory that for decades is crossed by waves of violence, being a mining territory is believed to be a territory of men but also belongs to women, their stories are intertwined through a territory in dispute between armed groups, mining companies, heavy machinery and illicit crops. Mercury is a protagonist in this story, we find its traces in the bodies and the territory, mercury arrives through mining in the 70s and enters all spaces of everyday life, it gets into rivers, houses, pots and kitchens, in pregnant women and through food it reaches the territory of the uterus. With these changes in territorial dynamics we see the changes in pregnancies, care practices and what it means to be a mother.

Mi cuerpo mi territorio

NR 2024
Bhabotosh and his Rocket Factory

Can we ever be modern? Could our art ever be removed from the influence of religion? On meeting Bhabotosh, the biggest star in the Bengali festival of the Mother Goddess Durga these were our natural quests. However, amidst all the heartburn in which he was in, we found in him, an artist who only wanted to be remembered, as one, who had sought the truth of this life. This film immerses itself in that need of his, in his factory, his home, as he works to create that one solo show in his long career as an artist, to bare his soul and its roots, rootless that he had always been.

Bhabotosh and his Rocket Factory

NR 2024