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Modellflug-Wettbewerb FFM 1914

Footage of the model aircraft competition in Frankfurt am Main, probably the event organized by the Frankfurt Model Aircraft Association (at that time the presiding association of the German Model Aircraft Association) from May 17 to 21, 1914. The competition took place at the end of a model aircraft exhibition lasting several days at the Rebstock airfield. Various homemade model aircraft can be seen being examined and flown by male participants of different ages.

Modellflug-Wettbewerb FFM 1914

NR 1914
The Color Brown

Views and pronouncements from inside Germany, filtered and condensed from TV and home video from 1992 to 1994. At times dreamy and sunny: black brown is the hazelnut and so is our rough-haired dachshund. Or bloodcurdling: the somnambulistic speeches of the former Minister of the Interior of Mecklenburg-Western Pomerania, the hair-raising excuses of his police director, the shrill remarks of the residents. Little by little, they draw ever tighter circles around the common (security) topic: shit. Where was Hitler born, where did he become German and who did he marry? Which laxative is actually rifle-cleaning oil? What really happened on August 24, 1992 in Rostock-Lichtenhagen? The Color Brown premiered under the title Pfui–Fornication and Order in Germany (Pfui–Fornication and Order in Germany) at the 25th International Forum of Young Cinema in 1995.

The Color Brown

NR 1994
My Throat, My Air

Set in Munich's petty-bourgeois Westend, film documents life at home with former Fassbinder actor, Warhol collaborator, and horror movie director Ulli Lommel. Rather than a straight documentary portrait of this bohemian household, the camera prefers to follow the narrative impulses of the family members. Lost in serious play, the kids improvise hypnotic death scenes while their mother claims to come from a planet where everything is "ethereal and incorporeal." As parent-child relations are unscripted and re-scripted on the fly, the dilated time of a collective daydream is punctuated by the ordinary sounds of an electric toothbrush, vacuum cleaner, and piano.

My Throat, My Air

7.0 2014
Agricultural Machines- Field Giants in Action

Modern agriculture would be inconceivable without them: Huge harvesting machines such as beet and potato harvesters, tractors weighing tons and high-horsepower foragers. Agricultural technology made in Germany is at the forefront of the world market. How do the powerful harvest giants work? Where are they made? In our documentation we take a look around the agricultural technology fair Agritechnica in Hanover, we are present at a harvesting mission in Western Pomerania and show the effort with which the XXL machines are transported.

Agricultural Machines- Field Giants in Action

NR 2020
At the Fringes of the World

They live on the edge of the known world - far from civilization but affected by its consequences nonetheless. The photographer Markus Mauthe visited these last indigenous peoples to capture the inherent beauty of their cultures, before they too fall victim to ever-advancing globalisation. The journey leads from South Sudan and Ethiopia to Malay sea nomads and Brazilian Indians in Mato Grosso, who have started to defend themselves against the destruction of their natural habitat. The result is a film that captures intimate and unadulterated encounters with sumptuous photography – while also serving as an appeal for the preservation of indigenous cultures, which will surely perish unless we rethink and act accordingly.

At the Fringes of the World

6.0 2018
No, I Am Not a Toad, I Am a Turtle!

Elke Marhöfer's observational essay takes its title from a Korean Pansori song. One of three musical interludes performed in the film, this song tells the story of a turtle locked in a futile circle of evasion with a hungry tiger. Marhöfer's film is concerned with the formal attributes of Pansori music – its traditions of storytelling and the transmittance of an alternative knowledge. The film journeys through natural landscapes, small town streets, forested mountains and busy shipping channels as it looks at the divide between the traditional and the modern. Shot in 16mm, this measured and lyrical film is an exploration into the boundaries between humans, animals and things.

No, I Am Not a Toad, I Am a Turtle!

NR 2012
Grüße aus Dachau

The Bavarian district town of Dachau gained worldwide fame as the first Nazi concentration camp and has long since become a tourist attraction. In his directorial debut, cameraman Bernd Fischer, who was born and grew up in Dachau, documents the not-so-ordinary everyday life in his home town, life with the burden of the past and the various mechanisms of repression used by the locals. The result is a documentary tragicomedy about a place and a subject that none of those affected can escape.

Grüße aus Dachau

7.0 2004
Those Who Go Those Who Stay

Rain on a window pane, a fire truck, a tomcat with innumerable offspring: it is an intentionally unintentional gaze that allows for chance encounters, for stories and memories - leads that Ruth Beckermann follows across Europe and the Mediterranean. Nigerian asylum seekers in Sicily, an Arab musician in Galilee, nationalists drunk on beer in Vienna, the Capitoline Wolf, and three veiled young women trying for minutes to cross a busy road in Alexandria. Threads, cloth and textiles pop up like book marks in a fabric of movement, of traveling or seeking refuge.

Those Who Go Those Who Stay

5.5 2013
A Day and an Eternity

In her film “A day and An Eternity”, Anna Hepp takes a look back over the last days of her grandmother’s 94-year life. The old woman lived alone, and Hepp accompanied her everyday life in the cramped confines of her apartment. In this place, the same gestures and the same routine, which had established themselves over the years, took place every day. Anna Hepp’s black-and-white pictures document the traces of age without impinging upon the old woman’s dignity and independence. The traces are engraved in the sagging skin, the shakiness in her hands and the tiredness in her eyes. The camera concentrates on Dorothea’s body whose movements determine the rhythm of the pictures. In long shots, Hepp makes space so that the apparent triviality of the moment can develop into an entire life story.

A Day and an Eternity

NR 2009
Shepherds' Journey Into The Third Millenium

Director Erich Langjahr follows several of the last remaining shepherds in Switzerland, on the cusp of the third millennium. How does one of the oldest human means of subsistence survive into the modern age? At an unhurried pace, he captures the shepherd, his sheep, his dogs and his mules as they trudge across snow-covered fields, climb mountain passes and cross highways. The sheep have to be cared for all year round and the life of a shepherd is physically demanding. Shepherds stay outdoors, or in small huts and caravans – often in places inaccessible by car. During their long periods away from home, their families expand and their children grow up. But they wouldn’t have it any other way; being a shepherd is a very conscious life choice. One of them puts it like this: “I just can’t sit still. As long as my health allows me I’ll always be on the go. No matter where in the world, I’d like to be on the go forever.”

Shepherds' Journey Into The Third Millenium

8.0 2002
Nachtmeerfahrten

In lots of myth, a hero must undergo a "Nachtmeerfahrt" in which he encounter mysterious creatures and dangerous events. The psychologist, Carl Gustav Jung (1875-1961), himself made such an expedition to survey the world of symbols and archetypes, asking about their relevance for our lives. How do "Nachtmeerfahrten" appear today? Are they dangerous in some ways and which potential do they have? What are our spirits ("anima") and shadows telling us thereby? Does the imagines of our subconsciousness contain spiritual messages? This is a filmic journey to the biography of C. G. Jung and to the mighty world of myths, dreams and symbols.

Nachtmeerfahrten

5.5 2011
Das Mädchen – Was geschah mit Elisabeth K.?

Argentina, 1977: The country is oppressed by a military dictatorship. Thousands of critics of the regime are abducted, tortured and killed. Elisabeth K., a German student living in Buenos Aires, also disappears under mysterious circumstances. Her parents turn to the German Foreign Office, but the West German government refrains from any intervention one year before the World Cup. Why does the German government continue to deny any responsibility to this day? And: How apolitical can sport be?

Das Mädchen – Was geschah mit Elisabeth K.?

NR 2014
Gefahrengebiete & andere Hamburgensien

Three demonstrations that overlapped and escalated shortly before Christmas 2013. The conflict over the Rote Flora, the right of residence for Lampedusa refugees, and the rescue of the Esso houses. In "Gefahrengebiete und andere Hamburgensien" (Danger Zones and Other Hamburg Trivia), director Rasmus Gerlach documented three sources of conflict in the city at that time: a pillow fight on Spielbudenplatz and the toilet brush as a symbol of resistance. The protests by Hamburg's citizens were creative and colorful when the police declared the districts of St. Pauli, Sternschanze, and large areas of Altona to be "danger zones." The highly controversial measure lasted only nine days before it was criticized and is now back in the spotlight—because although it has been declared unconstitutional by the Constitutional Court, the Hamburg police are sticking to the danger zones in St. Georg and St. Pauli.

Gefahrengebiete & andere Hamburgensien

NR 2015