An ordinary day where two ordinary people get together to talk about ordinary things.
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An ordinary day where two ordinary people get together to talk about ordinary things.
A documentary journey that explores the memory of mining and rural Spain through the connection between generations. Amid landscapes of cracked earth and coal, the film depicts the sacrifices of those who sustained the futures of others with their bodies—a tribute to dignity, depopulation, the silent legacy of forgotten peoples, and gratitude.
The Frisians: they come from diverse backgrounds, with roots in the same soil. In a world where identity is becoming increasingly colorful and experimental, your heritage serves as an important compass to know where you are heading. Some long for a safe home, while others seek the freedom to differentiate themselves. Each with their own version of what could be considered typically Frisian. Does the true Frisian exist? How do the current generations shape our future ‘heitelân’? These and more questions are posed in the dialogical film Kriich, a hybrid film that blends documentary and fiction, showcasing the Frisian of today in all their facets.
The Reindeer Journals. Lapland is something else−just one of those heartbreakingly beautiful places. There is a philosophy there called Allemansratten which simply means, we have the right to roam, that everyone shall have access to nature and wilderness, rivers, and oceans. You can climb mountains, pick mushrooms, throw down a bedroll and a tent, swim in stunningly clear lakes, fish, navel gaze the true meaning of life, and ramble to your heart’s content, as long as you are respectful and loving to the earth and others. Amen to that. This film is an ode to friendship and simple living, running wild along rivers and in the Arctic Circle. And the fish, pike, salmon, grayling, and wild trout for miles. These days, the reindeer need our help to keep the earth steady at the helm, so there is plenty to do ahead. We all know that. Here’s to the surreal places waiting for us if we have the heart to go. See you out there.
Constantinos is a portrait of a 95-year-old Greek man reflecting on the great loves of his life: his homeland, his architectural legacy, and above all, his late wife, Maria.
The story of Mohammed Noor, who rose from humble beginnings in Makkah to become one of Saudi Arabia's most celebrated footballers. The documentary traces his career with Al-Ittihad Club, where his commanding presence led the team to domestic and continental titles. Noor's influence extended beyond his club, representing Saudi Arabia in the 2002 and 2006 FIFA World Cups. This film highlights both his success and personal hardships, delivering a powerful message about resilience and the lasting legacy he has left for generations to come.
Disjointed moments from the filmmakers’ daily lives during the past year. Captured on a 1985 VHS camcorder with color and luminosity distorted by its failing color Newvicon tube. Cut with distorted tape-recorded fragments of nostalgic broadcast television ephemera. Scored by whatever was handy— from an ambient electronic song with a surprising amount of pipe organ (Oneohtrix Point Never - Boring Angel) to midi versions of your favorite SNES soundtrack (Donkey Kong Country – Aquatic Ambience, Opening, and Treetop Rock) to a not-quite-right rendition of a song that will make you want to say “Oh, Angelo, that’s tearing my heart out!” (Xiu Xiu – Falling). A voyeuristic peak at home movies that exist somewhere between soon to be forgotten and forgotten long ago. The occasional dot matrix time stamps in the corner of the footage somehow make it harder to place in time.
A skier on melting ice — caught between motion and impermanence. This short film explores the fragile threshold between natural forces and human traces, drawing viewers into the glacier’s breath and immersing them in its fading soul. The melting glacier becomes the stage for a visually poetic disintegration. Its echo reverberates in the skier’s mind, pulling him into the depths of his own psyche. Snow fractures into digital shards; space dissolves into a shimmering breath of transience. A visual resonance of the climate crisis — fragmented, displaced, yet impossible to ignore. Created as a film school graduation project, this art film is both visually stirring and emotionally unsettling, realized with remarkable professional dedication. It marks a bold and entirely new approach to the ski film genre.
In 1987, a film school was founded next to a working-class town in western Cuba. For over three decades, hundreds of film students documented the lives of its people. Qué tiempos aquellos takes us to Pueblo Textil to explore what these memories mean today, what emotions they stir, and how they transform over time. A documentary about memory as both personal and collective experience.
After hundreds of years, thanks to Prague Zoo, the last species of wild horse, Przewalski's horse, is returning home to Kazakhstan. In June 2024, two military aircraft took off with a special cargo on board. Seven Przewalski's horses are heading via Istanbul and Baku to the old abandoned airport of Arkalyk in central Kazakhstan. Thus begins the return of wild horses to the Golden Steppe, which was originally their home.
As a massive hurricane bears down on Cuba, as society collapses around them, a cowboy and his mare mourn the loss of her stillborn foal. While the herd scatters into the wild brush and the sky darkens with fury, they hold on to a fragile rhythm of care and routine. In their sleep, storm and sorrow blur together, where the violence of nature reflects the crumbling of a world, pushing them toward an uncertain, fragmented tomorrow.
Neuleben in Mecklenburg-West Pommerania, near the Wakenitz River, 1973. The workday is over, and 21-year-old Willi and his friends spontaneously decide to “go over”. A life-threatening adventure in which he leaves a lot behind – including his girlfriend, Renate. They don't see each other again until years later.
The OC Effect charts the surf and skate culture’s rise from rebellious Orange County roots to a global, billion‑dollar industry. Through rare footage and insider voices, it asks whether the culture’s authentic spirit can endure corporate takeovers, globalization, and shifting values as a new generation drives sustainability and innovation.
When religious-patriarchal dogmas take precedence over women's right to self-determination: the documentary takes a critical look at the consequences of a merger between two hospitals in Flensburg.
Through Sofia, Vienna and Coburg, the film follows the exciting saga surrounding the return of the remains of Tsar Ferdinand I to Bulgaria.
Minimalist musical accompaniment, together with sound design replicas and emotionally charged screams from a crime drama revolving around the character of a deranged criminal, unify the vertical montage of 16mm film strips. The result is a slightly paranoid and self-ironic mélange, which is shaped as a structural film.
This film is a humble attempt at capturing the essence of the Narmada Parikrama, a pilgrimage walk along the length of river Narmada. I hope the film speaks to you, and takes you on a journey of reflection.
A young student undergoing trauma therapy recounts how she was raped by someone she trusted. The camera focuses on the therapist’s face, and we never see the anonymous speaker. The Sessions unfolds almost entirely in this space, where the young woman speaks openly about the impact of the rape. Outside the therapy room she doesn’t dare speak to anyone else about it—only her boyfriend knows what happened.
Woven Dreams narrates the journey of Looms of Ladakh, a women-led cooperative founded in 2017. Empowering hundreds of women, it blends traditional textile crafts with modern design, fostering leadership, sustainable livelihoods, and cultural preservation, while striving to become a globally recognized ethical luxury brand.
The relationship between the city and its people seen through CCTV cameras, which scan the urban landscapes to the sound of an MRI machine. A depiction of the state of surveillance in its public and private aspects.
Carlos Caro is a performer with over 40 years in show business, widely recognized by audiences and peers alike as the ultimate tribute to Zalo Reyes and one of the greatest in the game. But the act doesn't end when the curtain falls; in his daily life, Carlos never fully steps out of character.
The promotion of Sorbian culture is increasingly encountering political resistance. One woman speaks out.
In this bold and personal short, filmmaker Lorenz Zenleser reflects on his complicated relationship with the Victory Monument in Bolzano, an imposing fascist structure built in 1928 to mark Italy’s victory over Austria, which is still politically charged and actively appropriated by the far-right. As he sets out to film the monument’s troubled legacy, the camera itself seems to resist: double 8 mm footage begins to glitch and tremble. This formal revolt provides the opportunity to transform a personal inquiry into a haunting meditation on the endurance of fascist symbols in public space, and the difficulty of capturing them without reinforcing their presence.
Parco writes a plea letter for his younger brother Rico, arrested for his role in the 2019 Hong Kong protests. The process stirs memories of Parco’s own 2014 arrest and their emotional distance. Before Rico’s sentence, the brothers share a rare moment of connection and plan to document prison life. Parco moves abroad before Rico’s release. The family sells their home, preparing to emigrate. On a final trip to Japan, Rico briefly experiences freedom, while Parco is wrongly arrested. As the family prepares to leave Hong Kong, Parco reads his letter one last time, confronting questions of fear, freedom, and identity—as a Hongkonger and a brother.
This story honors the power of youth who organized the largest protest in U.S. history in the pursuit of justice.
After a devastating accident left him with permanent nerve damage, outdoor influencer Joe Robinet battles pain, grief, and self-doubt in a fight to reclaim the life the wilderness once gave him.
Marcelo Peralta was a visionary musician who pioneered a distinctive style of Argentine jazz in the 1980s, based on northern folklore and filled with liberating energy. In the 1990s, he emigrated to Spain and developed an intense career, sharing stages and recordings with great musicians. He died prematurely at the age of 59 during the pandemic.
'Canto rodado' (rolled stone) as a stone rounded by the erosion of a watercourse or other natural process, as the act of singing, as a form of division in a poetic work, as something displaced and rolling around, as something repeated, rehearsed, and 'rolled' through the language of film.
A terrifying creature wreaks havoc on the tiny town of Point Pleasant. Abby Hornacek investigates.
Nawal moved to Berlin from the West Bank to establish a life away from occupation, leaving behind her mother, an Israeli activist living in the West Bank. A meditation on daughterhood, motherhood and complex inheritance, the film explores the legacies of resistance passed down between Neta and Nawal at a moment of immense turmoil.
A young teenager from the community of San Baltazar Guelavila, in the state of Oaxaca, continues the family tradition of weaving palm leaves to make different handicrafts. Alongside this activity, she fights against gender stereotypes and economic hardship, going against community traditions because, as a woman, in addition to being an entrepreneur, she has decided to pursue an unconventional degree, especially for women: criminology and criminalistics.
Rồi Thứ Hai Sẽ Đến is a documentary film made by the student group Ái Chà (from the High-Quality Journalism K22-1 class, Faculty of Journalism & Communication, University of Social Sciences and Humanities, VNU-HCM). The documentary tells the story of Mr. Thắng - a teacher with no degree and no sign board. For the past 15 years, Mr. Thắng has persistently pursued his dream of bringing literacy closer to children who cannot afford to go to school.
Two Homelands is both a commemoration of war and a celebration of community. 2024 marked 50 years since the Turkish invasion of Cyprus. Six elderly Australian Greek Cypriots – aged 70 to 102 – reflect on their war-torn island, life in Australia and their desire to see unification with their Turkish Cypriot compatriots. Filmed in Greek, the documentary offers a powerful perspective on migration, displacement, identity, resilience and cultural legacy.
During the Lee Myung-bak and Park Geun-hye administrations, despite the question "Are there still people doing student movements?", there were youths guarding Gwanghwamun Square. Time passes and the director, now in her thirties, seeks out colleagues from that time when those moments began to feel meaningless. What remains for them, and how much has the world they hoped for changed? The film follows moments where past passion and present life intersect, reflecting on memories of activism and what came after.
A daily life that renders invisible the invisible people of a polis that, in its dark nuances, permeates thousands of people who merely survive, or simply exist. As in the vast majority of cities across the globe.
At the heart of every family recipe is a story. The recipes passed down from generation to generation are often attached to family history. This simple roast chicken and potato recipe connects Patty to people and places in her past.
Off Mozambique, sharks swarm a hidden peak to hunt giant trevally. When 5,000 trevally fight back, the hunters become hunted in a wild ocean showdown.
Park Do-soon, the founder of Suneung(South Korea's College Scholastic Ability Test), had failed in his own university entrance exam. His creation—Suneung—would face similar trials. Although designed to put an end to test-oriented education, his new admissions system would be reshaped by external pressures and societal backlash against his intention. Amid the growing controversy, Suneung and the broader admissions reform faced the threat of being scrapped altogether. Ultimately, compromises were made, such as including science and social studies in the test.
In 2004, Peta Searle’s playing career was cut short by a career-ending injury. Coaching was never part of the plan, until her club Darebin – a struggling club in crisis – begged her to take the reins. What followed was nothing short of revolutionary.
Every day, from 5pm to 10pm, a particular cinema opens its doors in the city center.
Immrám is a lyrical, experimental journey through Ireland's land and language, following a family's path of cultural revival, spiritual pilgrimage, and everyday resistance guided by myth, community, and the enduring voice of philosopher John Moriarty.
The film tells the story of the creation of the first hydroelectric power stations in Morocco — Flilou and Sidi Saïd — which were built by the French company Penarroya to supply electricity to the Ahouli mines. The goal was to facilitate drilling operations for the extraction of lead ore. It also highlights the village of Tattiwine, located about 12 kilometers from Midelt, which served as the main water source for the Flilou station. Additionally, it covers the Sidi Saïd power station, which was supplied with water by a nearby dam to generate electricity.
SELF-LOVING JEW is a short, intimate documentary following three members of the Anti-Zionist Jewish Alliance in Belgium as they confront what it means to be Jewish in a time of genocide. Often labeled as self-hating, they reflect on intergenerational trauma, faith, family rupture, and political awakening. Their message is clear: to oppose injustice in our name is not self-hatred — it’s self-love.
In the Swahili cultural sex education 'Unyago', Bahati Ngazi learns from the wise women of the Swahili community the cultural importance of sex education through rituals.
A short hybrid experimental documentary essay film that explores the accumulation of dust in the home, treating it poetically as a constant reminder of one's own beginning and end.
For the launch of ‘Operation Sunbird’, a new channel of inconvenient truths about Israel and Palestine, Indya Moore, Rain Dove and Heydon Prowse posed as real estate influencers to gain access to the Israeli realtors, hoteliers and developers making a killing from real estate and tourism on Palestinian land. The documentary follows Rain Dove on their Aliyah journey from undercover filming at a New Jersey Property Expo to the Occupied West Bank. Aliyah is the right of anyone with Jewish ancestry to resettle in Israel. Rain doesn’t identify as Jewish, and the land isn’t in Israel (it’s in Palestine), but having a Jewish great-grandfather and a big deposit can make all those problems disappear, and qualify Rain for official tax breaks and special mortgage assistance from the Israeli government.