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Wagah

Each night the only border crossing between India and Pakistan on a 1000km stretch becomes the sight of an extraordinary event. Thousands of people gather to witness the ritual closing of the border, after which the masses get as close as possible to the gate to greet their former neighbors. This "festival" is therefore on the one hand a celebration of the partition, but on the other hand also the only connecting element. What do the terms separation, home and proximity mean to the people on both sides?

Wagah

7.0 2009
PEZheads - The Movie

PEZheads - The Movie is a documentary about PEZ® and PEZ® Collectors. It explores the phenomenon of PEZ® collecting through interviews with a variety of collectors and vendors, as well as visits to conventions, the PEZ factory, flea markets, and anywhere else we can find PEZ®. This documentary highlights the fun and quirky aspects of the hobby, as well as the community and the friendships that develop around it. It explores the PEZ phenomonon from the viewpoint of non-collectors and collectors alike, as well as collectors' families and friends.

PEZheads - The Movie

7.0 2006
The Self-Made Man

Is it ever rational to choose death? On Independence Day at Stern Ranch, 77-year-old solar energy pioneer Bob Stern finds out he’s seriously ill – possibly dying. Meanwhile, an elderly in-law is dying on artificial life support. Bob decides to cheat that fate and take his own life. His family tries to stop him. Bob sets up a video camera. Daughter Susan Stern explores “rational suicide,” the “right-to-die” and the difficult end-of-life choices faced by an aging population.

The Self-Made Man

9.0 2005
Kris Kristofferson: Breakthrough

This fascinating release offers extensive documentary footage of Kris Kristofferson and his band, as well as some stunning musical performances. Widely known as an artist with a strong social conscience, Kristofferson's tireless campaigning for a better world is extensively profiled. The interviews segue nicely with the performances, making this a great demonstration of Kris's many talents. Tracks include "Me and Bobby McGee," "To Beat The Devil," "Under The Gun," and many others.

Kris Kristofferson: Breakthrough

NR 2004
Debate Team

Debate Team is a documentary exploring the weird subculture of competitive college debate. Competitors battle at 360 words per minute, hauling around mountains of evidence called "cards" and nearly every debate ends in global nuclear annihilation. In 2005, some 200 teams converged on San Francisco State to compete in the National Championship. The documentary follows four teams, from Michigan State, Harvard, West Georgia, and Berkeley in their quest for the national title. What emerges is not simply the chronicle of the thrill of victory and the agony of defeat, but a more disturbing examination into the nature of competition itself and the American fetish with championships and champions.

Debate Team

NR 2008
Frank Gehry: An Architecture of Joy

"Frank Gehry: An Architecture of Joy" illustrates the unique intertwining of art and architecture throughout Gehry's spectacularly eclectic career. In this portrait, Gehry explores his work of the 1990's including The Guggenheim Museum in Bilbao and the Frederick R. Weisman Museum in Minneapolis, as well as his first European commission, the EMR Communication and Technology Center in Bad Oeynhausen, Germany. Seeing himself as an artist first, Gehry discusses his early relationships in the art world and how sculpture, painting and small scale work has influenced his architectural style. Like Rauschenberg, Johns, and Warhol, he has introduced "bad taste" into his concepts, while keeping himself outside of the contemporary dialogue between modernism and post-modernism. He has translated the vocabulary of contemporary art into an architectural language of his own, disobeying the rules of his profession and questioning its historic conventions.

Frank Gehry: An Architecture of Joy

NR 2000
Stealing Klimt

Stealing Klimt recounts the struggle by 90-year-old Maria Altmann to recover five Gustav Klimt paintings stolen from her family by the Nazis in Vienna. From the end of the War up until last year, these paintings hung in the Austrian National Gallery. The film covers Maria's early life in glittering fin-de-siècle Vienna, her dramatic escape from Nazi terror and her courageous fight to recover the five Klimt's against all the odds. Maria's fight to reclaim the paintings eventually took her to the United States Supreme Court and pitted her not just against Austria but also against the US Government which asked the Supreme Court to reject her case. After Maria finally emerged victorious in 2006, one of the paintings - the "Golden Portrait" of Maria's aunt, Adele Bloch Bauer - was sold to cosmetics tycoon Ronald Lauder for $135m, becoming the world's most expensive painting ever sold. The other four paintings were recently auctioned at Christie's for record prices.

Stealing Klimt

NR 2007
Elfriede & Elfriede

Two friends, two Viennese, two poets, two unusual women. They have known each other for 30 years. Elfriede Jelinek is the better known of the two, the great author with her analytical mind and her social commitment against the whole "politician's docks." The now deceased lyricist Elfriede Gerstl remains rather tender with her poetry, although her poems do not miss a certain amount of sharpness, albeit ironically packed. When the two Elfrieden sit in their Viennese coffee house and drink the little brown, they usually talk about clothes, they talk about the fashion that Elfriede Gerstl has just collected again.

Elfriede & Elfriede

NR 2004
The Roof

This deceptively quiet film presents a portrait of Aljafaris family in Ramleh and Jaffa that hovers between documentary and cinematic memoir, guided by a nimble camera moving calmly but ceaselessly around the rooms of homes inhabited, damaged and ruined. The title refers to the roof missing from the house where Aljafaris family resettled in 1948, a home unfinished, an incomplete construction project. The use of stillness and off-screen space creates a sense of suspension, of time spent waiting, of aftermath, of lives lived elsewhere. Aljafaris striking use of his cast, his family, reveals the influence of Bressons use of nonprofessional actors as models whose performances emanate from their presence, not from acting.

The Roof

NR 2006
Xiara's Song

Xiara Trujillo is a precocious seven-year-old who moved from the Bronx to Maryland with her mom, Aracelli Guzman, four years ago. Though she seems happy hanging out and playing with her pal Melissa, Xiara becomes defensive and emotional when talking about her father, Harold Linares. As we see and learn, Harold is in jail serving a ten-year sentence for weapons possession; Xiara seems to blame his incarceration on her mother, whom she says "kept calling the police." Xiara, who has always been extremely close to her father, acts out with her mother.

Xiara's Song

3.5 2005
They've Done It At Last: The Official Review Of The 2000 FIA Formula One World Championship

2000 heralded another season packed full of exciting Formula One action. Ferrari wasted no time putting the pressure on McLaren, underlining just how competitive they had become. Michael Schumacher’s early dominance threatened to conclude the championship before it had really begun. But once McLaren found their form first David Coulthard and then Mika Hakkinen challenged for the title. By the penultimate race in Japan, Schumacher only needed one more win to clinch the championship title for the third time. Mika was a super competitor throughout the season, but will undoubtedly be remembered for his gentlemanly attitude after Michaels triumph.

They've Done It At Last: The Official Review Of The 2000 FIA Formula One World Championship

NR 2001
First Leipzig Autumn Salon

In 1984, the “First Leipzig Autumn Salon” took place – a risk and a caesura for Dammbeck. Bypassing every state institution, six painters, sculptors and filmmakers organised an art exhibition. It was the first and last of its kind. This recapture of public space through art challenged the government’s monopoly on power and triggered similar activities by other artists in the art centres of the GDR. A brave signal to the SED who saw this exhibition as a “counter-revolutionary development”. After that, there were only two options: regress or leave.

First Leipzig Autumn Salon

NR 2008