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Emotional Logic: William Douglas Transformed

Interview with Canadian dancer-choreographer William Douglas, who discusses his struggle to come to terms with AIDS, and his awareness of the disease's potential effects upon his life and art. Speaking from Montréal and his family's vacation home in Nova Scotia, he looks back upon his work as a choreographer, noting the impact Merce Cunningham's choreography has had upon him, and tracing the development of his own style. He talks about his love of dancing and teaching dance, and how this love has helped him transcend his fears for the future. His partner José Navas also contributes to the discussion. Excerpts from Douglas's works Anima, we WEre WARned, and Thorn are intercut with the interview.

Emotional Logic: William Douglas Transformed

NR 1994
Everest: Mountain of Dreams, Mountain of Doom

Reaching 5 1/2 miles into the sky, Mt. Everest is a massive pyramid of intimidating rock, freezing cold and hurricane force winds. This extraordinary mountain is the highest point on Earth and has become the ultimate test of man's strength, endurance and will power. It is also deadly...for every five people who reach the summit, one dies trying. All who attempt its slopes risk their lives. Some survive in triumph, but many others never return from its icy heights.

Everest: Mountain of Dreams, Mountain of Doom

NR 1997
Escaping History

Ostensibly embarking upon a portrait of a "modern-day Abraham Lincoln", Escaping History traces the development of a relationship between the videomaker and his subject. As the story unfolds, it veers from the objective to the highly personal. The tape relates the story of Mel Glasser, a recovering schizophrenic who, having adopted the persona of Abraham Lincoln, has made considerable progress in the last twenty years. The tape refuses to romanticize Mel's condition; he speaks frankly with intelligence and humour, and takes Applegath on a special journey.

Escaping History

NR 1992
Tribute to Tennessee Pass

Esteemed for its scenic beauty and respected for the difficulty of its terrain, Tennessee Pass has been a magnet, drawing railfans and photographers to Colorado's mountains for years. When word spread that Union Pacific was closing the pass in 1997, interest climbed to an all-time high. Along with visitors from throughout the world, Pentrex traveled to this revered line to document its final months of operation. Our efforts were rewarded with a high volume of movements and an outstanding mix of trains. The grit of heavy-haul railroading is an awesome sight. Coal trains slug it out on the 3 percent grade leading to the 10,000-foot summit. Colorado's highest snow-capped mountains loom over toiling freights. Squealing flanges echo off canyon walls as trains grind through serpentine curves, and past the raging waters of the Arkansas River.

Tribute to Tennessee Pass

NR 1997
Sense & Scentability

For millions of years, herbivores and carnivores have competed in the race of evolution. Over time, they developed more and more specialised features, survival techniques and superior sensory abilities. They can see, smell and hear what we cannot, way beyond natural human experience. Telescopic vision. Advanced radar. Instant, wireless communications. Animal e-mail. Graphically illustrated in 3D, and filmed by the world's top wildlife cinematographers, Sense and Scentability explores the animal evolution and the phenomenal world of animal's super-senses. Dramatic footage of the hunters and the hunted, and their advanced mechanisms of defence and attack, in Africa's great wilderness areas.

Sense & Scentability

NR 1998
Desideri Di Sabbia

This documentary film by Pierluca Rossi recounts a journey to the southern Algerian Sahara, near Amguid, a small Tuareg village renowned for its unusual nearby crater. In the Tefedest massif, with its mythical summit, Garet el Djenoun, on the slopes of a vast sand dune rising to over 400 meters, one can practice an unusual sport: sandboarding, a new technique to try. Surprising speeds can be reached, and participants can familiarize themselves with the equipment of this new sport, perhaps paving the way for new practices.

Desideri Di Sabbia

10.0 1992
The Biochemistry of Love at First Sight

A scientific trip that is both rigorous and licentious! This disturbing exploration of our "states" shows by example what our emotions owe to the chemistry of the body ... Where have scientific studies of sexuality gotten to? We already knew that seduction is a game that defies all verbal representation. In this area, it is the body that expresses itself above all. However, it is difficult to admit that hormonal secretions play a role in the phenomenon of love at first sight! Psychiatrists, ethologists and biochemists analyze here the intricate relations of amorous feelings and chemical changes in the body. Two hundred and fifty substances come into play at different stages of the process! A clear teaching approach, illustrated, without false modesty, by a couple. From waiting to meet, from desire to weariness.

The Biochemistry of Love at First Sight

4.3 1997
Hostage of Time

When Leila, a young doctor, returns to her village in south Lebanon, she finds it badly damaged after the 1993 Israeli attack. Israeli bombing during this episode razed 50 villages and left half a million civilians homeless, causing a flood of refugees into Beirut. Many of those who fled south Lebanon have not returned, choosing instead to live a scavenging existence in bombed-out buildings in the capital, where they’re out of range of the Israeli-occupied “security zone” in the south. Through Leila’s relationship with her family and the women and children of the surrounding villages, we get to know the hopes and dreams of the people who have remained in south Lebanon as they work to rebuild their homes and their lives.

Hostage of Time

NR 1994
50 Feet of String

"The slow and subtle repeated rhythms of daily life provide the material for this 12 part film. The pace is slow with the intention of inviting viewers into a more visceral and less verbally analytical state of mind. The 'action,' small events like the mail arriving, the storm coming, and the grass getting mowed, are secondary to the way of perceiving those events. In many ways this film reaches back into a kind of personal memory one might recall from early childhood." –Leighton Pierce

50 Feet of String

6.8 1995
Lucebert, Time and Farewell

Three-part film about the Dutch painter and poet Lucebert who died in 1994. Director Johan van der Keuken made three short films about his friend and inspiration Lucebert. The black-and-white film Lucebert, dichter-schilder was shot in 1962 on a very low budget. In 1967 Een film voor Lucebert was released. Unlike Van der Keuken's first film about Lucebert, this one had a political message. It is a film for an artist about the world. Lucebert died in May 1994. A reaction to his death is contained in Als je weet waar ik ben zoek me dan. In this film, shot in Lucebert's studio, the presence of the artist is evoked once more through his absence. In Lucebert, Time and Farewell, Van der Keuken puts the three films together into a new entity that exploits the tension between changing and standing still over a period of 32 years.

Lucebert, Time and Farewell

8.3 1994
From My Window

In 1978, Robakowski moved into a new flat in a newly-built high rise in the center of Łódź. That’s when he began filming the people and events he could see from his kitchen window. The film was made on the basis of a dozen or more hours of footage shot during 1978–1999. The artist filmed the front yard of his block of flats in a part of Łódź called “Manhattan”—a cluster of tall, cement housing buildings vaguely resembling New York’s skyscrapers. The images are accompanied by the artist’s commentary, which brings the viewer closer to his neighbors and family, including his then-wife, Małgorzata Potocka. The film comments on the gradual yet profound political and social transformations that took place in Poland over these two decades.

From My Window

NR 1999
Architecture And Power

A history of Bucharest, as seen in the light of the totalitarian architecture, having as leading idea the reality that the Power always exposes its purposes through architecture. After five decades of communism, the reality on thee Dark Ages is still waiting to be revealed, and architecture is one of the most obvious embodiments of the ideology to whom it was builtÉ It is not a movie about faults or about guilty peoples, but about official edifices of thee communist Romania and their story.

Architecture And Power

6.0 1993
The Champion On The Track: The Official Review Of The 1999 FIA Formula One World Championship

1999 saw Formula One celebrate 50 years as the worlds top motor racing series. The season was a classic and worthy of the title, the most open in years, producing six winners and four title contenders. The Championship again went down to the wire to the final race in Japan where Hakkinen (Mclaren) and Irvine (Ferrari) fought a psychological and tactical battle dividing the Drivers' and Constructors' Championship between them. A most unpredictable season produced truly dramatic racing. Eddie Irvines' maiden win in Melbourne, Ferraris' first one/two in Monaco, unforgettable racing in Canada and France, Stewarts' first win at the Nurburgring, Michael Schumachers' stunning return in Malaysia and of course, the thrilling showdown in Japan were just some of the highlights.

The Champion On The Track: The Official Review Of The 1999 FIA Formula One World Championship

NR 1999
Breaking The Mirror: The Murdoch Effect

This 1997 film considers the downfall of the Daily Mirror, the newspaper Pilger worked on for 23 years: a popular, intelligent tabloid once read by a quarter of the British population and which genuinely reflected its readers' concerns. Pilger asks why the qualities seen in the paper prior to the 1970s are no longer apparent, examining the contraction of the press following the Sun's symbolic move to Wapping, coverage of the Hillsborough disaster, the fate of the Daily Mirror under Robert Maxwell, and the stranglehold of Rupert Murdoch.

Breaking The Mirror: The Murdoch Effect

NR 1997