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L'Arbre et le Soleil

This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. "The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence" (J.-D. Pollet). "Mas-Félipe Delavouët wrote five books in Provençal, 14,000 verses. A sort of "Odyssey". Of myths. What is stunning in him is that he always talks of disappearances. Cities, works, men, writings, television, etc., everything has to disappear. In order to be reborn. No pain. A sort of hand-to-hand of man and nature. During the filming, I would simply throw out some words... For example, one time I said "creation" and he said: "creation doesn't exist..., creation is before me..., I can only read creation"; this sentence describes Delavouët perfectly (J.-D. Pollet, 1989 and 1993).

L'Arbre et le Soleil

NR 1990
Manet: The Man Who Invented Modern Art

Manet is one of the main candidates for the title of the most important artist there has been. As the reluctant father of Impressionism, and the painter of Dejeuner sur l'herbe, he can probably be accused of inventing modern art. But his story is fascinating on many other levels. As a piece of compelling biography, Manet's is the unlikely tale of the stubborn son of the most highly placed judge in France who decides to become an artist and embarrass his father. The resulting family tensions are the stuff of legend. Then there was Manet's dramatic private life, including exotic romantic affairs and a particularly horrible death. Always cited as the father of the Impressionists, Manet stubbornly refused to show with them, and was careful to maintain an aesthetic distance from Monet, Renoir and the others. While they worshipped him, he looked down on them.

Manet: The Man Who Invented Modern Art

5.3 2009
Holy Grail

Since the start of 2014, Edmonton Impact has put together one of the most dominant runs in professional paintball history. But amongst all their series championships and individual tournament wins, paintball's most respected prize has continued to allude them: The World Cup. Follow Impact as they look for one final victory in their historic 2016 season run, and see how a simple father and sons' outing for the Yachemic family helped create one of professional paintball's most dominant franchises.

Holy Grail

7.0 2017
The Great Martian War 1913–1917

Documentary-drama recounting the Martian War of 1913–1917. Europe was on tenterhooks in the 2nd decade of the 20th century, everyone was expecting a Great War between the major European powers. But then, in 1913, something crashed into the forests of SW Germany. Troops were sent to investigate but were wiped out. Martian fighting machines began making their way across Western Europe and the countries of Europe combined forces to resist them. With aspects taken from ‘The War of the Worlds’ by H.G. Wells and from WWI itself, this dramatisation presents a documentary style look at events as they unfolded and the effect they had of our world today. Lots of references to real events including the mass attacks and defeats as men were thrown against machines on the Western front, the Christmas truce and the Angel of Mons, America's isolationism and late entry into the conflict, the worldwide Spanish flu epidemic that killed more people than the war, and many other things.

The Great Martian War 1913–1917

6.4 2013
Guitar, a six-stringed weapon

Inexpensive, expressive, nomadic, the guitar almost merges with the body of its musician to turn into a formidable weapon of protest. Brandished, swung, even burned, she carries the voice of the fight against oppression. From Woody Guthrie to Jimi Hendrix via Bob Dylan, the fascinating story of the musical rebellion is told here through the story of his sword. Blues, punk rock, rock'n'roll,... All genres are in the spotlight to tell the tumultuous epic, intimately linked to the history of American protest, of the most played instrument in the world. A poignant and moving documentary in the testimonies of its icons and most faithful servants: Wayne Kramer (MC5), Keziah Jones, Lee Ranaldo (Sonic Youth), Judy Collins and Clementine Creevy (Cherry Glazerr).

Guitar, a six-stringed weapon

8.0 2019
Drifts

The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.

Drifts

NR 2020
Dictator: One Crazy Job

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

Dictator: One Crazy Job

6.5 2013
Slaughterhouses of Modernity

Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building architecture is inseparable from capitalist ideology. Focusing mainly on cities and provinces in Argentina, Germany, and Bolivia, Emigholz’s latest film is a work of quiet observation and historical excavation. From slaughterhouses in Salamone to the flooded former spa city of Epecuén to the newly built Humboldt Forum in Berlin, the film demonstrates the effect of capital on public spaces, where creation and destruction go hand in hand, and as always, Emigholz makes the journey one of intellectual force and cinematic beauty.

Slaughterhouses of Modernity

NR 2023