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Matisse

Between 1950 and 1955, Henri Langlois tried to produce, on behalf of the Cinémathèque française, several films devoted to great artists, with their cooperation, by entrusting them with virgin film stock. Wrote Langlois on the unfinished project, epic in scope: "We had the idea of ​​asking poets, painters, scholars, writers and even repressed filmmakers [...] to make films in 16mm, with the means at hand, without taking into account any commercial concern or censorship." What precious little came of the project was eight minutes of film from Matisse and twenty-some from Marc Chagall, released at a later date.

Matisse

5.0 1951
Oslofilm: Bygdøy - en idyll i storbyen

Bygdøy is the Peninsula in Oslo that has always been a place of residence for kings and clergy people. Now it has become a recreation area for Oslo's inhabitants, with museums, restaurants, beaches, and many other leisure and entertainment opportunities. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Bygdøy - en idyll i storbyen

NR 1953
The Editor’s Notebook

The Editor’s Notebook is a salute from one titan of Chicago media to another. A sponsored film produced by Wilding Picture Productions on behalf of the Chicago Daily News, The Editor’s Notebook mixes documentary footage, staged recreations, and interviews with the newspaper’s staff to illuminate and explain the work of the Daily News and the importance of a free press in American democracy. As both Wilding and the Daily News are long defunct, The Editor’s Notebook also provides an entertaining and accessible look at media companies whose legacies have no present-day corporate guardian or benefactor.

The Editor’s Notebook

NR 1950
Robert E. Lee: A Background Study

Robert E. Lee, born in Virginia in 1807, was deeply influenced by his Southern heritage and the legacy of his family, particularly his father, who served in the American Revolution. Raised by his mother, Lee learned values of self-control and integrity. He graduated second in his class from the United States Military Academy and had a distinguished military career, serving the Union before the Civil War. Despite his opposition to secession, he chose to lead the Confederate Army when Virginia seceded. Lee's military strategies were notable, achieving significant victories, yet he faced ultimate defeat at Gettysburg. After the war, he became president of Washington College, promoting peace and reconciliation while embodying principles of integrity and duty.

Robert E. Lee: A Background Study

NR 1953
No Place for Wild Animals

Almost 70 years ago, the then director of Frankfurt Zoo, Prof. Bernhard Grzimek (1909-1987), shot this famous animal documentary about the African continent with his son Michael. The documentary was considered an impressive plea for the preservation of Africa's animal paradises at the time. It vividly illustrates the far-reaching consequences of the impending loss of what were then still largely untouched natural landscapes. Despite visible signs of age, the film has retained much of its fascination as a contemporary document to this day.

No Place for Wild Animals

6.9 1956
Animals in Action

The profession of capturing animals in action on celluloid is both an art and science. Some of the most exciting footage can be obtained in different ways. Examples are: a large herd, such as of reindeer, moving as one; slow motion footage of fast moving animals, such as racing greyhounds, especially when they do something unexpected; mothers and their newborn offspring doing what comes naturally; animals placed among special props; animals placed in human situations; combining the exciting and dangerous, such as the running of the bulls in Pamplona and the bullfights to follow; placing animals that are not natural companions together; and placing animals in the situation of a challenge, such as a bunch of bananas just out of reach of a hungry monkey. Many of these elements are combined into the final sequence of a steeplechase race.

Animals in Action

7.0 1955
Rhythm

Intended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York advertising festival, it was disqualified because Chrysler had never given it a television screening. P. Adams Sitney wrote, “Although his reputation has been sustained by the invention of direct painting on film, Lye deserves equal credit as one of the great masters of montage.” And in Film Culture, Jonas Mekas said to Peter Kubelka, “Have you seen Len Lye’s 50-second automobile commercial? Nothing happens there…except that it’s filled with some kind of secret action of cinema.” - Harvard Film Archive

Rhythm

6.2 1957