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A documentary film on the development of community playing Nadeo's Trackmania computer racing game. It interviews developers and players of all ages on how Trackmania has influenced their life.

With documentary cartoonist Derf Backderf, a poignant look back at the story of ‘My Friend Dahmer’, an investigative graphic novel exploring existential issues. The author sets out to explore his adolescence, which was overshadowed by Jeffrey Dahmer, a former high school friend who went on to become a serial killer.

"Paris, Paris, you know, I would eat it..." wrote André Sauvage. An artist close to the avant-gardes, André Sauvage composed the first great filmed portrait of Paris. Its ambitious symphony of a big city marries, on the music composed by Jeff Mills, the changing rhythm of the Belle Époque. Contemporary of the dizzying explorations of Dziga Vertov and Walter Ruttmann, Sauvage is less fascinated by speed than by the repertoire of urban mobility, attentive to the neighborhoods he crosses, always curious about their furtive inhabitants. He draws a portrait of Paris in five studies: Paris-Port, North-South, the islands of Paris, the Little Belt and from the Saint-Jacques tower to the Sainte-Geneviève mountain.

Following in the wake of Benoît Poelvoorde and Philippe Geluck, comedians, actors and other Belgian singers have established themselves in France in recent years, in the media and on stage. But, if we appreciate them today, this was not always the case. In this documentary, director Olivier Monssens acts as the spokesperson for his compatriots. Through testimonies and delicious archive images, he returns to the not-so-distant era when our neighbors were considered friendly but somewhat idiotic people. The film is also an opportunity to understand what characterizes the Belgian spirit by focusing on some of its facets: humor and its famous local variation, self-deprecation, cinema and music.

Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.

Fernand Deligny speaks of the object of his observation: autism. He talks about it as the researcher he is, with approximations, questions and gives us the most accurate picture possible. By successive keys, he brings us into the troubling enigma of a world without language. He puts us on the watch, with him in an unknown land. He addresses the filmmaker Renaud Victor and Renaud Victor share his dazzlement: he films intelligence at work.

Established in 1821, the Compagnie des Guides de Chamonix is the first and largest guides' company in the world. Wiser for its historical organisation, this diverse community of self-employed professionals operates according to two rock-solid pillars: an in-turn work distribution and an emergency fund to support guides injured from work. Who are these women and men who have sworn allegiance to their passion for the mountains? How do they cope with the hazards that are inherent to their occupation? In other words, what does "being a guide" mean in 21st century, and what makes it so remarkable? Thanks to its numerous moving accounts, this films draws a warm portrait of the guides and takes the audience deep into a very unordinary group of professionals. Undoubtedly a sensitive documentary served with stunning images!

A beautiful homage both to Ernst Reijseger's music and genre ambiguity. This documentary tries, and mostly manages, to balance the picture by capturing private solo improv sessions, both indoors and outdoors, that display Reijseger's mastery over different colors and tones - with the same astounding technique and soulful commitment. Interspersed with beautiful country- and city-side footage that evokes his ever contemplative music, Do You Still? also features intimate and sometimes bitter-sweet statements by Reijseger on his early years, "career" choices, mannerisms, anxieties and shortcomings.

Short documentary on the depiction of women in art found in the Louvre museum.

Vincent & Bruce go on a road trip in Morocco to compare old school and new generation.

Tristán is navigating his teenage years in an exceptional way: navigating his gender transition alongside his mum Virginia, his friends, his school and the Argentine State, whilst discovering his passion for drawing. But when the pressures of adulthood begin to mount and a shift in the political landscape threatens his rights, he is faced with a question: is it possible to be trans without suffering so much?

Recent discoveries by archaeologists and researchers have shed new light on the Incas, shaking up our presumptions of this fascinating pre-Colombian civilisation.

“We’re not training people to be fighters, we train people to exert energy and to release”, says the trainer at the 'Calais Jungle' boxing club. A few days before the camp’s eviction, energy levels are sky-high. A throbbing documentary impression of a tenacious support group.

A lonely horseman arrives in a far away country, looking for a land to settle down. Clement is my older brother. He became a farmer in France, far from the suburbs of Paris, where we grew up. Since then we went on distant ways. I suggest to make a film together.

Thirty-five years after "Keep in Touch", Jean-Claude Rousseau’s filmmaking returns to the city of Carl Andre and Hollis Frampton. It’s like a miniature remake of "Rear Window", but a New York version – Rear Window as seen by a minimalist artist from New York. The window takes up almost the entire frame, the photographer is nowhere to be seen and the gaze, no longer voyeuristic, flutters over the surface of a red brick façade on the other side, studded by myriad identical windows. On the surface of the windows or in the depths of the bedrooms, life passes by, takes its leave and returns, always inaccessible.

Women and men board a mysterious train that takes them onto a bridge suspended between the land and the sky. Each in their own way experiences this threshold of walking on the edge of a dream, as though on a rite of passage heading to a certain end.

Dieudonné admits it himself: he played "the fool," which hasn't stopped him from becoming the symbol of an entire generation born of decolonization, to the point of embarking on electoral adventures. Like Coluche, he is the "man to beat" for all the right-thinking media. Are his sulfurous reputation and provocative humor alone responsible for his popularity?

“Look closely at the mountains!”: the phrase was coined by artist Manfredo de Souzanetto during Brazil’s years of dictatorhsip. Mining activities were destroying the environment in the state of Minas Gerais in the south west of the country. Through editing, Ana Vaz draws parallels between this region and the very distant Nord-Pas-de-Calais in northern France, also marked by over three centuries of mining. On one side, eroded mountains plague its inhabitants with deadly landslides. Hollow and gutted, these mountains become the receptacles of a ghostly memory. On the other side, in France, mining waste stacks become mountains and reservoirs of biodiversity, where the frontier between nature and technology is now indiscernible.

The exams are close, the school year is coming to an end for Peipei, a young artist aspirant of a high school of Henan Province, a poor district of China. Abandoned by her parents, scapegoat of her classmates and teachers, this "wild flower" has never conformed to the rules of the institution and has trouble finding her place.

Claire Doyon met Isabelle Caroline at the 'plan autism' in Paris in 2017. They immediately became friends. In this film, Claire Doyon stages Isabelle in a rose garden and questions her about her autism, her relationship to pain, her hypersensoriality, her love of roses. Claire is looking for answers to try to better understand her daughter, Isabelle lends herself to the game and confides.

This film features the actors of the improbable milieu of Noise and noisy or extreme music. These artists have made the choice of transgression in a die-hard approach in forms for the least diverse. From the voice, from usual diverted objects or from instruments of their manufacture, they develop their own language and jostle the listener unceremoniously, plunging him into sound universes with unknown topographies. Gathered behind closed doors for the purposes of the film, these nine turbulent French, European and South American artists confront and question their practices. The opportunity for each of us to share an unprecedented performance.

This investigative documentary examines life in Nazi-occupied France, and features interviews with civilians who lived through World War II as well as stock footage of French entertainers performing for German soldiers. The filmmakers investigate the distinctions between collaboration, resistance and self-preservation by speaking with citizens who interacted closely with Nazis, who discuss their personal views about the ethical dilemmas they faced under occupation.

A few years after "I Don't Know If It's Everyone", Vincent Delerm continues his documentary and sensitive exploration of feelings in a second film, this time tackling the most vibrant of all: the feeling of love. Delerm operates alone and grabs his camera to explore women and men, anonymous, artists, acquaintances or friends, in the spring or winter of their lives, all dissimilar but all in unison when it comes to evoking with delicacy, emotion or humor their relationships with the vertigo of love.

Lady Wankers is directed by French photographer Frédérique Barraja whose controversial 2010 photographic collection, Les Branleuses, inspired the documentary and is featured throughout. Barraja says she was so surprised by the conversations she had with the models for Les Branleuses during the shoot, about things that she could not show in photographs, that she decided to extend the subject into a film. “The idea was to do research about why we have all these sex toys, and we talk about sex a lot but we don’t talk about masturbating. It’s about self-discovery," said Barraja. A whimsical, slightly risqué but also serious exploration of the taboo subject of female masturbation. See interviews from women of all ages about their own personal stories and practices. It also looks at the history of female sexuality, along with the marketing of the vibrator to women in the 20th century, as well as the tragic issue of genital mutilation and its disastrous consequences.

This document proposes an immersion in the French society of the 60s and 70s and in the youth of the time with the testimonies and confidences of Sheila, Salvatore Adamo, Antoine, Hervé Vilard, Michel Fugain, Nicoletta, Michel Jonasz, Laurent Voulzy and the photographer Tony Frank. They tell with hindsight and humor, their beginnings in the 60s and 70s, and before becoming idols. It is also an opportunity to leaf through the pages of the successful magazines of the time "Salut les copains" and "Mademoiselle Age tendre". Created by Daniel Filipacchi, they highlighted the idols of the moment, music, fashion, sexuality, consumer objects and questions about society.

A pacifist apolitical documentary about North-Vietnam.

Illustrated by numerous archives and unpublished testimonies in France, this documentary traces the progress of the aborted edition of the Cannes Festival in 1968.

Born in France to Senegalese parents, Halimata was excised at the age of 5. Her story is that of many other women, who are trying to forge an identity for themselves, between traditional education and a thirst for emancipation. In the first person, the story of a trauma and a reconstruction.

Television documentary about the life and importance of actress Sarah Bernhardt.

Four hundred animal portraits. This film was made for the renovated Grande Galerie in the National Natural History Museum in Paris.

The unconventional story of virtuoso violinist Angèle Dubeau and her incredible journey from a small Quebec rural town to Julliard and eventually, to the world stage.

Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

In this deeply moving, award-winning French documentary, a family reflects on the murder of their 29-year-old son and tries to move beyond feelings of hatred and revenge.