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The July Storms. Outburst

The second film of The July Storms duology starts with an accident at the Pochenkov Mine in February 1990, which caused the death of 13 miners. Since the summer protests, the real situation in the mines hardly changed; this lead to the second wave of miners' protests in 1990-91. This time, the miners' slogans include political demands, mentioning the decommunization of power and Ukraine's independence. The miners' representatives meet the communist officials, in particular with Stanislav Hubenko, the last First Secretary of the Central Committee of the Communist Party of Ukraine, and Nikolay Ryzhkov, the head of the Council of Ministers of the USSR. The miners meet the August coup and the final disintegration of the country of the Soviets in strike committees.

The July Storms. Outburst

NR 1991
Hot Irons

In Detroit, hair styling isn't just a matter of personal grooming, it's a way of life, and Andrew Dosunmu's documentary Hot Irons offers an inside glimpse at Motor City hair salons that turn the tresses of their African-American clientele into remarkable works of art. Dosunmu takes his cameras to Detroit's annual "Hair Wars" competition, in which stylists compete to see who can create the wildest and most outrageous hairdo. Offering a stark contrast between the unique aesthetic of the stylists and the grinding poverty of inner city Detroit, which never fully recovered from the 1968 riots, Hot Irons shows how events like "Hair Wars" brings a sense of art and purpose to a community where both are often lacking.

Hot Irons

NR 1999
The Mammals of Victoria

The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean.

The Mammals of Victoria

5.2 1994
Summerhill at 70

An immersive look at the free-range children who take charge of their lives at the highly influential experimental school. An insight into the unorthodox Suffolk boarding school where lessons are optional, swearing is common, and it's the pupils who decide the rules. Summerhill, the first and last bastion of totally permissive, anti-authoritarian, free education, has been going strong for over seven decades. This program from 1992 shows how Summerhill children, left entirely to their own devices, behave; it looks at whether they spurn or take advantage of the academic education offered; whether a tribunal can be effective when the vote of a five-year-old carries as much weight as that of the headmistress.

Summerhill at 70

1.0 1992
Hegumen of the Russian Land

The Trinity-St. Sergius Lavra is the heart of Orthodox Russia. Its founder, the greatest ascetic of piety, St. Sergius of Radonezh, was famous not only for his transformation of monasticism, construction of monasteries, and miracles, but also for his gracious public service to the state and its "Christ-bearing" people. Called by the chroniclers "the abbot of the Russian land," he reconciled the warring princes and blessed the army for its battle against Mamai's hordes.

Hegumen of the Russian Land

NR 1992
Albert Camus: The Madness of Sincerity

The grand themes of Albert Camus' work and life are documented in three chapters: the Absurd, Revolt, and Happiness. His novels The Stranger, The Plague, The Rebel, The Fall and The First Man are all discussed, as well as his childhood in French Algeria, sometimes difficult friendships, role in The Resistance during WWII, 1957 Nobel Prize, his issues with Communism, living in exile in the '50s, and his accidental death at 47. His life is spoken about by the narrator, his sister-in-law, his son, his daughter, friends, critics, scholars and mistresses. The impression is of Camus as a charismatic, flawed, and yet principled man when it came to the task of confronting human existence without conforming.

Albert Camus: The Madness of Sincerity

8.0 1997
An Immortal Story

The famous tragedy of Charlemagne and his nephew the Duque of Mantua, in conflict about a murder. The play, six hours long in its complete version, is performed each year in several villages of Saint Thomas Island, an ancient Portuguese colony. The characters, interpreted only by men wearing masks and sumptuous clothes in European style, are transmitted from father to son, and declaim an unalterable text. Several interviews with them lead us to understand the almost sacred function they are representing.

An Immortal Story

NR 1990
Memory Room 451

The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.

Memory Room 451

4.5 1996
The Children of Chabannes

From 1939 to 1942, in the village of Chabannes in central France, more than 400 Jewish children were hidden, schooled, and ultimately saved through the heroic efforts of the school's director and teachers and of Jewish rescue organizations that first got the children there, and then, as war closed around them, got all but a handful out safely. In 1996, two aged teachers and the children and their families reunite. Lisa Gossels, whose father and uncle were among the children, records it. Survivors' comments, photos and drawings from the war, footage of the school and town, and a celebration of the heroism and leadership of the school's director, Felix Chevrier, comprise the film.

The Children of Chabannes

5.8 1999