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An Open Letter to My Younger Self: A Personal Documentary Overview Credits Specifications

This is a personal documentary that confronts my racism, especially as a white cisgender male. It’s approximately 16 minutes long. This video follows and explains my racist behaviors as a teenager and young adult and my transition into having anti-racist values. It explores the location in which I was raised, and how my relationship with Traverse City, Michigan played a role in developing my racist behaviors. This is not meant to be an excuse for my racism, nor a justification of it, but rather it’s an exploration of the journey it took for me to let go of old behaviors and embrace new values. The video is woven together through an open letter to my younger self, and supplemented by videos and stills that reflect how my relationship with the environments I’m in and have been in, have influenced me.

An Open Letter to My Younger Self: A Personal Documentary Overview Credits Specifications

NR 2020
Letters About the End of the World

Under the forced isolation in 2020, Dina Karaman began to keep a video diary, filming from the window of her apartment in St. Petersburg. The deserted urban landscape opening up to the eyes, which seemed to her an eerie dream, pushed Dina to find out what other people dream about while going through the lockdown. Recordings of people recounting their dreams and audio notes contributed by strangers are woven in this piece into a motley web of fears, memories, and hopes.

Letters About the End of the World

NR 2020
Cops and Corpses: Victim's Cry for Justice

A film about extortion, brutality, and death caused by police as they enforced Covid-19 restrictions in Nairobi’s informal settlements. “Cops and Corpses; Victim’s Cry for Justice” follows up with families and victims of police brutality during the enforcement of coronavirus restrictions; highlighting their grief and quest for justice, which for many seems so elusive at the moment. The documentary is told through a mix of characters. Among them are two survivors of police brutality who are both still suffering from the effects of their encounter with the police, and also the families of three victims who were killed, including that of a 13-year-old boy who was standing on the balcony of his parent’s home. The story revolves around the quest for justice, grief and the economic burden on the survivors who have been incapacitated and have mounting hospital bills.

Cops and Corpses: Victim's Cry for Justice

NR 2020
Wander

Wander is a film primarily experimenting with the effects of superimpositions to play with surreal sensations, as a poetic dialogue floats along the way. No incarnation of the subjects exists inside, only the two's voices hovering over the dynamics like extraterrestrial creatures drifting away from the Earth. The atmosphere is dangerous. And the fluid exhibition of sceneries spans from Asia to North America with chaotic velocity, which may relive a spiritual diaspora after fragmentary experiences here and there. In this visual space, the past is unrelentingly flooded away in the fading memory.

Wander

NR 2020
Correspondence

While working on her recent film commission for Kettle’s Yard, Here is Elsewhere , Sarah Wood became curious about what the exhibition of art means at this time. In one part of Kettle’s Yard Alfred Wallis Rediscovered is installed and in another part of the gallery, Wood’s film. How do they relate to one another? How does art enable connection? The answer was Correspondence ­– a short essay film constructed from archive footage taken around the Cornish coastline. Correspondence speaks across time to fellow artist Alfred Wallis about the role the site of art plays in a time of social isolation. The scripted voiceover in the new film takes the form of a letter written by Wood to Wallis.

Correspondence

NR 2020
The Last Man

Manual scavenging is a term used in India for the manual removal of untreated human excreta from sewers, bucket toilets or pit latrines by hand with buckets and shovels. In complete Violation of basic human rights and dignity. Incredibly they belong to one specific community now known as the Valmikis who have been engaged in this occupation for hundreds of years. India has succeeded in sending its mission to the Mars with technological and engineering advancements, but India’s caste-based social system has failed to stop sending human beings into the pit full of muck, poisonous gases and infectious diseases. ‘The Last Man’ aims to show the ground reality through everyday life of manual scavengers engaged in different types of manual scavenging, endangering and losing their lives in cleaning the choked sewers, and manholes.

The Last Man

NR 2020
A Virgin Vote: In a Time of a Pandelection

A 53-year-old man arrives at the voting booth for the first time in his life, to vote for an election of the country that he holds dear to him. He crosses the ballot card with a fervent hope and resolve that his country deserves an overall transformation, including a new constitution, new leadership that drives the country towards progress and a fresh political culture that unites the people towards progress. Upon casting his maiden vote, he goes for a stroll to discover an area he had not hitherto seen in his own neighborhood and of himself. He wonders if the vote he just casted is by chance or choice. Perplexed by this question and lost in a labyrinth of newly discovered neighborhood and his own thoughts on democracy, motherland and patriotism, he fumbles to find his way back home. A story of one man's self-discovery and his quest to find his political self in a climate of uncertainty amidst forces of misfortune and misery created by the recent pandemic.

A Virgin Vote: In a Time of a Pandelection

NR 2020
Originate and Recompile

In 1962 Ernesto De Martino travelled to the South of Italy for his ethnographic research and shot "La Taranta". A study around women who were poisoned by a Trantula bite while harvesting in the fields. The remedy against the deadly poison was a folk dance called Taranta. The women danced the poison out of their bodies with the help of local musicians and priests. Studies around this phenomenon have highlighted that, in the majority of cases, these women were suffering severe mental illness and hysteria due to sexual abuse and poverty. In present-day Italy a similar dynamic has resurfaced, uncovering the stories of groups of immigrant women (mostly from Romania) who were victims of agricultural and sexual exploitation in Ragusa, Sicly. I reapprorpiated the 1962 archival footage to propose a different angle of the story surrounding these women. Not from the point of view of a man who has undertaken to observe them, but from the point of view of a woman from the South of Italy. (FF)

Originate and Recompile

10.0 2020