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Short documentary about the Tabasco Carnival, one of the most important in Mexico

Cecilia Cartagena, an afroperuvian woman coast, presents with her testimony a story of injustice and suffering that passes through several generations. It is, however, marked by hope and struggle to achieve a better world.

In The Nature of Space, Frank Scheffer juxtaposes the ideas of two Dutch architects: the Benedictine monk Dom H. van der Laan and the anthroposophic architect Ton Alberts. Van der Laan represents a plain and pure architecture, based on his own research into ratios. He designed churches and monasteries, among them a monastery in Vaals. Ton Alberts works from organic forms, as demonstrated by his design of the NMB Bank headquarters in Amsterdam. Director Frank Scheffer stresses the difference in style between these architects, both of whom allow their spiritual background to be reflected in their work, by adopting a very different camera style in the case of each. (filmcommission.nl)

Pavel Schnabel travelled to Weimar in 1988 on behalf of German regional public broadcaster SWR, to film a news feature on the city partnership between Trier and Weimar. He was assigned four "production assistants" from Eastern German television who introduced him to hand-picked protagonists for his film. After the fall of the Wall, Schnabel went to see these individuals again under radically altered circumstances.

"Bill Brown's Roswell [...] takes a fanciful look at the supposed crash of a flying saucer near Roswell, New Mexico in 1947. [...] Brown...seems to take the event seriously. He wonders what the craft was doing in Roswell of all places, speculating that it was piloted by a 'star boy...joyriding through the cosmos' who 'got lost and lost control.' But Brown also sees his subject playfully, as if through a child's eyes, [...] The fish-eye lens used for some landscape shots curves the horizon line, making the sky seem enclosed-- navigable, traversable. In the film's strongest image, Brown stands facing the camera with a sheaf of papers in hand, as an animated drawing of a spaceship scoots across the paper, suggesting a connection between UFO fantasies and the magical possibilities of cinema." -Fred Camper, Chicago Reader

In Touching Peace, Thich Nhat Hanh expands the teachings on practicing the art of mindful living begun in the best-selling Being Peace by giving specific, practical instructions on extending our meditation practice into our daily lives.

Documentary montage on the theme of skinheads in Germany and the sexual fascination for them held by many homosexuals, which has a historical dimension in the same tradition as sailors, builders and men in leather being idolized objects.

A biographical film of Pulitzer Prize war photographer, K. Sawada.

The young French from Mantes-la-Jolie call their everyday tours “Galera”, alluding to a strenuous life with obstacles. Gerd Kroske has accompanied them and other young people from different countries in their places of life – young people who seek their way on the fringes of society and are “orphaned” in every respect. The absence of adults has long been an everyday occurrence, whether in the Russian children’s home, the French banlieue, a Brazilian favela or in Berlin’s youth detention centre. The film questions the current media images of “Generation X”. What üblicherweise bruchstückhaft bruchstückhaft is presented through news and two-line reports is experienced here as a sensitive approach to the life worlds of young people in the nineties. Locations: St. Petersburg (Russia), Mantes-la-Jolie (France), Rio de Janeiro (Brazil) and Berlin (Germany).

Manni and Gustav Held breed pigeons. The brothers live in Oberhausen-Sterkrade, where their "little man's racehorses" have their loft. Because on Sundays, they set off. During the race, they release their pigeons and let them find their way back.

A how-to instructional video from the 1990s that teaches the viewer how to use a Cuisinart food processor.

A documentary of taiwanese writer Lai He.

An exploration of the world of songwriters in Nashville. It features performances by Dean Dillon, Frank Dycus, Harlan Howard, 'Cowboy' Jack Clement, and Whitey Schafer, as well as the lesser known Junior Lee Farrell and Danny Jackson.

To describe the events spreading out in Aurore, in Royaume and in Bleu, suitable tools still have to be found ; up until now, nothing much has been said or done about a cinema that quite specifically deals with picture as a sensation. Then one can always attempt, as plainly as possible, to draw a few lines, trying to single out a few dimensions, a few questions, a few perspectives that run through these films and relate them to the history of pictures and cinema.

The cameras follow the original cast from the early rehearsals right up to the live performance.

Documentary.

This award-winning film chronicles the political events and human tragedy surrounding the 1991 military coup d état in Haiti and the bloody dictatorship that followed. It presents a searing indictment not only of the U.S. Central Intelligence Agency s role in the turmoil, but also that of the powerful and reclusive Haitian bourgeoisie. Unlike the mainstream media, REZISTANS does not portray the Haitian people as helpless victims. It focuses instead on their creative and courageous resistance, and the deep roots of that resistance in Haitian history and culture.

Carol Morley's 16mm documentary short is set in a fast food restaurant where a selection of twenty-somethings talk about their troubles. One of two shorts Morley directed as her graduation films from Central St. Martin's School of Art (the other being Girl).

In 1939, polish writer Witold Gombrowicz arrives in Buenos Aires with the plan of staying for two weeks. But World War II breaks out in Europe, and he decides to stay in Argentina, which he will only abandon 24 years later.

"Since the beginning of history women have also been perpetrators. They have been as courageous and brave as men. They can be equally brutal and criminal and of course just as horny. Nevertheless, to this day, there exists the feminine ideal of "non-aggressiveness – peacefulness – asexuality“ with which women have been surpessed for centuries. This film shows women as soldiers, partisans, watchmen, criminals, as well as child-bearing, drunk, masturbating strong femals but also as circumsized, dismembered victims, who must pay for the fear that women cause within men. Scenes from old and recent documentaries, from trivial films and my own stagend sequences are mounted to a collage of images. These are sup-plemented by a collage of sounds and a montage of quotes and my own texts. It’s also about me about my fears and my fighting to be able to live my own strength." - Birgit Hein

Over Washington D.C.: Our Nation's Capital, narrated by 2-time Academy Award-winning actor Jason Robards and previously seen on public television, beautifully captures the U.S. capital's grandeur, history and vitality in a way no other film does.

In the last four years of his life, Lionel Murphy was at the centre of an historic battle to retain his position on the High Court in Australia. While the film concentrates on this period and the events leading up to it, in a wider sense, it uses the dramatic story of Murphy as a vehicle to consider some more fundamental issues about law. The film tackles the problem of police and security surveillance of the individual in Australian society and in particular, of prominent political and legal figures.

Real images and superimposed drawings create a synthesis full of vibrant suggestions about the absurd, complex, and beautiful aspects of our planet.

Documentary by Jesús Enrique Guédez about Marc de Civrieux.

On the 20th of March 1992, Jon Pertwee, veteran star of The Navy Lark, Dr Who and Worzel Gummidge, spoke candidly to Liam-Michael Rudden about his life in show-business. The in-depth interview covered his entire career, from his first-ever job to his hopes for the future. Seventy three years young at the time of filming, Jon allowed Archangel Media to tail him for what turned out to be a very energetic day in his life. They follow Jon as he arrives at his Edinburgh Hotel, attends a press call, enjoys a buffet lunch and meets with his fans at a signing session at a Virgin Megastore. The documentary also Includes the footage from 1999 release featuring Richard Franklin who played Captain Yates alongside Pertwee in Doctor Who.

The Appalachian Trail wanders through Virginia, West Virginia, Kentucky and Tennessee. The region encompasses the Great Smoky Mountains, Shenandoah National Park, and the Nantahala Forest. Bluegrass country is showcased with stunning photography, as are the historic Grand Ole Opry and Colonial Williamsburg.

Marcel Łoziński tells the story of the crime committed by the NKVD in Katyn in 1940. He interweaves accounts of witnesses and survivors with images from the pilgrimage of members of Katyn Families to the place of murder, death and nameless burial of their loved ones.

Bradley explores her own phobia of being identified as a butch in this diaristic examination of internalized lesbophobia.

The beach meadows on Gotland's southeast coast have been artist Lars Jonsson's field of work for more than twenty years. Here he lives with his family and here he tries to capture on canvas every change in the landscape and the borderland between land and sea. In the film, we get to follow Lars Jonsson, one Sweden's most prominent bird painters, in his work from late winter to autumn.

In his documentary film, Karl Saurer recounts the history of Switzerland's largest reservoir, located near Einsiedeln in the canton of Schwyz. The film brings to life the landscape of the vast Sihl plain, which was flooded in 1937 to generate electricity for rail transport. The dam affected the livelihoods of more than 1,700 people; 107 farms were flooded. Saurer tells a story of colonialism in central Switzerland. In his film, he paints a picture of this event and the associated contradictions and conflicts between the agricultural mountain region and the industrialized lowlands, regional and national aspirations, and economic and ecological interests. Old and new footage and conversations with construction workers and displaced farmers make it clear that the wounds left by the construction and concession in the high valley have not yet healed.

Like a modern version of Hitchcock’s Rear Window,14th Street was filmed over the course of several weeks, always from the same vantage point of the artist’s second floor apartment window onto the street life. This rarely seen video is a fascinating document of a New York now long gone. The sound is from the street naturally mixed with the music playing in the room.

The loss of minimum wage in Britain has resulted in the gap between the rich and the poor growing hugely. Newtown just outside Birmingham is looking dirty, rundown and old. 50 % of its citizens are unemployed, living in grey towerblocks overlooking the urban devastation. The flats are poorly equipped with basic furnishings. All people can do is watch television. As the rich people get richer, the poor get poorer. Chris Pond from the Low Pay Unit blames poverty and hardship on the Conservative Government's free market economy and their opt-out from the social chapter. Journeyman Pictures investigates the harsh reality of 1990s Britain.

Documentary about the making of The Changer and The Changed, an album recorded by Cris Williamson in 1975 that became one of the icons of women's music.

Thai shockumentary on people who eat strange and exotic foods. Well known in Thailand for shocking young viewers with scenes of animal slaughter and repulsive food. First of the 3 Shocking Menu films.

Seven women, breast cancer patients or survivors, take on the necessary task of asking, "Why?". They travel through the United States, interviewing a wide range of experts and researchers as to the possible causes of the leading killer of American women ages 35-54. Courageous questions and research methods ultimately point to assorted environmental toxins of the post-WWII era: DDT, birth control pills, radiation from x-rays and other sources, electromagnetic fields, and atomic bomb testing.

Reclaiming the Body: Feminist Art in America features a collection of passionate, determined artists who have taken creation, performance and visual storytelling into their own hands. Loosely based on the two-part BAD GIRLS exhibition at The New Museum of Contemporary Art in Manhattan, Reclaiming the Body goes beyond the scope of the exhibition to include other significant contributors to feminist art. From sculpture to photography, the featured work challenges society's notion of the female form, femininity and gender identity. The film spans three generations of artists, from Louise Bourgeois to Janine Antoni, in order to give an overview of the history of this important movement from the 1960s to the present day.

The film graphically calls attention to the brutal dangers of playing on top of elevators in public housing high-rise 30-story buildings in New York City. The slang is called "elevator surfing", "elevator action" or "elevator chicken" and it is a deadly game in which groups of children ride up and down the elevator shafts on top of a moving elevator car and jump from one moving car to the top of another. At times, a child waits in the pit of the elevator shaft. When a car pauses on the lowest floor, he grabs the electrical cable and rides upward. "Children Are Too Young To Die" begins with a bloody reenactment of an elevator accident in which a 10-year-old boy gets his arm cut off by the counterweight in an elevator shaft. The story unfolds and reveals real issues and deaths resulting from such dangerous activities.

Forget martinis and Austin Powers. This documentary is an unflinching portrait of the realities of "swinging," and it's not exactly a shaggadelic picture; in fact, the swingers we meet in the film are older, often lonely people. Most of them are simply looking to break out of their conventional, well-ordered lives by adopting "the lifestyle." Birds and bees may not do it, but we learn that monkeys do -- as well as 3 million Americans.

Through interviews with Hussein's former neighbors, members of his government, military leaders, journalists, and Middle East experts, correspondent Hodding Carter reveals fears, passions, and intellect of man behind demonic image.

Portrait of the titular road in the german area Ruhrgebiet.

Exclusive interviews with some of the U.S. military's first Black soldiers, sailors and airmen reveal how selflessly they fought against both systemic racism and foreign enemies.

3x World Surfing Champion Tom Curren surfing in his prime during the 1990s.

A moving and touching tribute to the director's late father, who had no problems with his son's sexuality.

Framing Lesbian Fashion looks at the evolution of lesbian attire and identity – butch/femme, flannel, androgyny, cross-dressing and drag, queer fluorescent, S/M and leather, lipstick and more.

The fascinating story of the Chinese monks of the Shaolin temple who developed a series of 18 unique movements to defend themselves against the threats posed by their enemies, while at the same time preserving the spiritual harmony that defined a life dedicated to Buddha. Featuring Pan Qingfu.

In Portobelo, two friends go to a Congo dance and witness an invasion of demons, while Panama is invaded by Americans troops in 1989: this turns into an account of what happened in the cities of Colón and Panamá.

A short documentary depicting the tense, often brutal events of the summer 1990 confrontation between Mohawks and the Quebec Provincial Police and the Canadian Armed Forces at Oka, Quebec.

The story starts from a corner of the park, then the film crew takes viewers to a family with great tragedies. The question that the filmmakers asked can also be a question for each of us: "I came to Son and his family many times, many days, until this small movie ended. I still haven't I completely understand why and how these people can overcome the rapids of life in such a simple and leisurely way. Is it because of faith? I'm not sure yet. Or is it because they know respect? peace in the spiritual life of a human life?"

The winner of numerous festival prizes, this early work by Lynne Sachs is a provocative film essay on women's perspectives on their bodies in a "man's world." It touches on everything from the female form's depiction in Renaissance art to the school of 19th century "scientific" thought equating "abnormal" physiognomy with criminality. This adventurous collage also features the filmmaker's own diaristic recollections (notably of being fitted for a diaphragm by a cold, intimidating doctor), poetical staged sequences, other women's audio testimonies, an old classroom instructional reel about menstruation, prose by Gertrude Stein and feminine "ideals" like the undulating young woman performing in fish-tail costumes at Florida's kitschy Weeki-Wachee Springs "Underwater Mermaid Theater." - Dennis Harvey

Sarita Colonia was a humble girl from the Peruvian Andes who dedicated much of her life to the poor of Lima and sacrificed herself for them. She died in 1940 at the age of 24. Over time, her tomb became a place of veneration and pilgrimage because of the miracles she began to perform for the most needy. This documentary not only narrates Sarita's life as told by her siblings, but also explores the cult of this unrecognized saint through the migratory process in which she was involved. Her suffering, deprivation, and attempts to survive in the capital make Sarita a reflection of the lives of thousands of migrants who venerate her today.

In Macedonia, former Yugoslavia, two Sheikhs squabble for power in a Dervish brotherhood. In this fragile, unsteady society, far from God and traditional Sufism, their petty quarrel focuses on the issue of which group will pierce itself at the Nevruz ceremony. Through the rivalry between these two characters, who correspond to two opposing archetypes of religious leaders, the documentary offers a living glimpse of spiritual experience at a popular level, which, despite the humorous situations and extraordinary images, may shock our sensitivity.

The manifesto of the Saltykov Film School. An epic story about the life and work of its members.

We follow a highlander who is reborn thorughout the centuries whenever historical events take place.

A two-part program looking at the making of the film Thunderball (1965). Part one, The Making of Thunderball, is followed by The Thunderball Phenomenon.

A Documentary about Painter R B Kitaj. Though Kitaj was one of the most public of artists, making some of the most immediate, accessible and honest images of our age, he was also a very private man, determined to avoid the spontaneity of film. He finally relented in 1994 and the result is a remarkably candid look at his life and work. "My pictures had and have secret lives, and so there were things I did not tell, a lot of stuff I did not say back then which I'm saying now." R. B. Kitaj. The film transports us from the early years of baseball and girls in upstate New York, to his years as a merchant seaman on the Romance Run , through post war Vienna to London where he placed himself at the centre of 'The School of London' with friends David Hockney, Michael Andrews, Frank Auerbach, Leon Kossoff and Lucian Freud.