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200 Km

200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets. One year after setting up the "Camp of Hope" with which they occupied Madrid's Avenida de la Castellana for months, and with the promises they were made unfulfilled, Sintel workers began a 10-day, 200-km march to Madrid to claim your job. Premiered on San Sebastian Film Festival 2003.

200 Km

7.2 2003
Sarkozy-Gaddafi: The Scandal of All Scandals

A democracy and a dictatorship. A presidential campaign and dirty money. War and death. When Nicolas Sarkozy affirmed in the press that “No one can make sense of it”, he was trying to discredit the investigation into his ties with Muammar Gaddafi, portraying it as a bunch of gibberish. As Sarkozy and his many accomplices go on trial in the Libyan campaign financing affair, here’s the film that will finally explain all of the ins and outs of one of the most remarkable French political scandals in decades.

Sarkozy-Gaddafi: The Scandal of All Scandals

7.3 2025
Leonardo: The Works

Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased this extraordinary genius but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of Leonardo: The Works, as EXHIBITION ON SCREEN presents every single attributed painting, in Ultra HD quality, never seen before on the big screen. Key works include The Mona Lisa, The Last Supper, Lady with an Ermine, Ginevra de’ Benci, Madonna Litta, Virgin of the Rocks, and more than a dozen others.

Leonardo: The Works

6.4 2019
Fassbinder: Love Without Demands

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered, and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. The film is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother, Lilo, in the 1970s.

Fassbinder: Love Without Demands

6.4 2015
Pooh - Un attimo ancora

A docufilm retracing the life, successes, and great eras of Italy’s most beloved and longest-running band. A story told in chapters, each corresponding to a major theme explored by the group in their songs: love, children, and more. An exceptional and often unreleased repertoire ties together the story of Pooh—from their beginnings to their rise to fame, from their toughest choices to their commitment to environmental causes, from legendary live concerts to the moment they decided to bring this incredible journey to an end. Roby Facchinetti, Dodi Battaglia, and Red Canzian guide us through a musical and cultural legacy that has united multiple generations of fans, joined by the voices of the late drummer Stefano D’Orazio and Riccardo Fogli.

Pooh - Un attimo ancora

8.5 2023
Pasteur et Koch : Un duel de géants dans la guerre des microbes

Louis Pasteur and Robert Koch: great scientists, national icons, opponents in the service of research. One is a Frenchman and chemist and is already in the second half of his life. He is honored worldwide with numerous prizes for his discovery of the rabies vaccine. The other was a still unknown German country doctor in his 30s, whose discovery of the tuberculosis bacillus was later awarded the Nobel Prize for Medicine. From 1881, the two were bitter rivals. Their 20-year rivalry resulted in spectacular progress in the fight against deadly epidemics.

Pasteur et Koch : Un duel de géants dans la guerre des microbes

7.9 2018
Western Approaches

A World War II drama-documentary showing the struggles of Merchant Navy seamen following an attack by a U-Boat. Western Approaches is a vast area of ocean control covering thousands of square miles of the Atlantic. In these waters is set this single incident in the fiercest and longest sea battle in history. The players are not professional actors but serving officers and men of Allied Navies and Merchant Fleets. This film is dedicated to them and their comrades who made the Allied victory possible.

Western Approaches

6.4 1944
Filmsommerliches

A feuilletonistic conversation with the movie audience about the question: How do you feel about going to the movies? In general - and especially in summer? What do people expect from movies these days and what criticism do they have on their minds? The interviewees are vacationers of all ages and tastes. The occasion and background for this not entirely serious survey is the 1965 Summer Film Festival, which is captured in a cheerful reportage style. Interviews with actors on the festive opening evening and climax of the film confirm that there is only a relative cinema fatigue. It depends on the quality of the film on offer.

Filmsommerliches

NR 1966
Roger Schall, the man with Rolleiflex

During the 1930s, photography took over magazines. The modern press was invested. It needed to attract and inform and an image speaks louder than words. Under these influences, fashion photography, advertising and photojournalism were really born. Roger Schall was part of this new generation of photographers, which moved from a fashion photo to a major feature with their eyes wide open. His career in the 1930 perfectly illustrates this movement. How did Roger Schall see this optimistic world as it became more humane and then soon had its dreams shattered? His pictures can tell us a lot, not only about the period and its contradictions, but also of course about how photography was practiced at that time…

Roger Schall, the man with Rolleiflex

NR 2009
The Cut-Ups

Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.

The Cut-Ups

6.6 1966