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Children’s Game #47: Chalk

Shot in black and white in homage to Helen Levitt, the pioneering photographer of children chalking the streets of Harlem in the late 1930s, this film records individual acts of creation by children from two schools local to the Barbican Centre in London, including students with physical and neurological diversities. Marco goes for horseshoe-shaped patterns, before expressing his self in a spontaneous spatter; Jean-Luc builds oneiric form upon form; Charlyn’s creatures emerge in clear, expansive lines. For Ayesha and James, the chalk is not just a drawing tool but also a curious object for fingers to explore, like they do with the texture of asphalt or the powderiness of their marks. Sensation and imagination imbue every scratch of white on black these children make.

Children’s Game #47: Chalk

NR 2024
One Last Ride: Dallas Braden's Farewell to the Oakland Athletics & Oakland Coliseum

From a kid growing up in Stockton, California to a Major League pitcher with the Oakland A’s, Dallas Braden’s journey is nothing short of inspiring. Dallas shares his story on the way to the final home game at the Coliseum where we offer a behind-the-scenes look at the emotional exchanges between the staff, TV crew, and long-time fans. It also features conversations with fans about what it means to lose their beloved team after so many years. A powerful reflection on the end of an era and the deep connection between the A's and their community.

One Last Ride: Dallas Braden's Farewell to the Oakland Athletics & Oakland Coliseum

NR 2024
Racing the Dream

Twelve dogs, one musher. Charmayne Morrison is a 23-year-old musher and is completing her first 300-mile attempt at Race to the Sky in Lincoln, Montana. Her training will push her and the team closer to the finish line as they go up against drowsiness, illness, and freezing temperatures. Crossing the finish line would place her closer to her dream by qualifying for the 1000-mile Iditarod, also known as “The Last Great Race,” where she and her canine companions would face the unforgiving Alaskan wilderness.

Racing the Dream

NR 2024
MY OWN

"MY OWN" is a captivating experimental short documentary music video that follows the journey of a young refugee who leaves his life and family behind to seek refuge in Venice, Italy. This poignant narrative exposes the cold reality many immigrants and refugees from non-white countries face in Europe, while also revealing how our protagonist finds solace in a new community. The unique soundtrack, crafted entirely from the sounds of his surroundings—such as cooking noises, waves, and city ambiance—adds an authentic layer to this compelling story. "MY OWN" offers a fresh and immersive take on the resilience of the human spirit.

MY OWN

NR 2024
Mother's Household Ledger

After moving to a provincial area, I decided to live with my elderly parents and discovered my mother's 50-year-old ledger. At first, it seemed like a simple household record, but as I continued to flip through it, I realized it captured the essence of our family's life. The ledger includes records starting from the day I was born in 1972, revealing various family events, as well as depicting the struggles of my father with unemployment and my mother's diligent management of the household. The ledger, which stopped in 2016, reflected my mother's way of enduring life, and although she is now losing her memory, it allows her to revisit our family's past.

Mother's Household Ledger

NR 2024
Sandcastles

"Sandcastles" parallels two Singapores: one in Southeast Asia, and one buried on the western coast of Michigan. On top of sharing the same name, these two places also share a fraught relationship with sand. Singapore, Michigan was a thriving lumber town in the late 19th century until erosion from mass deforestation caused the sand dunes around it to shift and swallow the town whole. Just as quickly as Singapore, Michigan disappeared under sand, its namesake in the East emerged from it through land reclamation. The film weaves a narrative that intertwines the two Singapores to depict the temporal nature of human edifices built on and destroyed by nothing more than sand.

Sandcastles

NR 2024
Detours

“an experimental documentary shot in Lebanon from 2019 to 2021 dealing with issues of dislocation, points of view and memory. Through the position of ‘peripheral vision’, which I practice as an observer, Detours builds a narrative of sensory impressions, orientations, alienated images, images that remain outside of the frame. The work is not a documentation or analysis of current policies and turbulent events but an experience of disorientations within them. The film was shot using Super 8, still analog cameras, digital cameras and various lenses.” - Vida Guzmić.

Detours

NR 2024
The Matchbox Man

So what do you do when your cherished childhood toy becomes a collection. Then becomes an obsession? Well, like the Addams Family – voila! The house is a museum! The Matchbox Man, director Gorman Bechard visits Charlie Mack, who began buying Matchbox cars in 1963, when he was 7; from his initial 20 to 30, his collection exploded to more than 42,000 – one of the world’s largest – prompting him to turn much of his Connecticut home into a showcase of nearly every model and variation ever made. And while he gives a look at his blistering array of colors and styles, he presents a history of a humble toy car that became an international phenomenon.

The Matchbox Man

NR 2024
To Thank The Room

The Brooklyn Arts Hotel was in downtown Fitzroy, Melbourne, and while rather a well-kept secret, it hosted over 25,000 guests during its 15 years of operation.This heart-warming and inspiring documentary is an intimate portrait of Maggie Fooke, the creator of the hotel, as she navigates the final days of this dearly-loved institution, before its closure due to financial constraints. TO THANK THE ROOM is about living life to the fullest and facing major life-transition. Maggie leads a merry dance as she both embraces and resists the process of letting go, with a fierce determination to relish and share her beloved ‘Brooklyn’ to the very last drop.A film by Belinda Lloyd (her directorial debut) in collaboration with Maggie Fooke and Larry Lawson, and recently awarded Best Melbourne Documentary 2024 at the Melbourne Documentary Film Festival.

To Thank The Room

NR 2024
Selling a Colonial War

In the Netherlands, colonial history is slowly but surely being rewritten. It has long been clear that what the Dutch government at the time described as “police actions”—the deployment of the army in response to Indonesia’s declaration of independence in 1945—was in fact an unlawful war. Nonetheless, the use of the term “war crimes” is still sensitive. This documentary reveals how far the Dutch rulers went in selling the war as a domestic affair, intended to restore peace among the population. Unique, often shocking images tell a different story. Filmmaker In-Soo Radstake holds extensive interviews with international experts who explain the complex relationships in the former colony and set out the global context.

Selling a Colonial War

7.7 2024
When The Smoke Clears

Lisa is a retired firefighter and police officer in California. Years of isolation have led to a dwindling sense of purpose and joy in her life. Mike is a former battalion chief in California who suffers from severe sleep deprivation and has difficulty managing his anger. He is in search of an alternate therapy to get a sense of relief and improve his relationship with his family. After a lack of success with traditional psychotherapy and pharmaceuticals, they will attend a Mexico-based retreat to undergo psilocybin and 5-MeO DMT treatments administered by traditional healers.

When The Smoke Clears

NR 2024