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Referendum: Take 2

October, 1995. The most important political event in recent Canadian history, the Quebec vote on sovereignty, is about to unfold. During the tense days leading up to the referendum for independence, 23 filmmakers from the NFB's English and French documentary studios take their cameras into the streets and homes of Quebeckers. Culled from 250 hours of footage, Referendum is an emotional portrait of a profoundly divided society. In a collage of powerful moments, the video recaptures the emotions of that time and measures them against today's political agenda. Implicit is the question: What next?

Referendum: Take 2

9.0 1996
Michael Snow Up Close

MICHAEL SNOW UP CLOSE was produced on the occasion of The Michael Snow Project, a major, career-spanning, multi-venue retrospective of the artist. The documentary celebrates the multi-faceted shape of Snow's creative genius, including glimpses of his work in painting, sculpture, film, photo-works, performance, installations, and holography. Discussions with Snow, original documentation of his music and performance work, and excerpts from his avant-garde films, are complemented by interviews with filmmakers Jonas Mekas and Bruce Elder, Snow's dealer Av Isaacs, the architect Eb Zeidler, museum director Pierre Théberge, curator Louise Dompierre, and others. A deliberately conventional documentary about a deliberately unconventional artist.

Michael Snow Up Close

6.0 1996
AIDS: Words from One to Another

A documentary film that puts us in direct contact with the thoughts and views of HIV-positive people, their social, human and political experiences, their personal feelings and their vision of the world. It gives us the interviews of HIV positive people who wanted to express through the camera's eyes what they live every day. Topics of conversation around life, death, the other, politics, society... So many common themes, even anodyne, which take on a whole new dimension in the face of the emergency.

AIDS: Words from One to Another

8.0 1993
okay bye-bye

In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory. She questions whether, "image and memory can occupy the same space." Building on excerpts from letters, found super-8 footage of an unidentified Cambodian man, iconographic photographs from the Vietnam War and other partial images, Baron combines epistolary narrative, memoir, journalism, and official histories to question whether something as monumental as the genocidal slaughter of Cambodians during the Pol Pot regime can be examined effectively with traditional methodologies.

okay bye-bye

9.0 1998
Tender Fictions

Childhood stories of the artist as a young lesbian and intimate tales of the lesbian as a young artist underscore the filmmaker's life of performances. With a Swiss army knife she robs an American Express Bank in Morocco, accosts a shepherd in a field on International Women's Day, and tap dances on Shirley Temple's star on Hollywood Boulevard. This child movie star was the ideal by which Hammer's ambitious mother measured her own Barbie. Grandma, already a cook for Lillian Gish in Hollywood, introduced the cute, loquacious child and her mother to D.W. Griffith. Lesbian autobiography is a slender genre, so Hammer draws from general culture studies for critique and to provide an ironic edge to the synthesized "voices of authority".

Tender Fictions

5.9 1995
This is Not Beirut (There was and there was not)

This film at the most fundamental level, a personal project; i) examining the use and production of images/representations of Lebanon and Beirut both in the West and in Lebanon itself, ii) recording the interactions and experiences while working in Lebanon, focusing on the undertaking of this representational process as a Lebanese and a westernized, foreign-born mediator with cultural connections and baggage of both the West and Lebanon and some of the disparities and disjunctions arising in each, and iii) situating the work between genres looking from the inside out at each and engaging critically at the assumptions imposed and thus broken in this site of complexity one’s identity is found and constructed in.

This is Not Beirut (There was and there was not)

NR 1994
Station X

The centre of Britain's codebreaking activities during the Second World War, the manor house at Bletchley Park in Buckinghamshire, codenamed Station X, was Winston Churchill's best kept secret. Not only did the work done there help defeat the Nazis and win the War, it made a major contribution to the invention and development of the computer and the digital technology which has come to dominate the world. With contributions from historians, technical experts and many of the original people in all roles, from the most fiendishly technical to the most mundane, Station X is brought back to life after more than half a century.

Station X

NR 1999
Otaiya: Japan's Hidden Christians

In the sixteenth century Portuguese Catholic missionaries introduced Christianity to Japan. The religion flourished for about fifty years, but by 1614 the Tokugawa government issued an edict that outlawed Christianity and expelled the missionaries from Japan. About 150,000 believers went underground and continued to practice their religion in secret. These people are known as the "Hidden Christians". Otaiya, meaning "Big Evening" is the Hidden Christian version of Christmas Eve. Through the occasion of this ceremony, the film tells the story of Japan's Hidden Christians. Made with the cooperation of contemporary Hidden Christians on the remote island of Narushima, the film features the only two remaining priests in the Goto Islands.

Otaiya: Japan's Hidden Christians

NR 1997
Little Brother in the North

In July we fallow puffin catchers going on small boats to uninhabited rocky islands where they catch the flying birds into nets. This hunt is very dangerous as the men have to operate from narrow ledges in cliffs high above the surfing ocean. In August we see another side of the puffin/man relationship, as the children lovingly collect helpless puffin chicks from streets and alleys and keep them in cardboard boxes at their homes for the night until the can help them to the sea in the morning.

Little Brother in the North

NR 1997
Dracula: Fact or Fiction?

Of all the creatures conjured up from the shadows of the human mind, none exerts such a terrifying grip on our imaginations as the immortal night-stalker, Dracula. But did this fiend actually exist? Are there such things as living vampires? Now, in this startling expose of the vampire legend, you'll meet the scholar who traveled Transylvania's eerie landscapes to unearth the real-life Count Dracula: the ghoulish 15th-century Romanian prince known and feared as "Vlad the Impaler."

Dracula: Fact or Fiction?

NR 1992
Mystery of the Cocaine Mummies

The UK series Equinox brings us this investigation of a mystery that is baffling Egyptologists. The case calls into question whole areas of accepted scientific fact from botany, through chemistry to archaeology. In 1992, routine tests on a mummy in a Munich museum revealed high body levels of cocaine and nicotine. But such substances were not available in ancient Egypt, coming as they do from the Americas – not, apparently, to be “discovered” for thousands of years after the passing of the Egyptian dynasties. Are the mummies fakes; were the substances from plants that have since disappeared or were there, in fact, trade routes between Egypt and South America that predate accepted chronology?

Mystery of the Cocaine Mummies

NR 1996