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Utitlising humour, fantasy, animation, poetry and theatrics, Hochman and her crew challenge the male establishment for ignoring the first meeting of the National Women's Political Caucus and Shirley Chisholm's bid for US vice-president.

Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.

Yoko & John Party hold. Recycled with Paul Ryan's video tape. This is interesting beacuse of your showing Paul Ryan's tape. 1st part is home movie tape stuff at a party for John & Yoko.

This almost 8 hour humongous 1973 documentary by two of the filmmakers who made The Sorrow and the Pity recounts fifty years of the history of France from the 1920s to 1972. It is particularly thorough in documenting the significance and rise to power of Charles De Gaulle. The film's most valuable contributions are its interviews with all sorts of people who lived through this period of history, from Marshall Petain's lawyer (Petain headed the Vichy government of occupied France) to resistance figures, and Frenchmen who fought on the side of the Nazis in Russia.

Comprised of footage shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

Television docudrama about the haunting of the Princess Theatre in Melbourne, Australia.

Never Go With Strangers was intended for children aged between seven and ten and its purpose was ‘to warn them of the dangers of accepting lifts or presents from strangers’. Due to potential distress government officials instructed that the film only be shown under ‘responsible adult supervision’, thus denying it a TV airing for many years.

The documentary-feature film taking place in the seventies is the "development novel" of Cséplő György, the intelligent and ambitious Gypsy boy. Having finished only two terms at school, the eighteen-year-old boy leaves Németfalu with two of his companions to find employment in Budapest and to break out of his miserable existence in the village cottage with the help of his small savings.

A psychedelic montage of home movie footage gives way to a silent western story.

This film showcases the flight of the Mariner 10 spacecraft to Venus and Mercury is detailed in animation and photography. It features views of Mercury, as well as an animation on the origin of the solar system. Dr. Bruce C. Murray, director of the Jet Propulsion Laboratory, comments on the mission.

Ken Loach's censored production for the Central Office of Information.

A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.

The outrageous, groundbreaking comic Lenny Bruce, whose iconoclastic material in a conservative era got him into tragic trouble, is profiled by a close friend, Fred Baker, who prefers to remember the laughs Lenny Bruce's memory evokes instead of the tears. By presenting Bruce's landmark skits on the Steve Allen Show, his failed TV pilot episode and a candid interview with Nat Hentoff, Bruce's genius and anguish show through the dramatic and tragic trajectory of his career from aspiring artist to hunted "lawbreaker".

Short Croatian documentary from the former Yugoslavia by Ante Babaja that captures the different faces in a waiting room.

Mid-August in Paris (the title is a date: August 15) in a sunny, quiet apartment a young woman talks, thinks, reflects about herself, everyday life and little events in a long, uninterrupted monologue. The camera pictures her and her gestures in long, fixed shots moving around the rooms, the space, the light and shadows of a summer day.

Bill Mason imparts his affection for the big northern timber wolves and the pure-white Arctic wolves. Filmed over three years in the Northwest Territories, British Columbia, the High Arctic and his home near the Gatineau Hills in Quebec, Mason sets out to dispel the myth of the bloodthirsty wolf. Going beyond the wolf's natural habitat, Mason relocated three young wolves to his own property and was able to film tribal customs, mating and birth - moments in wildlife never before seen on film.

Documentation of the 2-hour performance by Marina Abramović and Ulay, performed in 1978 at Harlekin Art in Wiesbaden. In this piece, the two artists and a live snake triangulate the performance space. By blowing across the mouths of empty bottles, Abramović and Ulay produce sounds meant to rouse the snake, attempting to charm it and alter the physical geometry of the arrangement.

Thwarted many times in their quest for independence, the Vietnamese independence movement led by Ho Chi Minh finally decisively defeated Vietnam's French colonial overlords at Dien Bien Phu in May of 1954. This documentary uses interviews and newsreel footage to examine the conflict between the French and the Vietnamese. In addition to Vietnam, French Indochina also included Cambodia and Laos. The French-Indochina War lasted from 1946 to 1956, when a Geneva Conference agreement mandated a cease-fire in a temporarily divided Vietnam. It is well to note that it is only after this time that the two Vietnams went to war against each other.

British documentary filmmaker and producer Tony Maylam reinvigorated the sports documentary genre with WHITE ROCK, an idiosyncratic and utterly engaging account of the XII Olympic Winter Games Innsbruck 1976. He did so by placing music (by organ and synth wunderkind Rick Wakeman) front and center, and by using Hollywood star James Coburn as a "guide for the uninitiated."

The Real Bruce Lee is a martial arts documentary. It begins with a brief biography of Bruce Lee, and shows scenes from four of his childhood films, Bad Boy, Orphan Sam, Kid Cheung, and The Carnival, each sepia-toned and dubbed to English. Next, there is a three-minute highlight reel of Lee imitator Bruce Li. Finally, there is a feature-length film starring Lee imitator Dragon Lee, which is obviously modeled after Bruce Lee's Fist of Fury.

A promotional film about the natural winter beauties of Macedonia: Galichica, Pelister, Bistra and Shar Planina. With their natural beauties and the opportunities they provide for rest and recreation, the centers of these mountains, as well as the one in Krushevo, attract the attention of a large number of people, both recreational and active skiers.

CM documentary 35mm Color 10 minutes

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

Before and after Halston's runway presentation at the 1972 Coty American Fashion Critics' Awards.

African migrants in Paris talk about everyday life and racism on the labour and housing markets. The chanson from which the film takes its title sings of misery on people’s own doorstep. Hondo then switches to another mode to continue his analysis of social conditions: never has the post-colonial state of the world been summarised as succinctly as in the closing animated sequence.

For want of a satisfactory political party, a group of young people parodically form their own candidate party. This film follows their campaign until election day.

The goal of the American operation "Phoenix" in Vietnam was to destroy all the bases of the liberation struggle. K. Barton Osborn, a former "Phoenix" officer, who publicly disassociated himself from it, talks about his experiences as a CIA agent. They are confirmed by the statements of General Bui Van Nhu, the last chief of the South Vietnamese police

Television documentary about the making of Roman Polanski's 1979 film, Tess.

Rare 1977 documentary short hosted by Christopher Lee on the occult. Topics range from witch covens, Astrology, psychic powers, seances and astral projection, amongst others.

The film is about the selector Pēteris Upītis, who was awarded the honorary title of Meritorious Worker of Science and Technology of the Latvian SSR.

The floral park of Moutiers in Varengeville (Normandy).

Ten days of preparation for the Monte Carlo rally. The two Polish drivers battle with the technical shortcomings of the Polish Fiat 125 and overwhelming bureaucracy. They did not finish the race. An allegory of the country's industrial and economic problems.

A portrait of legendary filmmaker Nicholas Ray while he is working as a film professor at a college in upstate New York.

The steel industry and the process of this mineral from when it leaves a mine until it reaches our hands in many forms.

Eat the Document is a documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. Though shooting had completed for the film, Dylan's July 1966 motorcycle accident delayed the editing process. Once well enough to work again, Dylan edited the film himself. ABC rejected the film as incomprehensible for a mainstream audience.

Looks at the musical extravaganzas which constitute the main bulk of commercial cinema in India; in particular at the career of Helen, the undisputed Queen of such sagas, having appeared in some five hundred since 1957. Excerpts from some of her films are interspersed with an interview with the star in her dressing room.

Each day of the week is represented by a ballerina beginning with a young child and ending with an older ballet teacher.

Report on vandalism

Seamus Heaney travels across Lough Erne in Fermanagh, visiting early Christian sites and the settlements of the English and Scots who made their homes on the loughside.

The Challenge... A Tribute to Modern Art is a 1974 American documentary film directed by Herbert Kline. The film shows footage of great modern artists in their studios creating and commenting on their work, with narration and commentary by Orson Welles. It was nominated for an Academy Award for Best Documentary Feature.

Lesson of October 7, 1978 (class #10). Films discussed : Battleship Potemkin (Sergei Eisenstein, 1925), The Golden Age (Luis Buñuel and Salvador Dali, 1930), Mr. Deed Goes to Town (Frank Capra, 1936), La chinoise (Jean-Luc Godard, 1967). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.

Portrays the Chicano experience, from its roots in pre-Columbian history to the present, by dramatically recreating key events in Mexican history and by presenting interviews with Chicano leaders, Dolores Huerta, Reies Lopez Tijerina, Rodolfo Gonzalez, and Jose Angel Gutierrez, who discuss solutions to the oppression of Chicanos.

Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.

Gala tribute to the Chairman of the Board.

Short film commissioned by CineDifusión SEP as part of the "Jornadas Casals" music program, centering on the Spanish cellist and, in this case, illustrating the music of Claude Debussy.

A chronicle of the 1975 International Press Conclave hosted by Metro-Goldwyn-Mayer over two days in May 1975.

A short promotional film on the making of “The Wiz” (1978). Includes a brief history of Oz portrayals in film and behind the scenes interviews.

Bas Jan Ader rides his bike into a canal in Amsterdam.

A documentary detailing a 17 day road-trip from from the east coast of America to the west.

Eisenstein shows us Mexico in this movie, its history and its culture. He believes, that Mexico can become a modern state.

Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.

"Fanoos Khiyal", with a brief introduction from illustration in Persian literature to mezzanine in Iranian miniatures and folk paintings, introduces the first camcorder in Iran and shows the first available films. After that, with the development of theaters in Iran, the production of movies begins. Iranian filmmakers in this field have a variety of experiences that result in technical advances and a variety of styles.

A short film about the famous Dutch sculptor of the early 20th century.

1. A modern Bavarian brewer, Emanuel Holzbauer, faces a sales crisis and targets his competitors to save his brewery. 2. In 1567, Protestant merchant Johann Christof Paumgartner—outlawed by church and state—compassionately aids the poorest in his town. 3. A fairy-tale rivalry: peasant boy Franz Niederholzer learns a harsh lesson about greed when he mistakes ordinary metal for gold. 4. A Moritat set during hyperinflation, as shopkeeper Max Geiger is forced to desperate measures to survive. 5. April 9, 1865: In her diary entry on the Confederacy’s surrender, Missis Marilyn Haley-Care confronts the illusion of freedom that costs the enslaved Ben his life. 6. A musical conversation piece finds Laura Wohlbrück passionately campaigning to humanize industrial labor, earning unexpected acclaim. 7. At displaced Walter Gladek’s wedding, a friend’s song about a hunter’s horn rekindles memories of building an industrial enterprise in their homeland.

A group of friends listen as one man tells them a story about a time when, in a small cafe, he discovered a peephole into the ladies' bathroom and became addicted to looking through it at female genitals. They ask him questions and come to conclusions about sex. This is a filmed, scripted version. Then, the actual person who this happened to relates the same story; this time, however, it is an unscripted documentary, in which the same things occur as in the scripted one.

Lesson of April 14, 1978 (class #1) Films discussed: Fallen Angel (Otto Preminger, 1945), Breathless (Jean-Luc Godard, 1958). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.

Made for screening at the U.S. Pavilion at the 1974 World's Fair in Spokane Washington, USA, which had a Native-American environmental theme, MAN BELONGS TO THE EARTH depicts the history of air, water, and earth pollution, and how environmentalists are trying to solve these problems using various technologies.

An approach to Gaël Badaud and his activity as a painter: the birth of his paintings and the tight bonds between his work and his personal experience.