6,123 Matches Found
Sophia puts the spotlight on her life with music. At her Rome villa, Peter Sellers is WWII Axis officer and Jonathan Winters a 16th century sculptor. Sophia sings "Out of Town" to children and animals. Tony voices "Summertime in Rome."
Episode of the French television series about the work of film director Jacques Becker. (A 27-minute excerpt from this show appears on the Criterion Collection's release of "Casque d'Or." )
Featuring archival footage from both German and UK sources, this documentary examines the defense of Britain during the early years of World War II.
Portrait of American boxer Cassius Clay.
The viewers visit a school located high in the Tatra mountains, in the village of Zaczerczyk. There are only few students there. Teachers arrive at the place every day, including the film's protagonist, a young woman.
The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.
Short film in the Hermitage Museum looking at da Vinci's Madonna Litta.
An Anglo-French production, directed by Pierre Jallaud, and for Open University Productions. This is a background sketch on the about-to-be-unveiled supersonic airplane.
Quasi-documentay on Bonnie and Clyde... Larry Buchanan style!
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
While most of Ken Russell's documentaries for the BBC's Monitor arts strand focused on a single creative figure, he would also occasionally make more wide-ranging surveys of the state of a particular art. The Light Fantastic (BBC, tx. 18/12/1960) was written and presented by Ron Hitchins, a Cockney barrow boy who has long been interested in a great many dance forms, and who has recently taken up Spanish dancing. Hitchins participates in some of the dance sequences, but his main contribution is an enthusiastic commentary that helps personalise what could have been simply a disparate collection of dance footage. He's not shy about expressing likes and dislikes, being none too keen on ballroom dancing (too choreographed), rock'n'roll (too monotonous) and Morris dancing (just doesn't like it), though anything genuinely spontaneous gets a thumbs up, even if it's a room full of people dressed in black swaying to the sound of a gong.
A sophisticated and beautifully constructed account of landscape change in and around Paris in the early 1960s. The film raises complex issues about the meaning and experience of modern landscapes and the enigmatic characteristics of features such as canals, pylons and deserted factories. Rohmer also explores the role of landscape within different traditions of modern art and design and refers to specific architects, artists and engineers.
Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.
A caustic and sharply ironic portrait of a woman consumed by a destructive ideology, the film explores the psychological profile of a protagonist who has so deeply internalized a masculine, fascist militarism that she ultimately dismantles the very fabric of her own family. The work uses a distinctly feminine lens to conduct a socio-political autopsy on the consequences of totalizing ideologies. Through the use of biting satire, Mann examines the intersection of personal identity and political extremism, offering a fierce critique of how the remnants of fascism can warp individual conduct and domestic life.
Paul Leduc, Rafael Castanedo, Óscar Menéndez and other students filmed the CNH assemblies and took to the streets to record the rallies, demonstrations and confrontations that the various student groups held against the police and the army throughout 1968.
Story of the last flight of TWA pilot Harold Blackburn and his retirement at age 60 after 40 years.
In 1966, Bene presented The Pink and the Black, his successful theatrical adaptation of Matthew Gregory Lewis’ lurid Gothic novel from 1796. Experimental filmmaker Paolo Brunatto filmed some of the play’s rehearsals in a Rome apartment (also frequented also by the Living Theatre). Bene's artistry is encapsulated in one sentence: “One cannot continue to prostitute the idea of theatre, which stands only for a magical, brutal link with reality."
The film shows the life of prostitutes in Tehran's city brothels, an area known as Shahre Now. The film closely follows a number of women and communicates how the burden of social constraints led them to surrender in the face of their common fate. The film does explore the possibility of re-education and development for these women, but in no way does it paint over the hard and brutal reality. The film was produced on behalf of the Organization of Iranian Women and was immediately banned while shooting was still going on. After the revolution, a portion of the material was found, and Shirdel decided to finish the film using photos by the late Kaveh Golestan that were taken more than ten years after the film itself was shot.
An investigative documentary on the Angolan conflict, filmed on location in Portuguese-controlled Africa by Robert M. Young and first broadcast in 1961. (Note: Originally broadcast as an episode of NBC’s White Paper series (1961), but listed separately due to its independent documentary production, hazardous field filming, major journalistic impact, and sustained scholarly treatment as a standalone documentary work.)
A film saga about the Horst family from the small town of Zakrzewo in Western Pomerania.
Filmed over five weeks at the Warrendale residential treatment center near Toronto, "Warrendale" observes twelve emotionally disturbed children and the staff who care for them. Working without narration, interviews, or direction, Allan King records daily life as it unfolds, establishing what he later described as “actuality drama.”
A montage of newscasts tracing the events of the "damned war" and the German invasion of 1940.
The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
A documentary about Fidel Castro's visit to the USSR from April 28 to June 3, 1963 and how the Cuban leader traveled throughout the Soviet Union for 40 days, from Severodvinsk to Khiva in Uzbekistan.
Furtive traces of a visit, a certain February 22, 1962: Buster Keaton.
Documentary composed of interviews with female partisans who survived the German invasion of Italy in World War II.
A railwayman from St. Kitts, a bus conductor from Jamaica, a family of singers from Trinidad and a nurse from Barbados ... Philip Donnellan's Birmingham-based film gives a voice to West Indian immigrants who movingly describe their experiences of trying to integrate into a surprisingly unwelcoming ‘mother country’. Shot in 1964 the film provides an important snapshot of Britain in the early stages of momentous social change and first-generation Afro-Caribbean immigration.
The film’s subtitle identifies it as a “study of the constructive discontent of a composer”. It is a portrait of the pugnacious musician Paul Dessau (1894 – 1979), who was controversial in East Germany, as a teacher. It follows the composer as he rehearses the “Bach Variations” with the Berlin state opera orchestra, as well during classes at the Polytechnic School I in Zeuthen, where he strives to teach the students a critical attitude. In an interview, Dessau bemoans the simplification of artistic media and elucidates the meaning and necessity of “hard sounds in an era that is not soft”. As we see when he works, “pleasure requires effort” … “art is never comfortable. Building socialism is not comfortable at all. That’s why I’m in favour of the uncomfortable”.
Directed by Jean Rouch.
The first-ever Sinatra television special in color, this 1965 performance showcases the Chairman in peak form to mark the occasion of Frank Sinatra's 50th birthday.. The Nelson Riddle arrangements sparkle, opening with a classic rendition of I've Got You Under My Skin and continuing on with other favorites such as I Get A Kick Out Of You, Come Fly With Me and The Lady Is A Tramp.
The rise and fall of Nazi Germany in part through the use of classical allegory.
Documentary about the making of Maurice Pialat's 1969 film "L'Enfance nue" (Naked Childhood).
Documentary by Juan Francisco de Lasa about a pioneer of Spanish cinema. Gelabert attended one of the first sessions of the Lumière's cinématographe in Barcelona. Briefly after, he built a contraption based on this invention. He produced his first picture, "Dorotea", in 1897. His film "Riña en un café" is considered the first Spanish film to feature a plot.
A portrait of Belarmino Fragoso, a veteran boxer in Lisbon nearing the end of his career. In a blend of reportage and re-enactment, the many vices of the once national featherweight champion are revealed against a background of the grim economics of boxing in 1960s Portugal.
A brief history of paper and the stages of its production. An animation about the history of writing, the emergence of paper in ancient civilizations and the invention of printing, taking paper manufacturing to an industrial scale. Paper production in Brazil, with emphasis on the use of pine, eucalyptus and bamboo. At Companhia Mineira de Papéis, in Cataguases, the stages of paper making. Paper consumption and its production in tons in Brazil since 1939. Brazilian self-sufficiency and the use of paper in various activities.
About the life and work of Soviet writers Ilya Ilf and Evgeny Petrov.
Cold War film illustrating the defense capacity of America's telephone network, highlighting AT&T's role in the design and construction of the nation's integrated defense structure, including the Distant Early Warning Line and the North American Air Defense Command. In the dramatic ending, rockets and missiles are fired at hostile forces in a readiness exercise and score a direct hit.
Documentary about the VISTA (Volunteers in Service to America) program.
“Now is the Time” is a mosaic of marches, Black spiritual, emotional, and inner life set to the readings of Langston Hughes, James Baldwin, Mari Evans, and countless others. The documentary is guided by in-studio readings from Ruby Dee and Ossie Davis. - Black Film Archive
Impressions of a playground in Berlin. It is also the playing field of the elderly chess and card players - counterpoint to the argument of isolation and emptiness in old age.
A loving tribute to America's favorite stimulant.
Six and Twelve is one of a series of short films and documentaries produced under the auspices of the Centre Cinématographique Marocain in the years after Moroccan independence. While most of these were utilitarian in nature, Bouanani, Tazi, and Rechiche took a different route with this film, creating a modernist “city symphony” film that documented six hours in the life of the city of Casablanca. Combining a hard bebop soundtrack with stunning black and white cinematography and a radical editing style, the film stands as a document to the energetic experimentation of this period of Moroccan art and cinema.
This film has no story - one could be born at any moment. His characters are the composition of the composition that, in the time they live in, is the composition of the time in which they live. The situations are exemplary, they come from the reality of dreams, a movement takes on several dimensions, gives the impression of simultaneity, the passage of time is not perceived.
The demolition of an old house makes way for the modern city.
Another nudist "documentary" from Doris Wishman. A print of this film has yet to surface.
This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to create the final 108-minute feature.
Early short by Werner Herzog shot while being on location in Greece shooting "Lebenszeichen".
A film about migrant workers in the Drimkol region of Macedonia, when the people of this region, known as masons, made their own and their families' livelihoods by working all over the world. The tradition of migrant workers is now continued through work at the Drimkol cooperative.
This film explores the fundamental role of rhythm and movement in art, drawing parallels between natural phenomena and artistic creation. It demonstrates how artists utilize various elements like line, color, light, and form to evoke a sense of rhythm and motion. Through examples from different art forms, including painting, sculpture, architecture, and film, the transcript highlights techniques such as repetition, alternation, and accent to create dynamic visual experiences that engage the viewer's eye and imbue static works with life.
Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The people and situations shown are authentic; only one actor was employed. The results obtained at Daytop are regarded by some psychiatrists as a breakthrough.
Host Henry Fonda follows the creation of the star system with Mary Pickford in the Silent Era through its demise in the early Sixties.
Havana, 1961. After the success of the Cuban revolution, the city was no longer just a capital of nightlife. The city was changing for the benefit of the local population: it opened beaches, built blocks of flats, guarded the coast.
Narrated by Sean Connery, this film takes us on a scenic and informative tour around the castles of Scotland.
A leisurely message about the people of the Zvejnieks collective farm, created in the style of Riga's poetic documentary cinema.
In 1967, a young David Lynch grabbed his new Bolex 16mm camera, to film his friend and mentor Bushnell Keeler and brother Dave Keeler sailing on the Chesapeake Bay in Bush's King's Cruiser. This was David Lynch's very first film, which he prefers to call a "home movie". It depicts a man, a painter, who changed David's life forever pursuing the artist's life, which he continues to this day.
A documentary biography of Mahatma Gandhi, tracing his life from 1869 to 1948 through archival photographs, live-action footage, animation, and historical prints. Narrated largely in Gandhi’s own words, the film follows his political journey and lifelong pursuit of truth and nonviolence. Directed by Vithalbhai Jhaveri, it exists in multiple versions of varying lengths and languages.
The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.