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FAKE

Born to atomic bomb survivors in Hiroshima, Mamoru Samuragochi, a self-taught classical composer with a degenerative condition causing deafness, was celebrated as a "Japanese Beethoven" for the digital age. However, just prior to the 2014 Winter Olympics, where Samuragochi's "Sonatina for Violin" was to accompany figure skater Daisuke Takahashi, part-time university lecturer Takashi Niigaki revealed that he had served as the composer's ghostwriter for 18 years, that Samuragochi couldn't notate music and, in fact, could hear perfectly. As Samuragochi's recordings were pulled and performances cancelled, Niigaki enjoyed success on TV talk shows. Filmmaker Tatsuya Mori finds Samuragochi in his small Yokohama apartment with his wife and cat, ready to tell his side of the story. A mesmerizing character study skewering media duplicity and constructions of ability/disability, in which Samuragochi's career has collapsed, taking fact and fiction with it.

FAKE

5.2 2016
Skate Dreams

Skate Dreams, the first feature documentary about the rise of women’s skateboarding, profiles a group of women whose pursuit of self-expression, equality, and freedom have created an international movement on and off their skateboards. From their boycott of the X-Games, to their defiance of traditional skateboarding gatekeepers, through grueling worldwide skate competitions in the run up to the Olympics, Skate Dreams showcases the charismatic personalities, indomitable spirits and amazing talent of these trailblazing pioneers.

Skate Dreams

5.5 2022
Kim-Gun

KIM-GUN searches for the whereabouts of a young man whose identity has sparked a national controversy over the 1980 May 18 Gwangju Uprising. Starting with the vague memories of those who had crossed paths with him during that time, the film tracks down those who participated in the Uprising as “Citizen Soldiers.” It also traces KIM’s final steps, based on photographic clues found in the firearms he carried and the “Surveillance Truck No. 10” in which he rode. By identifying KIM-GUN, we believe that we can find valuable leads to resolving the ongoing controversy over May 18. Why did a nameless young man join the Uprising? Why did he take up arms? Where has he gone afterwards? It is the answers to these questions that the film seeks.

Kim-Gun

8.0 2019
Cinema Hong Kong: The Beauties of the Shaw Studio

Hong Kong cinemas had a wide range of glamorous female stars during the golden age of the 60's and 70's. The series will take the audience on a sentimental journey to the good old days and once again look at the expansive epic costume dramas and huangmei operas in which actresses played both the male and female roles. Rare interviews with Sir Run Run Shaw, stars Ivy Ling Po, Shaw Yin Yin, Tanny Tie Ni and Cheng Pei Pei are also featured.

Cinema Hong Kong: The Beauties of the Shaw Studio

7.0 2003
Lost Cemeteries

When Pak Tin Estate is going to be demolished, the residents will move to a new place, but how about the dead residents? Where could they go? Ho Ying-kuen who majors in Myth and Poetry, and Playwriting, leads us to a time and space of a demolishing public estate. We will come across the residents of the estate, a mother with her two sons selling incenses, and two monkeys having conversation about their mother. A mixture of fiction, experimental and documentary images, Lost Cemeteries studies about filial piety and death with a strange and interesting approach.

Lost Cemeteries

5.0 2017
Tora-san of Goto

This documentary film follows for 22 years a nine-member family involved in the manufacturing of Udon in the Goto Islands, Nagasaki prefecture. Mr. Toru Inuzuka called by nickname "Tora-san" is making famous 'Goto Udon' and natural salt on the island on which the depopulation is progressing. Seven children get up at 5 o'clock every morning, helping to make udon, and go to school. Children's help is recorded on the time card, and it is pocket money for children. The film talks about children's growth, marriage, childbirth, homecoming, and parting. The 22 years of familiarity of the family is drawn.

Tora-san of Goto

7.7 2016
Finding Sayun

For her debut feature Finding Sayun (不一樣的月光), Atayal director Chen Chieh-yao (陳潔瑤) returns to her home village to unearth the legend of Sayun (sometimes spelled Sayion), an Atayal girl who fell to her death in a turbulent stream while carrying a Japanese teacher’s belongings at the end of World War II. The movie begins when the tale of Sayun draws a television crew to the Atayal hamlet of Tyohemg (金岳) in Nanao Township (南澳), Yilan County. Yukan (Tsao Shih-hui, 曹世輝), a high-school boy and a young hunter, does not understand the crew members’ interest in the story. But his grandfather’s (Chang Chin-chen, 張金振) memories of Sayun, whom he went to school with, revives his interest in the old tribal village, which the villagers had been forced to desert 50 years prior.

Finding Sayun

5.0 2011
Tough Out

In the suburbs of Beijing, a group of troubled teenagers learn to play baseball with a famous baseball coach, while struggling through their internal conflicts and the inability to play baseball games like professionals. When an accident took place in the winter of 2017, countless local residents got evacuated in Beijing, the baseball team, as well as their playfield were facing the unexpected obstacle—the relocation of their headquarter. With the World Series of the Little Pony League waiting around the corner, the whole team will have to pull themselves together and face the competition on the international stage.

Tough Out

6.2 2020
Sand

In 2018, Tsai Ming-Liang was invited by the Northeast and Yilan Coast National Scenic Area Administration to make this film, his eighth in the "Walker" series. In the constant passage of time, the Zen-like footsteps of the Walker has finally allowed us to see the Pacific Ocean, the open sky, the seagulls, the black sand, an eel catching settlement that arose in the cold winter rain, the twisting branches of the lintou trees, flotsam piled up like mountains, and a newly constructed cement house, which seems to offer a temporary place of rest for the Walker. "Sand" premiered together with the opening of the Zhuangwei Dune Visitor Center.

Sand

NR 2018
岛的故事之大屿山沙之城

Four college students came to Lantau to climb. They stayed in a temple in the mountains at night. Under the hospitality of a little monk (Zhang Guorong), the students chatted with the master of the temple all night and found that the life of the monks was very different from that of the world. The four people who come here only want to climb the mountain, while the family pursues the peak of Buddhism; the family wants to see through the world, while the college students only want to see the red sun; when the men and women have a picnic on the beach, the host is talking about Zen, which is a very clear contrast between the family and the world. The next morning, the students left the temple to continue their journey. The little monk who was cleaning in front of the door just smiled and saw him off. His heart seemed to be full of understanding

岛的故事之大屿山沙之城

NR 1981
Lily, I am crying

A documentary about actress and singer-songwriter Lily, who passed away in 2016 at the age of 64. The theatrical version combines live footage of "Lily + Hiroshi" recorded between 2013 and 2015 by Takama Kenji, cinematographer of "Radio Time," with additional interview footage of guests who had connections with Lily. Starring Lily, Saito Hiroshi, Takahashi Kazuya from "Between the White Keys and the Black Keys," Negishi Toki from "At the Bus Stop Until Dawn," Toyokawa Etsushi who co-starred with Lily in the 1997 TV drama "The Blue Bird," and Iwai Shunji, director of "The Bride of Rip Van Winkle," in which Lily starred.

Lily, I am crying

NR 2024
JAKUCHO: An Extraordinary Life of a Japanese Nun

Documentary about the Buddhist nun Setouchi Jakucho, who continued writing until her death in November 2021 at the age of 99. Features words of wisdom and personal revelations in never-seen-before footage captured by Nakamura Yu over a 17-year period. Setouchi Jakucho achieved undisputed acclaim as a feminist author with numerous semi-autobiographical novels based on personal experiences, including affairs and elopement. The film shows her attitude of fully embracing life even after becoming a Buddhist nun at age 51, which earned her wide-spread popularity in Japan.

JAKUCHO: An Extraordinary Life of a Japanese Nun

NR 2022
Behemoth

Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.

Behemoth

7.5 2015
Kawasaki Keirin

In the industrial city of Kawasaki, on the corner of the street where my grandparents used to live, bettors of keirin — a cycling race developed in post-war — gather in a tiny bar busy drinking, chatting and gambling at the velodrome nearby. Most are old men who struggle to make a living for themselves; most have lived in this town their whole lives. This film frankly captured with a fixed camera, gives voice to the lives of the elderly men who have been left behind by Japan's economy.

Kawasaki Keirin

NR 2016
Pacific Mother

Pacific Mother journeys from Japan, to Hawaii, Tahiti, Rarotonga and Aotearoa to share interwoven stories of formidable women who live at one with the Pacific Ocean – freediving, spearfishing and paddling waka through its depths and playing with their children in its shallows – a stark contrast to fast-paced lifestyles of larger towns or cities. These women are all mothers who experienced diverse births in hospital, at home and by the sea, with and without medical assistance. Fukumoto also meets Māori and Japanese midwives who share indigenous traditions and rituals around birth that have been lost over recent generations, and are now gradually being reclaimed. Their stories demonstrate just how disconnected the global default maternity system is from the instinctive and cultural needs of mothers and families. They inspire a call to action on birthing rights, as well as a call for parents’ reconnection with their role as nurturers and protectors of their natural environment.

Pacific Mother

9.0 2023